Jujutsu Kaisen – 13 – What Is a Proper Death?

Yuuji is in the fight of his life, but he’s also in the middle of a lecture. Nanami may not be a teacher, but he’s still going to coach up the young buck so he doesn’t get himself killed. Yuuji, for his part, pays attention. He’s not the kind of hero who’s going to defy his sensei because he thinks he knows better or thinks he’s strong enough.

Nanami’s plan with Mahito is simple: wait for an opening, then rain blows upon him with Yuuji. It takes a little under four minutes, but the two jujutsu sorcerers eventually get the timing right, and then it’s open season. That’s when Mahito plays dirty, unleashing a trio of deformed humans on Yuuji, knowing he doesn’t have the heart to kill them.

Only, to Mahito’ surprise, he does. It happens offscreen, but Yuuji deals with the humans before they kill him. That’s when Mahito decides to push all his chips into the pot with Domain Expansion, engulfing only Nanami while Yuuji is trapped outside. Nanami, all but certain this is the end for him, looks back on how he got back into sorcery in the first place.

We watch him live his life in a pinstripe suit stealing money from wealthy people in order to make other people wealthier. It’s a job he’s good at but gives him no joy, and he believes no one would miss him if he simply ceased to exist. Then, when a cute young woman at the bakery has a low-level curse on her shoulder, he exorcises it, she thanks him profusely, and he decides right then and there to give Gojou a call.

Of course, while more rewarding and a better use of his time and talents, jujutsu sorcery was always going to be a higher-risk proposition. Mahito thanks Nanami for getting him to unleash his domain, but Mahito isn’t interested in the gratitude of a curse. He’s gotten enough thanks from people like the bakery lady that he has no regrets.

Only before Mahito can do Nanami in, Yuuji successfully busts through the domain from the outside, which is far easier than trying to break out. Because Yuuji is the vessel for Sukuna’s soul and Yuuji is now within Mahito’s domain, Mahito touches Sukuna’s soul a second time, and Sukuna punishes him—a flick of his hand puts a gaping gash across Mahito’s chest.

With his cursed energy depleted from summoning the domain, Mahito puts everything he’s got left into making himself as big and fat as possible. Yuuji proceeds to put everything he has into a Divergent Fist, which pops Mahito like a balloon, but crucially does not kill him. He’s able to slip back into the sewers. Nanami has his colleague Ito try to track him down, while Yuuji passes out from exertion and his many wounds.

When Yuuji wakes up he’s back at the school, specifically the morgue, where he reflects on the human life he was forced to take, and how it led to the realization that while he’s been trying to ensure everyone gets a “proper death”, he has no idea what that is. Nanami has news for him: no one does. All he knows is there will be many more people like him who will need him, so he’d better not die improperly himself.

Back at the late Yoshino Junpei’s high school, the lead bully Itou is called out by his peers filling out surveys, and the ineffectual teacher who looked the other way for so long develops a spine. He knows both he and Itou bear the crime of killing Yoshino’s heart, and will have to keep bearing it the rest of their lives. While Junpei died far too early, his death wasn’t without purpose.

Meanwhile, Yuuji is back on his feet and above ground at Jujutsu High, meeting Nanami and Gojou in the hall as a full-fledged jujutsu sorcerer. While Mahito & Co. will surely go after him in hopes of releasing Sukuna (who Mahito believes can singlehandedly usher in the “Age of Curses”), his more immediate concerns are reuniting with Megumi and Nobara (at last!) and participation in the Kyoto Sister School Exchange Event.

As for this episode, I consider it the best of Jujutsu Kaisen yet, an absolute tour-de-force of combat animation and sakuga, staging, pacing, atmosphere, peril, and sweet, sweet near-victory. Nanami’s backstory was well-timed, efficient, and effective at giving the guy some dimension, while Mahito remained an entertaining adversary to the bitter near-end.

Jujutsu Kaisen – 12 – Shape of the Heart

Last week barreled through a rapidly-created friendship between Yuuji and Yoshino Junpei, yet despite that story being told at breakneck speed, it still worked; i was still emotionally invested, and like Yuuji was dearly hoping Junpei could be saved.

Granted, that wasn’t going to happen without a little bit of tough love in the form of a physical showdown between the two. At first glance Junpei seems as bad a matchup with Yuuji as Mahito vs. Nanami: he can use his jellyfish shikigami to dull Yuuji’s blunt-force blows.

