Wonder Egg Priority – 01 (First Impressions) – Over Hard

Well, what have we here? Only the most mind-bending, cerebral, downright trippy anime of the season, featuring absolutely stellar animation and direction and music. It’s one thing to be good-looking; Jobless Reincarnation is good-looking. But to be downright gorgeous, while also featuring an instantly sympathetic main character you just want to gather into a protective hug as she rides a psychological roller coaster through shifting space and time?

Welcome to the oddly-titled but brilliant CloverWorks original anime Wonder Egg Priority, created and written by Nojima Shinji (his first anime), directed by Wakabayashi Shin (his directing debut), and starring Aikawa Kanata (her first voice role). All of the elements that make a great anime hum along in perfect harmony with the precision and assuredness of far more seasoned staff.

It starts simply, and without holding our hands. This is a show you just have to go with and trust it won’t lead you astray. The lonely Ooto Ai finds a dead lightning beetle in the road, and upon giving it a proper burial it immediately resurrects, talks to her, and has her follow him down a proverbial rabbit hole. When she wakes up in her bed she finds a strange egg, and wonders what to do with it.

Ai sneaks out late at night often, and when she does so I couldn’t help but remember all the times I’d sneak out late at night, often not for any particular reason than I couldn’t sleep and needed some air. I could feel that distinct tingling you feel in the darkness, and the excitement of going out on your own.

But does Ai actually leave her house? Perhaps not physically, but she does enter a bizarre dreamworld that uses her school as a template. When she spots two classmates with pixelated faces and mocking grins defacing her locker with dozens of “DIE” tags, she retreats to the bathroom—where she most likely often retreated in real school to avoid the bullying.

Then the damn toilet paper shapes itself into lips with the same voice as the lightning beetle and demands that she break the egg. When she tosses it against the stall door, it grows to the size of a person and bursts to reveal a redheaded girl in a school uniform.

When the two leave the bathroom, a pixelated bully throws an axe at the redhead, leaving an ugly gash just above her shoulder, and she and Ai run from a swarm of “Seeno Evils”, no doubt a symbol of the evils peers pretend not to see in school.

Ai is also wounded in the liver area, but when the two girls successfully escape through a narrow broom locker, her wound vanishes while the redhead’s remains. The girl says Ai is virtually immortal, because this is her dream. If they can hold out until the next bell tolls, they’ll be home clear. But when the Seeno Evils return, Ai stays put, and the girl has to run off on her own.

Ai’s dream takes a funereal turn when she walks through a hall of white flowers, then walks through a floating door that leads to the school roof, at the edge of which a bronze statue is mounted. Ai recognizes it as that of Nagase Koito, a girl in her class who committed suicide by jumping off the roof.

Ai recalls the day Koito transferred to the class and immediately tried to befriend her. Ai tried to keep her distance, calling herself ugly, but Koito thought her differently-colored eyes were beautiful.

Koito visited Ai at her house, entered her blue womb-like bed, took Ai’s foot in her hand, then gave her a big hug, again asking if they can become best friends. We return to Ai on the roof’s edge, the statue cradling her, lamenting how she betrayed Koito even though she was her one and only friend.

She’s snapped out of this lament by the sight of the redhead down below, still being chased by pixelated bullies and the horde of Seeno Evils. Ai decides she’s had enough of sitting around doing nothing and springs into action.

She takes her multi-color pen, raises it like a sword, and takes a running leap down to the ground to deliver a devastating strike to the lead bully, obliterating her in a cloud of red-stained rubble and leaving a crater in the ground. Ai then returns the smile and double peace signs the redhead gave her.

Surprised and grateful for Ai’s help, the redhead introduces herself as Saijou Kurumi. But no sooner do they shake hands than Kurumi disappears in a puff of smoke, just after telling Ai not to forget her. The lightning  beetle’s voice says it’s a shame, but she has to cheer up if she wants her best friend back.

Ai starts to make sense of her experiences, and figures that the egg she was given contained someone she needed to save: Kurumi. But there are more eggs, which means more girls that need saving.

Cut to Ai back home about to tuck into breakfast with her mom, when her nose starts bleeding. The wound in her side that healed in her dream is back in the real world, and Ai is hospitalized. Her parents have no idea what the hell happened, but assume it happened when Ai snuck out one night.

hen Ai recovers, she races back to the odd escalator in a cave, which leads to a trap door and a chute that leads to a room filled with hundreds of eggs in washing machine-like tanks. From there, she finds herself in a strange garden with a blue sky that on closer inspection is merely paneling, suggesting an interior.

There she meets two figures with sewn heads, as well as a normal human girl who is collecting eggs. Ai seems instantly smitten with this girl, but the girl says nothing. And so begins, presumably, Ai’s quest to resurrect her friend by collecting eggs, freeing those trapped within them, and saving them from foes, which the bug promises won’t be as easy as the Seeno Evils this time.

Honestly, watching this episode made my brain bloom, explode, then slowly reconstruct itself. It was so sumptuous, so confident, and so goshdarn strange. At various times I was reminded of the work of Akiyuki Shinbou, Maasaki Yuasa, Ikuhara Kunihito, Kon Satoshi, and Shinkai Makoto, as well as Paolo Sorrentino, Stanley Kubrick, David Lynch, and Wes Anderson. In other words, this was some proper auteur film shit. There’s nothing else like it airing this Winter.

I particularly liked how few answers we got early on, while the info the bug provides later about How This Is Going to Work can’t necessarily be taken at face value either. What is reality and what is a dream is often deliciously unclear. But here’s what I do know: Ai, a troubled, profoundly lonely girl bullied at school for her eyes and suffused with guilt for what happened to her best friend, has been given the means to possibly make things right. I truly cannot wait to see what weirdness befalls her next time.

Author: sesameacrylic

Zane Kalish is a staff writer for RABUJOI.