In the previous episode Rena informs Keiichi that they’re the only two survivors among their circle of friends, but this week we have the dubious honor of watching Ooishi’s rampage unfold in real time, and I’m not sure I needed that.
Watching the crazed detective choke Rika while scratching out his throat (due to the itch of Oyashiro’s curse, no doubt) and shooting anyone who comes near (including the Sonozaki twins and Satoko) before beating Rika’s head in with a bat is not my idea of a fun time.
When Rika wakes up, it’s in the strange space filled with pieces of a temple and glowing shards, and she’s welcomed by Hanyuu once more. Rika’s apparently been at this for over a century, trapped in Hinamizawa, but every loop ends the same: with her and plenty of others dying.
Only now, apparently, Hanyuu (or rather the “echo” of her) has used “the last of her power” to ensure Rika retains the memories of her past loops so she can learn from them. This sounds like absolute torture of Steins;Gate proportions to me. What kind of friend is this Hanyuu?!
Hanyuu also informs Rika of the Onigari-no-ryuou, a sacred sword that can kill a looper. She calls it a parting gift, because after telling her where to find it (the shed) she bids Rika adieu, and Rika wakes up in a fresh new loop.
Now that she knows of a weapon that can kill her for good, Rika, who looks for all the world to have had her fill of all this, can’t quite hide her depressive state from the others. She picks hide-and-seek for their club game, with the caveat that she’s the only one hiding. Sundown arrives and they can’t find her…but they don’t give up.
Rika has given up, however, and after briefly cry-laughing from the cruelty of the sword not being where it should be (inside the statue of Oyashiro), she digs a little deeper and finds a small shard of it, which she deems adequate to “do the job.”
Just as she’s about to open her Carotid with the shard, her friends call out for her from outside, having finally located her at the shed. She decides not to kill herself after all. Now that she knows she can, she can go on a little longer—five more loops, to be exact.
While this is an intriguing new twist on the formula we’ve seen so far, as a practical matter I’m starting to have trouble overlooking the clunky, inconsistent character design of Higurashi, especially as I begin new and far better-looking Winter shows. This week’s score reflects my growing disappointment in the visuals.