Well…until he can’t, and Yuuji punches the shit out of the jellyfish. Junpei tries to explain while he fights why what he’s doing is right and just, but like myself Yuuji wasn’t really listening, and in any case isn’t buying what Junpei is selling about nobody having hearts, or people being free to kill those who wronged them.

But when Junpei breaks out the jellyfish cutlery, Yuuji fails to dodge on purpose, because he realizes he’s dismissing Junpei’s point of view from a place of ignorant privilege. Especially considering how short a time he’s known Junpei, Yuuji admits he doesn’t know the full story about what’s going on…which is why he stops fighting and asks Junpei to tell him.

Once he does, Yuuji suggests Junpei come to Jujutsu Tech with him, not only to hone his abilities, but to find out who cursed his mom and bring them to justice the right way. Junpei might even have been receptive to such an offer, as he’d no longer have to attend the school where he’s so horribly bullied. Alas, it’s not his call…it’s Mahito’s.

Mahito arrives with all his usual immaturity, vivaciousness and swagger that make him Gojou’s cursed spirit counterpart. Without hesitation, he uses Idle Transformation on Junpei, transforming him into a grotesque monster that called to mind both Made in Abyss Attack on Titan, and of course Parasyte: The Maxim.

It was one thing to see a curse sneak up on Junpei’s mom; her death happened off-camera. But to see Yuuji’s new friend, someone who was just a kid being led down the wrong path by a literal curse, cruelly disfigured beyond repair was f-ing hard to watch. The transformed Junpei attacks Yuuji, who tells Sukuna that he’ll do or give up anything if only he heals him…and Sukuna refuses.

This shocks Mahito, whose entire plan (or rather Getou’s) was to back Yuuji into a corner so he’d have no choice but to form a pact with Sukuna, whereupon Mahito and his friends would introduce themselves to the King of Curses and seek an alliance in the war against humanity. Instead, Yuuji remains Yuuji, and Junpei dies (from the shock of the transformation) while clutching his friend.

From that point on, Yuuji has HAD it with Mahito, explodes with shounen energy and starts whaling on the guy. Of course, physical attacks are of limited efficacy against a curse that can change his physical shape at will, but that first punch makes Mahito’s nose bleed, which is something.

Unfortunately, Mahito has something for Yuuji too; part of being able to change his shape means he can transform into any number of frightening weapons, from a chain of razor-sharp blades to piercing spikes large and small that riddle the reckless Yuuji with holes.

Throughout this fight, in which Mahito hangs in there in a rather bemused state, still feels he can salvage the plan. Yuuji made clear he doesn’t want to exorcise Mahito, he wants to kill him, so if he can’t kill him alone, he’ll have no choice but to switch out with Sukuna.

Mahito is even fully prepared to transform every student in the school until Yuuji is enraged enough to switch out. However, when Mahito gets an opening, he can’t resist trying to use Idle Transformation on someone who is “aware of the outline of their soul”, as Yuuji is.

It doesn’t go well. Rather than touch Yuuji’s soul and transform him, Mahito is shunted to Sukuna’s Innate Domain, where Sukuna sits upon his giant throne of bones, looks down on a frightened Mahito, and gravely warns the “fool” to “know his place.” He’ll let him off with trying to touch his soul once, since they both shared a laugh at Yuuji and Junpei’s expense. But ther won’t be a second time.

Mahito ends up back in the outside world, and his failed technique opens him up to a series of brutal skull-crushing headbutts from a committed Yuuji. Mahito stops playing around and slips out of Yuuji’s hold, and is about to bash him with a giant cudgel arm when Nanami swoops in to absorb the blow.

Next, Nanami asks for a report from Yuuji, and is irritated when Yuuji reports that he couldn’t save two people (Junpei and his mom) before reporting on his own physical status. To Nanami and many other sorcerers, looking after oneself trumps worrying about others. I’m sure he hopes it’s something he can exorcise from Yuuji, but for now, he recognizes that he’s still just a kid. A kid full of holes.

