Full Dive – 02 – Hell’s Fruit Slicer

For someone supposedly there to help Hiro out, Reona has nothing but bad news for him: Kiwame Quest can’t be restarted unless he buys a new console, which she just happens to be willing to sell for ¥120,000, or ¥30K more than he paid for his. Considering how quickly easily Hiro ruined his game, it’s no wonder KQ is a dead game.

He also learns that in the city of Ted, AKA the Closed City, he’s already a wanted fugitive, and so must exercise caution when buying a cheap cloak to mask himself. The clothes merchant hikes up the price in exchange for staying mum about seeing him. It’s looking more and more like the enterprising Reona wrangled Hiro into this game in hopes he’d give up and spend more of the money he doesn’t give to school bullies to her.

Despite costing most of the cash he started with, the cloak does nothing to hide Hiro from his childhood friend Alicia, who arrives in heightened fruit-knife wielding psycho mode. Ai Fairouz brings a lovely chaotic intensity to the role, and after praising the ten-year old’s NPC AI magic, advises Hiro to run. Running makes him tired—just like real life—only since he’s never actually run for his life before, he’s doubly exhausted.

His title changes from “Best Friend Killer” to “Running Best Friend Killer: Fleet-footed Amicide.” Having had enough, Hiro tries to log out, but he’s still technically in combat with Alicia, who appears and slashes his hand. Despite Reona assuring him one doesn’t feel any more pain than a bruise from fallnig down stairs, Hiro is still caught off guard by the pain. Reona, invisible to Alicia, punche her in the face to allow Hiro to flee and log off.

Back in the real world, Hiro notes how he’s never run all-out like he just did in KQ. His friend tries to prod him into confronting the bullies using him as a wallet, and Kaede makes another brief appearance to complain about the noise he made last night, and look at him with disgust. He ultimately decides to go back to KQ, and not just to go all-out again…but perhaps so the shitty experience there makes real life seem not so bad?

Upon logging back on, he’s in the exact same pain as when he was last there, and his hand is still bleeding. Naturally, simply touching the medicinal herbs in his pocket doesn’t heal him. He then happens to bump into Ginji, another “best friend killer” who’s been playing the game for years. Ginji crushes the herbs and bandages Hiro’s hand, then takes him to a casino to drink a cola-like beverage he’s inexplicably drunk on.

Reona told Hiro to seek Ginji out to learn how he salvaged killing his best friend at start of the game, only to learn he didn’t. In fact, he also killed his childhood friend, and feels zero remorse over it. He also mentions that despite how hard this game is, and how you enter it with your real-world attributes, there is one man, named Kamui, who actually managed to clear the game 100%. But that’s enough chit-chat, as Ginji sells Hiro out by yelling that the fugitive killer is there.

Full Dive’s high concept asks me to suspend my disbelief so high, my arm muscles strain to keep it in the air. It doesn’t help that the visuals are underwhelming, or that the color palette and lighting are oppressively dark and drab—this may be the ugliest Spring show.

Still, if there’s one thing I buy just enough—for now—is the rationale for Hiro sticking with KQ: of all the people in real life, Reona is the only one we’ve seen who not approves of his video game hobby, and wants to play with him. In other words, the closest thing to a friend. He just needs to stay away from fruit knives!

Osamake – 01 (First Impressions) – The Romcom Where The Childhood Friend Won’t Lose!

When Maru Sueharu (melodic name, that) encounters his classmate and the school’s vaunted idol, Kachi Shirokusa, he’s honored she knows his name, and says her first novel moved his heart. His praise moves her to tears as she thanks him, showing a side no one at school had ever seen, and that was that: Sueharu “fell victim to love’s poison”, as for him love isn’t something you fall into, but rather eats away at you.

It’s eleven days until the cultural festival, on the second day of which is the “confession festival”. While on friendly speaking terms with Kachi, Sueharu made no further progress with courting her. His mate Tetsuhiko isn’t surprised. She’s smart, athletic, an award-winning novelist and model—way out of the league of Sueharu…who just seems to be…some guy?

Sueharu watches Kachi (imperiously voiced by Sakura Ayane) tearing her own notes rather than letting a girl copy them. Then he catches Kachi in the library, either writing fresh notes or re-writing the ones she tore, all with tears in her eyes. If ever there was an chance to approach her, it’s here, but Sueharu chickens out. Tetsuhiko suggests Sueharu ask his childhood friend Shida Kuroha out instead of tilting at windmills.

She’s out of his league to, but due to their osananajimi status, she might actually say yes. Sueharu admits that Kuroha is cute, all the guys like her, she’s good at communicating, and he respects her a lot. Just then, Kuroha announces her presence, bending her diminutive frame to face him while he sits on the floor. Sueharu gets all shy, something Kuroha mentions is something she likes about him.

As other boys in class curse Sueharu and plan his death with startling detail for daring to have an “older loli” as a childhood friend, Kuroha makes no effort to lower her voice when she asks if Sueharu regrets rejecting her when she asked him out. Even Kachi and her friend Maiko take notice.

Sueharu prostrates himself and admits that yes, he’s grateful to have Kuroha. Then Maiko accidentally blurts out that Kachi is dating actor Abe Mitsuru, himself the son of a famous actor. Sueharu’s heart drops out of his chest, and he flees the classroom in a cloud of despair.

Naturally, because they’ve known each other since they were little Kuroha knows just where to find him sulking: on the riverbank. She repeats that her asking him out was only because “she lost a game” but he knows that while she acts like an older sister, she likes to be doted on. Because he’s spot-on about that, she cradles his head in her chest as a reward.

Kuroha reiterates her affection for Sueharu, for being nice to her even when he’s hurting himself. She also says that despite the fact he rejected her, her feelings are still there, which is why she can relate to how he’s feeling having been passively rejected by Kachi.

