Yuru Camp△ – 01 (First Impressions) – So Amazing, So Tiny

I’m three years and two months late to Yuru Camp, AKA Laid-Back Camp, but Hannah taking a very worthwhile look back at Demon Slayer got me thinking, what was a series from the last couple years I never took a look at, for no reason in particular? Yuru Camp is the answer, which in hindsight is a crime, as it’s about as up my alley as an anime can be!

Its first episode really sets the tone. After a cold open involving the entire future group, we go back to an instance of Shima Rin going to the foot of Mount Fuji during the off-season to camp all by herself. She gets there by bike, and I have to agree with the campsite reservations guy and his friend: she’s small, but tough!

One thing I loved about Cast Away was how it just let events breathe, really pulling you into its world as if you were there on that beach with Tom Hanks and a volleyball. Only here, the situation isn’t a matter of survival, but simply getting away from the hustle and bustle of the town and enjoying Japan’s natural splendor.

Rin is clearly very practiced at camping and camping alone in particular, bringing everything she needed for a cool evening, carefully, perfectly setting up her tent and galley. With every completed task, she balls up her fists and lets out a little satisfied “yoshi” (Touyama Nao delivers a cute, subtle, pitch-perfect voice performance). And while she didn’t want to deal with a campfire, it eventually gets cold enough to warrant one, and once she’s beside it, there’s no substituting that warmth!

Rin’s tent isn’t too far from the public bathrooms, and the first time she passed them on her bike she noticed a girl with pink hair sleeping on a bench. She spots her again when she uses the bathroom, noting she migrated a bit but remained asleep. Finally, when Rin takes a second trip there in the night, the girl is seemingly gone…only to pop up behind her in tears. After a brief chase, the girl identifies herself as Kagamihara Nadeshiko, voiced by Hanamori Yumiri.

She recently moved to the town, and wanted to catch a look at Fuji-san, only to fall asleep and wake up in the pitch black of night. Rin, while not expecting company, is nevertheless a kind and generous host, offering Nadeshiko a spot at the fire, a cup of curry noodles, and the use of her phone to call her big sister. But before calling, both Nadeshiko and Rin bask in the sight of a moonlit Fuji-san, no longer obscured by clouds.

It’s a gorgeous, dreamy shot, only adding to the coziness of Rin’s warm campsite. Before Nadeshiko is carted off by her big sis, she gives Rin her contact info, saying they should go on a proper camping trip together sometime. Rin calls Nadeshiko a “weirdo”, but that doesn’t preclude the  fact that Rin is a little weird, too. Nadeshiko is the yang to Rin’s yin, if you will.

The next day, Nadeshiko makes her way to school, first by bike, then train, then foot. She’s excited to have seen Fuji-san in all its glory, and as she searches for her shoe locker, she passes Rin, who just happens to have her head down.

While the two miss each other, it should come as a surprise to Nadeshiko that her new acquaintance isn’t a grade schooler, as she suspected, but her own age. I imagine it won’t be long until Nadeshiko is introduced to the other members of the Outdoor Activities Club.

Yuru Camp is anime-as-meditation therapy absolutely oozing with charm. The vistas are gorgeous, the direction is simple and naturalistic, and the laid-back score by Tateyama Akiyuki is the perfect accompaniment. The first episode left me with a big smile on my face, and I couldn’t wait to see the next episode. It’s nice to not have to wait a week!

P.S. There’s a lot to love with this show, but one thing I can’t quite get on board with is the OP. The song sounds like a version of the Jackson 5’s “ABC” tweaked enough to avoid a copyright suit, while the visuals are a bit too herky-jerky for such a “laid-back” show.

Re: Zero – 47 – Seeing the Job Through

There’s action on all fronts, such that we don’t even check in on Ram and Puck’s fight with Roswaal. What we do see is that for once, an opponent—in this case Gar—is giving Elsa a challenge, even blocking her razor-sharp blades with his pearly whites! Gar’s confidence is buoyed both by his reunion with his big sister (who is free to retrieve the sleeping Rem) and “Boss” Subaru’s heroic example.