Now that a capital-A Adult has arrive at the scene, we’ve arrived at the beginning of the endgame to the Mahito battle. Nanami has already determined his attacks are ineffective, but he is able to limit his movement. Combined with Yuuji’s ability to make him bleed, hopefully the two of them working together can defeat the patchwork curse…or at least force him to retreat. If not, heck…maybe they’ll get a surprise assist from Gojou.

The Quintessential Quintuplets – 15 – Leaving the Nest

Nino insists Fuutarou take a shower to thoroughly wash off the river, but mostly wanted someone to talk to and break the monotony of her solitary hotel life…plus she felt bad that he looked so depressed! She gets Fuutarou to tell the full story of his encounter with Kyoto Mystery Girl…which lasted far longer than I had originally thought!

Sleep-deprived or not, there’s virtually no way “Rena” was a hallucination, yet remains an baffling enigma. She asks him to tell her about the students he’s tutoring as if she’s not one of them, but then why does she not only look just like one of them, but blushes when he describes them one by one with perfect accuracy?

Rena tells Fuutarou he seems like someone who is “needed” now, and takes her leave, returning his student ID but keeping the photo of them, because, as she says, “they’ll never meet again.” She tosses him a rolled fortune and tells him to open it when he’s learned to “accept” himself. When he tries to follow her, he falls out of the boat and into the river.

The story moves Nino to tears, and she assures him “at least one person on this planet” would fall for an “insensitive guy” like him. Right on cue, she notices he’s wearing nothing but a tiny towel and is scandalized…yet can’t help peer through her fingers! Fuu learns she taped his study packet back together and has been working on it.

She apologizes to Fuu for her behavior, but won’t go home and make up with Itsuki, who had never slapped her before. Itsuki, meanwhile, has become way too comfortable at the Uesugi residence for Fuu’s taste. The next day, Fuu shows up at Nino’s hotel again, and she tells him about how she feels like her four sisters flew away from their nest, leaving only her behind—it’s why she keeps her hair the same length it was five years ago.

Fuu tells Nino that you can’t change how people change, but have to accept that change and whatever it brings. One part of Nino’s past she isn’t ready to forget is her brief time with Fuu’s cousin “Kintarou,” so she changes gears by having Fuu arrange for them to meet again.

A classic sitcom scenario then plays out, with Fuu having to spend the day with Nino as Kintarou and answering her phone calls for advice about his “cousin”. He slips up more than once, calling Nino by her first name, letting slip he knows she’s a good cook, then finally telling her he doesn’t care about their exams, but just wants the five of them back together.

Nino doesn’t ever let on that she knows Kintarou is Fuu in disguise until he’s ready to confess. She claims to Fuu at the first-floor café that she thinks Kintarou was about to ask her out. She then holds out her hand to give him a handshake of gratitude, only to pull up his sleeve to reveal the bracelet she just returned to Kintarou.

Whether Nino thinks the previous Kintarou she met was the real one, or she knew Fuu was Kintarou all along isn’t 100% clear, but what is clear as day is her expression of hurt and disappointment, which is the last thing Fuu sees before succumbing to the drug she slipped in his iced coffee. While it was played for laughs when she drugged him in the first season, it hits different here, especially after the heart-to-hearts they’ve had since then.

It’s an abrupt end to the Nino storyline, as she ends up checking out of the hotel, leaving Fuu in the lurch. I do wish he had had the chance to make clear there never was any Kintarou and properly ask for forgiveness, but Nino seems to have made her own ruling on the matter, and so we move on to the other sisters.

After forcing Itsuki to wake up on time (she forgets where she is and thinks Nino is trying waking her), the two of them try to get a bead on Yotsuba’s situation with the track team. Her coach doesn’t care about exams, and is willing to use Yotsuba as long as she lets herself be used…which is always.

Fuu has to resort to running with Yotsuba while quizzing her, ultimately resulting in him tripping over his own feat and into Yotsuba’s caring arms. She uses that as an excuse to get him to stop running. Then we learn Ichika also wants to help her little sister, even going so far as to brush her teeth like she used to do when they were little.

Ichika makes it clear that as the eldest, she wants to be there for Yotsuba and the others, and furthermore, tells Yotsuba it’s okay to quit if she wants. Yotsuba seems to want to quit, but doesn’t think she can, because it would mean causing trouble for the team.

Little does Yotsuba know that Ichika has been on the phone with Fuu and Itsuki throughout their conversation. She tells them she’ll be meeting with the track coach tomorrow. Hopefully the three of them working together can help “free” Yotsuba from a prison of obligation.