It was in this scene where Kuroha and Sueharu won me over. For one thing, both the characters and their seiyuu Minase Inori and Matsuoka Yoshitsugu have properly gorgeous chemistry that oozes from the screen. They feel so comfortable and sweet together, it’s a crying shame they don’t just date each other…but then there wouldn’t be a show, would there?!

Instead of taking the easy route of going out for real, Kuroha offers to help Sueharu get revenge on Kachi, for stringing him along out of a desire to “keep him around” despite having a boyfriend; the proverbial cake and eating it. It would also be revenge for Kuroha, who is insulted by Kachi’s implied rejection of her friend. As far as she’s concerned it’s Sueharu who’s out of Kachi’s league.

It’s here where Sueharu mentions in VO that Kuroha’s name is based on “clover”, which is not just a symbol of luck, but promises, thinking of her, and…revenge. And at their first meeting to plan this revenge, Kuroha makes no secret of her preferred method: Sueharu and her pretending to be boyfriend and girlfriend, thus depriving Kachi of the buddy she friendzoned.

Before Sueharu fully agrees to this method, Kuroha immediately settles into the role, which she made quite clear would be “all profit” to her, as she’d get to go out with the guy she loves. She gets close to Sueharu, runs her hand down his arm and weaves her fingers into his, whispers in his ear, and eventually gets him on his back, hoping to commence their “fake” dating plan with a real kiss.

Just before their lips touch, Sueharu thinks of Kachi crying on the bridge and wigs out, leaving an upset and unsatisfied Kuroha alone. After trying and failing to get dirt on Abe Mitsuru—he’s perfect!—he flees to the roof to basically monologue in a very dramatic, theatrical way—one instance of many in the episode that allow Matsuoka Yoshitsugu to have some fun with his performance.

Turns out it’s no accident that Sueharu is often performative like this, as we learn when Abe Mitsuru appears on the roof, having heard Sueharu was asking around about him. When Sueharu expresses surprise a famous guy like Abe knows him, Abe says he doesn’t so much know him, but remember him…as the “former genius child actor” Maru Sueharu! This is the first sign that Abe isn’t going to be just some faceless baddie gumming up the gears of Sueharu and Kachi’s romance. Hell, it’s possible Sueharu inspired Mitsuru to follow his dad and become the actor he is!

As it is, Osamake takes the tried-and-true formula of a two-girl, two-boy love polygon, but flips the script of the classic childhood friend character, so often portrayed as meek, supportive, and ultimately content with an unrequited love.

Kuroha may be supportive, but she’s neither meek nor content. Confident and assertive, she knows exactly what she wants and isn’t going to give up trying to get it. And hopefully, for once, the childhood friend won’t lose, as the title suggests (it could be lying). Sueharu came off a bit dull at first, but through his interactions with Kuroha we see what she sees in him. I just hope he doesn’t have amnesia about child acting…that would be one romcom cliché too many!

Mars Red – 02 – Sin From Thy Lips

In the ruins of the bunker where Misaki was being held, Moriyama informs his newly-promoted boss Col. Maeda that there have been more vamp sightings in Kayabacho. Nitto News reporter Shirase Aoi is after the truth of the recent spate of “human combustion” incidents and keen for details on Misaki’s “elopement”, while yearning for her childhood friend, who never returned from battle in Siberia. She’s also miffed that Salomé has been replaced by Romeo & Juliet at the theatre.

We meet the vampiric members of Maeda’s vampire unit Code Zero—the “unranked” Yamagami, “A Class” Kurusu Shuutarou, and “mad scientist”-type Takeuchi—as well as Suwa, who seems to be human. Their first trip for intel on the vamps in Kayabacho is Tenmanya, a shop full of knicknacks, antiques, and curios. Its proprietor plays both sides of the human-vampire conflict.

Tenmanya is willing to offer some info in exchange for ruining his competition. Those rival “blood sellers” are selling a bootleg of his “product”—the vamp equivalent of the hard shit—and a vampire couple are enjoying it and themselves, though the woman seems to think her mate is drinking a bit too much.

While playing a bouquet of asters at the stigmata where Misaki burned up, Maeda encounters Aoi, and learns that one of his vampire agents, Kurusu Shuutarou, is her childhood friend reported dead. He doesn’t tell her of Shuutarou’s fate, nor why he’s leaving flowers, other than he “couldn’t keep his word.”

At midnight, all bridges and streets leading out of Kayabacho are sealed and Code Zero moves in on the vampire couple, who sense danger and aren’t prepared to go quietly. I love how simple yet frightening vampires are depicted in Mars Red, and once again the lighting and camerawork really sell their speed and ferocity that far exceeds human limits.

Unfortunately for our couple, they are cornered on a bridge, and Maeda has brought plenty of his own vampires to take them down. The male vamp chugs one more vial of the black blood and goes out in a blaze of glory, but it’s Suwa and not the Class A Kurusu who delivers the killing blow. Despite being an extremely powerful vampire, Kurusu is disgusted and even a bit scared of blood.

The “parent root” female vamp tries to flee, but she’s headed off by Maeda, who rather violently stuffs his fist through her mouth then slashes her with his sword. How he, a mere human, can do this is not clear. Is he not a mere human? Unfortunately Maeda’s aide Moriyama has to be put out of his misery. Maeda handles it, then has a solemn smoke on the bridge.

Like Tenmanya, Mars Red has the eclectic style and pleasantly musty scent of a shop with odd hours filled with neat things. I also like the connection between Aoi and Kurusu, though I wish after two episodes I could summon more than a shrug about Colonel Maeda, who’s almost too stiff and stoic for his own good.