Gar and Fred give Subie the time he needs to at least try to make a case for Beako to come with him. She remains weighed down by the pain of 400 years of solitude; a “pure white life” due to the blank pages of the tome her mother gave to her. But it’s because she’s kept her promise for that long that she’s not about to break it now, even if it means her death.

Subie feels the opposite: four centuries is long enough, especially when nobody’s even sure Beako was given the right book! He’d rather she break the promise to keep her alive. Negotiations break down when Beatrice asks with all earnestness if Subaru can be “that person” for her. He says no way, and she ejects him from her library, where he encounters Otto and Petra, cornered by Mabeasts.

Meili (or Maylie if you prefer) is indeed on the scene, riding a giant “Rock Piggie” or Hippo. After grabbing Subie, Otto, and Petra (with Rem on her back) getting them out of the mansion, Frederica vows to hold Maylie off while Subaru and Otto get Rem and Petra to safety.

Unlike last time she fought, Fred’s not prepared to die so soon after meeting seeing her brother again, so she promises Petra she’ll take care not to let herself get killed. Unfortunately, Subaru and Otto have another obstacle: the Guiltylowe, who is immune to the mabeast ward. With both Tinzel siblings occupied, can these two lads handle this boss? To be continued.

The episode makes a clean break from the events at the mansion and returns to Emilia tackling the second trial. I appreciated this as Subie’s side of the story already has a lot of moving parts and cutting back and forth between him and Emilia would have added needless complexity and hampered the flow of both.

Instead, we stick with Emilia to the end of the episode, bearing witness to the entirety of her second trial. While she confronted her past in the first trial, the second is all about an “unthinkable”, i.e. alternate present (or at least near-present, as Emilia still seems slightly younger than her true present form). But the bottom line is this: she’s grown into a lovely young lady under the continued care of Mother Fortuna, who is still alive.

On an absolutely perfect day, an alive and non-crazed Betelgeuse comes calling, and the three set out for a picnic by the lake. Fortuna is dressed up for the occasion and Geuse cannot help but compliment her, which only makes her embarrassed and self-conscious. On their way to the lake, they pass by three other inhabitants of Elior, for whom Fortuna, Lia, and Geuse look like a tight-knit family.

Emilia uses the picnic to bring up the prospect of no longer beating around the bush and making their little family unit an official thing. While Geuse is worried that rumors about him and Fortuna could affect her very important job, but Lia believes it’s too late to worry about others’ opinions, and in any case those opinions are wholly positive, so why not become a family?

Saying she has something in her eye and having said what she wanted to say, Emilia leaves “the rest” to the two “young kids”, tearfully saying “I love you both” as she walks away. She climbs a hill that overlooks the idyllic scene, and is soon joined by Archi. He agrees the two make a good match and Fortuna should “give more thought to her own happiness.”

But, Emilia remarks, clutching Fortuna’s hairpiece that is now in her hair. this world doesn’t exist anymore. Archi confirms it is the unthinkable present, and asks her if she wants to live there in happiness. But Emilia has already committed to the real world outside of this. She’s done being hidden and protected, and wants to be an admirable person, listing off everyone dead and alive who were also admirable in how they helped and indeed are still doing so as she speaks.

Archi turns into a thoroughly disgusted Echidna, but it was she who said that the other two trials would be a piece of cake after how Emilia acquitted herself in the first. And so it was! She was never seriously tempted to remain in a dream world that she knew could never truly be. Rather, she was simply grateful for the opportunity to see her family once more.

To complete the trial, she leaps off the bluff and straight into the water, briefly catching a glimpse of her face and noting that she looks less like Fortuna than she thought. From the depths of the lake, Emilia emerges from the Graveyard, and is surprised to find the village refugees are all there to greet her and celebrate her latest victory.

It’s not just the villagers, either: Ryuzu has come with all of the beast people from the Sanctuary. While some of them still don’t 100% trust her, they’ve seen how hard Garfiel worked, and they’re willing to stand and bear witness to her efforts. Just one more trial to go, which will doubtless be focused on the future, or the possible versions thereof. Emilia promises they’ll all have a nice talk once she’s come through the final trial in one piece.

Rating: 4/5 Stars