As for Miku, she arrives at Nino’s new hotel, having worn Nino’s spare butterfly ribbons to pass as her sister. Fuu had his change to try to bring Nino back into the fold and only got her angry by pretending to be someone he wasn’t. Now it’s time for Miku to have a go!

Rating: 4/5 Stars

Episode Three Quintuplet Ranking:

  1. Nino: Not much of a contest here. Nino totally ruled the roost this week. We got Caring Nino, Sensitive Nino, Real-Talk-with-Fuu Nino, Crushing-on-Kintarou Nino, and, most controversially, the return of Criminal Nino. Don’t drug people! Total Points: 14 (1st)
  2. Itsuki: Total Points: 12 (2nd) Not as much screentime as last week, but it’s clear she’s become a capable, productive surrogate member of the Uesugi family, yet is also capable of faces like this upon waking up:
  3. Yotsuba: Nice to see number four again! Unfortunately, she’s pretty one-note, with her usual conflict of trying to please too many people. Total Points: 6 (Tied for 4th)
  4. Ichika: That was the most, uh, interesting toothbrushing scene since Nisemonogatari. Glad to see Ichika actively trying to help Yotsuba rather than continuing to float above everything. Total Points: 7 (3rd)
  5. Miku: Yout can’t score points if you don’t show up! Total Points: 6 (Tied for 4th)

Rena (Unranked): The show wants me to think she’s a sixth and separate person, but I still don’t know what to think. I was intrigued by the fact Nino is the only quint to retain her original hair length from five years ago. Could Rena be Nino in disguise, getting back at Fuu for his Kintarou deception? To be continued…

Jujutsu Kaisen – 11 – Let the Hate Flow

Nanami has no intention of working further “overtime” than he needs to, so he executes the attack that has the best chance of disabling Mahito and then retreats when he has the upper hand. He does this by basically removing the limiter to his cursed energy and then depositing it into a wall, which crumbles atop Mahito after his right foot is sliced off.

Nanami recognizes that Mahito is a threat that requires more than just his abilities to contend with; Gojou, who doesn’t appear this week, would seem to have been proven right that the old fogeys in charge of sorcery have been caught flat-footed. For now, a lightly wounded Nanami calls for Ijichi to come pick him up.

It’s then that he learns Yuuji isn’t with Ijichi, but went off to talk to Yoshino Junpei. Unable to reach Ijichi for further instructions, Yuuji simply swings from the hip, asking Yoshino if he has any other info about the theater incident. The two start immediately bond over their love of movies, then Yoshino’s mom passes by and invites Yuuji to dinner.

For one lovely evening, Yuuji and Yoshino are friends, joking around about movies while Yoshino’s mom joins in the fun but drinks too much beer and falls asleep at the table. Yoshino asks if Yuuji is a Jujutsu sorcerer, and if he’s ever killed anyone.

Yuuji has a very eloquent reason for not wanting to ever kill: if it ever becomes an option for him, it will be too easy for it to turn into the only option, clouding the value of life and tainting his soul in the process. Alas, Yoshino’s mom wakes up to find one of Sukuna’s fingers on the table, and is then visited and then killed by a cursed spirit.

That spirit may well have been human once, and the creation of Mahito. Later he and Getou admit they placed the finger there to lure the curse, as they never intended for Yoshino to be anything other than a lure with which to bait Yuuji. Yoshino suspects one of his bullies to be responsible for killing his mom, and so lets Mahito drops a cursed veil over the school.

Dressed in black that mourns both his mom and his old life, Yoshino steps around all the other students who are passed out to get to his long-time tormentor, then lifts him into the air with cursed energy and starts beating and torturing him right back. Yuuji arrives in time to witness Yoshino’s apparent heel-turn. Everything is going according to Getou’s plan: forcing Yuuji to draw on his pact with Sukuna in order to stop Yoshino.

Just like that, I’ve only got one more episode of JK’s Fall cour. This week’s omake reinforces that there are currently two shows running in parallel, but we’re only privy to Yuuji’s show while Nobara and Megumi’s training proceeds off-camera. I imagine this Yoshino situation will reach some kind of conclusion in the Fall cour’s twelfth and final episode, and only after that will Yuuji reunite with the others.

