Don’t Toy with Me, Miss Nagatoro – 01 (First Impressions) – Not Just for the Fun of It

This is going to be one of those shows most viewers will either hate with a steaming passion from the moment the titular Nagatoro first speaks, or follow with a kind of morbid curiosity about just how much teasing, taunting, and straight-up abuse our MC Hachiouji Naoto is ready, willing, and able to endure before he snaps and…asks her out!

Nagatoro’s way with Naoto can be very stressful at times, even for someone who wasn’t bullied as a youth. I wouldn’t be surprised if this is just not a pleasant time for some people, and would totally understand if they want to wash their hands of this show after its first outing made clear what it’s going to be about.

All that said, I came away from Nagatoro thoroughly entertained, and I think a lot of that has to do with tuning into its very particular wavelength. It certainly helps that Uesaka Sumire is so good in voicing Nagatoro’s role, and the visuals are gorgeous and sometimes downright stunning. You have to buy into the idea that for as horrible as she is for much of this episode, this is all really Nagatoro’s way of engaging—and flirting—with Naoto.

Nagatoro is first introduced as one of four faceless gyaru-esque types loudly carrying on in the library, where none of the shyer people around them have the guts to tell them to shut up or leave. Naoto is intimidated by their mere presence on the opposite end of the room, thinking he’s never going to have anything to do with “that species”.

When one of the girls picks up a manga drawing he dropped, Nagatoro seems more interested than the others, and stays behind while they go hang out elsewhere. This is key, as no one else is around during all of the teasing that ensues when she has a flustered Naoto reenact the scene from his manga with her. That’s not an accident; I think she likes it that way.

Nagatoro may be ridiculously irritating and invasive and almost utterly contemptuous of personal boundaries, but she is this way to Naoto and no one else, and with no one else around. It’s the same in the art club, when she makes sure they’re alone before teasing him by offering to be a nude model.

I daresay Nagatoro gets off on dominating the year-older Naoto. Her face does a lot of things throughout the episode, but one thing that stands out is that she’s often blushing just as much if not more than he is while she’s engaged in her teasing. When he’s knocked backwards when she unbuttons her top, she blushes. When she relents and agrees to draw her normally (with her clothes on) she blushes.

She’s loving every minute of this, and seems to be fueled by Naoto’s passivity and submissiveness. Her criticism of his manga and his portrait of her is actually pretty constructive when you think about it, as her goal seems to be to get him to either draw a manga with a character more like him or to become more like his character. She also wants him to draw her better, which means she wants him to draw her again. She was, after all, the first girl he ever looked at so closely.

When Nagatoro makes Naoto cry in the library and she offers him a handkerchief, it almost feels like rubbing salt in the wound. But then when she makes him cry again—after she physically overpowers him and says he’s “so weak”—her demeanor softens considerably and she apologizes while gently drying his eyes, admitting she “had to” mess with him again.

More like she couldn’t resist, because she gets so much pleasure out of riling him up…and also out of drying his eyes. It’s like she’s breaking him down so she can build him back up. In any case, it’s a very cute and tender moment when she realizes she might’ve gone too far there.

That said, Nagatoro continues to pester Naoto as he leaves school, and they apparently share a route home. It’s here whre Nagatoro may actually be hiding a genuine request to go out with her behind a layer of teasing. Sure, even if Naoto straightened up and said “yes”, she’d laugh it off as a joke, but the simple fact that Nagatoro won’t leave him and only him alone means there’s something there.

When she accidentally pushes him into the river (due to some creative physics on the part of the episode) and he comes out soaking but still not letting her have it, she remarks how he never seems to get angry. The thing is, Naoto is used to bullying and used to dealing with it by looking away and closing his mind. Because of that, he doesn’t remember the faces of his previous bullies.

When prompted, he tells Nagatoro that she ticks him off and gets on his nerves, but “he doesn’t hate it that much…talking with [her] and stuff”. Having called her simply “miss” throughout their interactions, Nagatoro finally gets him to ask her for her name, and for good measure, she writes it on his chest with her finger, never passing up a chance to get a rise out of him.

The episode ends with her trademark devilish smirk, but also flushed cheeks as she says “Let’s get to know each other, Senpai.” I’m willing to give Nagatoro the benefit of the doubt because Naoto is, and has dealt with worse treatment before, and to him Nagatoro simply feels different. Perhaps it feels less like a bully and victim, and more like a dom/sub or top/bottom relationship? And it also feels safer because so far all of the humiliation she’s brought upon him has been private?

I doubt at this point that Naoto perceives that Nagatoro harbors genuine attraction to him precisely because he lets her drive him to tears, but as he said, he doesn’t entirely hate it that much. Will the D/s dynamic continue, or will Naoto start to try to assert himself more as he grows more comfortable around her? I’m eager to see where this goes. Your mileage may well vary considerably.

Episode 1 “Senpai” Count: 51

Author: sesameacrylic

Zane Kalish is a staff writer for RABUJOI.

One thought on “Don’t Toy with Me, Miss Nagatoro – 01 (First Impressions) – Not Just for the Fun of It”

  1. I’m in the other camp on Nagatoro etc etc. I absolutely hated it and dropped it after the art room scene. I disliked Nagatoro, found her Seiyu’s (probably excellent) work annoying, but most of all I found Naota’s stereotyped repressed Japanese nerd character annoying and unlikable. It reminded me of Uzaki-chan Wants to Hang Out without that show’s wit and character balance.

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