I’ll tellya, you can have Tsuda Kenjirou read the friggin’ phone book paired with an epic Kawasaki Ryou score and I’ll be entertained, but TYE gives the man far more stirring things to say. It manages to achieve what the doomed poor boy whose form he assumed could not: escape the tundra and reach a lush, fertile land.
It doesn’t do so without incident, dying six times by starvation, exhaustion, or infection, and a seventh when it’s eaten by a giant white bear. But as Tsuda’s smooth, smoky voice proclaims: It died again…but that was not a problem. With each death, It regenerates faster and faster. It learns.
The episode becomes far more conventional than the first, by dint of featuring more than one character speaking. It’s also not a self-contained mini-film but the first part of an arc in this new green setting. Neither of these differences are bad things, mind you. In fact, it feels like Peak Ghibli a la Princess Mononoke.
A large part of that is due to March, the vivacious, instantly endearing heroine of this arc. Voiced by Hikisaka Rie with a nice balance of cutesiness and precociousness, March has a “family” of eight stuffed animal “children” with her “spouse” and big-sis figure Parona. But March wants to grow up ASAP so she can be a real mother.
Her village could use more mothers, too: she’s one of only three children, which makes her fate that much more maddening. One day, March hears a clanging bell, and Parona grabs her and runs off. They’re caught by an menacing, matter-of-fact warrior priest named Hayase and four guards who hide their faces with Beefeater hats.
Parona and March’s village has been chosen (I assume by the elders) to provide the next offering to Oniguma-sama, a god-beast who lives atop the nearby mountain and demands an untarnished female sacrifice every damn year. Seems like a bad idea if you, I dunno, don’t want to die out as a people.
March makes clear this is bullshit and she doesn’t want to die, because that means she’ll never grow up or be a mom. But both her reasonable words and her tiny punches fail to move Hayase from her absolute devotion to tradition. Hayase warns March that if she runs, Lalah will be killed in her place. If Lalah runs, they’ll use her infant sister. Real piece of work, this Hayase!
The preparations proceed, and while March’s parents hid their despair upon learning their daughter would be chosen, they don’t spare their grief and anguish when her procession commences its climb to the sacrificial altar atop the mountain.
Parona stood with the other villagers looking helpless, but that was only an act. While she is absolutely terrible at archery, one of her wayward arrows manages to smack Hayashitbag right on her haughty nose, and Parona uses the opening to tackle her. At the same time, March runs off as fast as her little legs can carry her, and is eventually aided by gravity.
She ends up face down in a pond, where she encounters It. It is also face down, and dead, and a mangled, decomposed corpse. But while Hayase’s pursuing guards turn tail upon seeing his grotesque form, March stands fast and watches with wonder as the husk of a boy reconstructs itself. March washes off the ink on her face—which in her village is done when a girl officially becomes a woman—and follows the wordless white-haired boy.
She grows increasingly frustrated with his complete lack of communication, but soon their speaking the same language: rumbling bellies. March climbs a tree and grabs him a fruit, which he proceeds to eat like he did when he was a wolf: ravenously and greedily. Every fruit March picks for herself ends up in his stomach until he’s had his fill and curls up to sleep.
After she eats and falls asleep beside her, March dreams of coming home, only to learn that Lalah and her baby sister Lisa were sacrificed to Oniguma-sama in her stead, and then, because this is To Your Eternity, we are shown the small child and infant being eaten by the great bearlike beast.
Upon waking, March heads back to her village, not willing to let the other kids die in her place. It knows to stay close to her if it wants an easy meal, so it follows her like a lost puppy.
Despite all the suffering and duress she’s had to endure the last few days, March can still maintain a sense of humor about things, turning around, flashing a gentle smile, and telling It “I’m not your mommy!” But she’s wrong: she is It’s mother. She became quite by accident what she’d always dreamed of becoming. How long will it last? Hopefully, as long as it can.