Rating: 4/5 Stars

The Promised Neverland – 15 – The Perfect Hideout

Emma, Ray, and their convoy of kids are ready to leave the safety of Sonju and Mujika’s forest tunnels and head to the location indicated by William Minerva’s pen. They’re trained and prepared to survive and run or defend themselves from the threats that may arise.

Mujika and Emma seem to have formed a genuine friendship, and Mujika gives Emma an ornate amulet as a going-away gift and to protect her. However, we learn from Sonju once the kids are gone that his intentions are less benign. Mujika pointed out that if they had turned the kids in to the farm they’d have been rewarded handsomely. But Sonju has other plans.

Their religion doesn’t forbid him from hunting or eating wild animals, so by letting these kids go, they will eventually breed, creating of a “wild herd” of humans he’ll be able to hunt without forsaking his faith. His face grows especially monstrous as he looks forward to the day he can eat human meat. Yikes!

Regardless of his long term plans, the fact is Sonju let this group of kids go and doesn’t intend to eat them. In fact, he rides back to where the farm pursuers are still searching and kills one of their trackers. The kids head out into the wastelands where demons rarely go, but when they reach the location indicated by Minerva’s pen, there’s nothing there.

Fortunately, the fact they’ve arrived at this spot unlocks more information from the pen. Once the password “HISTORY” is inputted, a detailed map displays, and a sliding door in the ground reveals a hidden hatch, Zelda-style. The group descends the ladder and begins to explore the space. Emma eventually finds a switch, and to everyone’s great joy, it works!

The lights reveal a fully-functional shelter, complete with cooking facilities, a dining hall, a library, a greenhouse with grow lights, a bathroom with hot water, and a security room with cameras on all parts of the surface. There’s even a piano, a radio, and a pantry curiously half-stocked with food.

There’s also a handwritten note from Minerva congratulating them for finding the shelter, which is theirs to use. Emma, Ray, and the kids immediately settle into the new digs, which seem at all times to be an all-too-good-to-be-true gift from heaven above.

Ray successfully finds the frequency of the 8:00 PM reports from the farms, and will be tuning back in daily to gain intel. Now that they have a shelter and the means of supporting themselves indefinitely, Emma already wants to move on to the next stage of the plan: rescue the remaining family at the farm.

She’s looking ahead even though they haven’t quite finished exploring the shelter. They’ve found all the good rooms, but there are clearly some not-so-good rooms, as initially found by Yvette, the walls of the dorms are strewn with the manic scrawling of people who lived there previously, and were either going mad from boredom or from suffering something more sinister.

Emma uses the pen to unlock a special door that leads to a small room with a payphone, which immediately rings when they enter. She picks up the receiver, and William Minerva is on the other end of the line. Is it a recording, or the man himself? What is the nature of those creepy messages on the dorm walls? Is this shelter really safe, or are those hidden passageways a cause for concern? I can’t help but feel after catching so many breaks since escaping the farm, their streak of good fortune may have run out…

Rating: 4/5 Stars

Higurashi: When They Cry – Gou – 16 – Escaping the Doom

In the fifth and final loop before Rika calls it quits, Satoko wakes her up in bed as usual, but she has a heavy fever and hurts “all over”. Turns out she’s already dead right out of the gate—she just doesn’t know it yet. In this loop, Satoko is the neck-scratcher, and has already killed everyone else. The Oyashiro-sama in her head has told her the priestess-hood must pass from Rika to her.

What awful sin has caused Satoko to be compelled to disembowel a conscious Rika and hack away at her guts with a ceremonial staff? The simple reason that Rika wished and dreamed of leaving Hinamizawa, abandoning Oyashiro-sama and everyone she knows for a sophisticated life elsewhere. There is no greater sin for a priestess than to forsake their deity thus.

But before she dies, Rika expresses her sorrow and guilt and essentially begs for forgiveness, which Satoko is sure Oyashiro-sama will bestow upon her if she’s serious in her contriteness. The younger and older Rikas converse in an idealized Hinamizawa and wonder why their dreams ever strayed from the village. Then, as Satoko embraces her, hopeful that things will be better next time, Rika closes her pinky and snaps.

Satoko wakes Rika up as usual, only this time outside. Rika’s guts are where they belong, inside her body, and the whole gang is in their bathing suits for a day of summer fun in the river. It’s Higurashi’s version of a beach episode, portraying the Sonozaki twins in bikinis and the other girls in school swimsuits.

As the sun goes down, Rika talks to Satoko about a realization she hand about two very long, very different dreams she was having. One dream was painful while she was liviing in it, but looking back knows it was full of “shining wonders”. In her other dream, she never noticed those wonders, and was punished for clinging to an “ungrateful” dream (the one where she leaves town for a fancy school).

Rika concludes by saying she loves Hinamizawa, and everyone in it, and Satoko, almost serving as a proxy to Oyashiro-sama, embraces her once more, glad to have heard Rika speak such words. With Rika no longer dreaming of being anywhere else, her curse is seemingly lifted. No one gets the neck itch, nobody kills or dies, and everyone watches her perform the Watanagashi dance.

Then Rika spots Tomitake wandering into the woods and she stops him to say something about her and Takano, only for Takano to emerge from the trees. She wants to talk to Rika too. I wonder what about, and if and how this latest loop, so ideal and peaceful so far, will suddenly go sideways.

Jujutsu Kaisen – 10 – Working Overtime

It’s pretty bold to spend the first three episodes of your anime introducing your core trio, only for them to be together in part of just one episode, then keep them separated for the next six episodes, and likely more. It’s a risk a two-cour series can afford to take, and while part of me is miffed by the withheld gratification of watching the trio reunite at last, I can’t say I dislike what the show is doing in the meantime.

To live a day in Yoshino Junpei’s shoes, you have to take a look at the whole Jujutsu sorcery profession and say to yourself “So what?” He encounters cursed creatures just as fearsome as the sorcerers, only his are fully human. It’s what makes him such a good fit for Mahito’s mentorship: Mahito is among those cursed spirits who believe his kind to be the true humans, because at least they’re honest.

Human monsters like Yoshino’s peers who disguise themselves as high school students doesn’t fly for Mahito, who makes both study and sport of disfiguring the bodies that surround their souls. He’s made one human two stories tall, while another fits in the palm of Yoshino’s hand. But again, Mahito’s experiments are no sweat for the already horrror-attuned Yoshino.

When Yuuji and Ijichi track down Yoshino, the kid has just been given sanction by Mahito to kill someone he hates as if he were eating because he was hungry; life is meaningless, so you might as well do what you want. This is another form of the fundamental “honesty” Mahito and the other cursed spirits believe makes them more human than humans.

One of Yoshino’s teachers also tracks him down, and scolds him for not attending the funerals of his tormentors. This teacher saw Yoshino being bullied by those same three students, but seemingly chose to see it as four friends just messing around. For this, Yoshino is on the cusp of killing him as Mahito gave him leave to do, but Yuuji interrupts, using the low-level curse to test whether Yoshino can see and fight curses.

Meanwhile, Nanami encounters Mahito in the sewers and the two face off. The former severs the latter’s wrist with his weak-spot technique, but Mahito quickly heals by using his soul to maintain the original shape of his body. Mahito’s “Idle Transformation” is a bad matchup for Nanami, who relies on his technique to create debilitating wounds that last.

It appears that Yoshino can see the curse (which tracks, since he can also see Mahito), but the teacher doesn’t think Yuuji can possibly have anything to say to Yoshino that’s more important than what he’s saying. So Yuuji steals the teacher’s pants and runs off them. The teacher gives chase, but Yuuji is fast enough to loop around back to Yoshino.

Yoshino is willing and even intrigued to have a chat with Yuuji, who intrinsically sensed that Yoshino hated the teacher he was talking to. I’m still holding out hope Yuuji can save this kid before he goes too far down the cursed rabbit hole with Mahito, whom I can’t imagine truly has Yoshino’s best interests at heart.

As for Mahito, he starts getting confident that if he simply makes physical contact with Nanami enough, he’ll eventually be able to control his soul and transform him into one of this living sculptures. He also uses disfigured humans as weapons, extending the battle.

But lest we forget, Nanami is a former salaryman, and thus religiously sticks to the 10-to-6 business day model. Once his watch hits six, he goes into “overtime”, which means the kid gloves come off. The next stage of their battle should be pretty cool—as all battles in this show have been so far.

Rating: 4/5 Stars