The Quintessential Quintuplets – 13 (S2 01) – Kyoto Mystery Dream Girl

The wait is over. The Quints are back, and while production has moved from Tezuka to Bibury, this first episode looks absolutely fantastic, both in the crispness, quality, and subtlety of the sisters’ movements and expressions and the Hergé-like precision of the rooms they inhabit. There’s one major change I didn’t initially notice until looking back at season one stills: Fuutarou’s eyes are now amber instead of blue.

Anywho, Fuutarou is recovering from the ski trip flu in a swanky private hospital room provided by the Nakano sisters’ father. Nino is the first to visit him, but quickly hides when Ichika, Miku, and Yotsuba stop by. Ichika gives Fuu the week’s printouts, indicating she didn’t quit school like she was considering; it’s heavily implied she stayed because she’s fallen for him.

Both before and after the Quints visit, Fuutarou dreams of that magical day he met a mystery dream girl in Kyoto, and to his shock, finds that same pink-haired, blue-eyed girl sitting by his bed when he awakes again. It’s actually just Itsuki, who like Nino doesn’t like needles (the sisters are ostensibly there for vaccinations).

Fuutarou seems to confide different things to different sisters, and to Itsuki he opens up a bit about why he studies as hard as he does, which he does by telling her the story of his trip to Kyoto with his four friends. He had a crush on one of those friends, but she liked a different boy, and rather than hang out and watch that unfold, he split off from the others.

It’s apparent from the flashback that behind his brash attitude, bleached hair and earring, Fuutarou was concealing some self-esteem and self-value issues, calling himself “useless junk”. But when he’s falsely accused of taking sneak photos of a cosplayer, he’s bailed out by the mystery dream girl, who follows him the rest of the day.

The girl’s reasoning is simple: they’re both “alone and lonely” and thus need each other. Back in the present, Itsuki says much the same thing, dropping her tsuntsun side and saying they (as in she and her sisters) need Fuu to help them change for the better. Then Itsuki whips out a good luck charm she got from Kyoto five years ago…the same kind the mystery girl bought five of when hanging out with Lil’ Fuu.

The next day, Fuutarou arrives at the sisters’ home an encounters one of them nothing but a towel, having come out of the shower. He tries to determine who it was by having them all let their hair down. It’s at this point when we have to remember that while the five Quints are extremely distinctive to us due to their hair color/style and voices, Fuu can’t tell them apart at all if they’re not wearing their usual hairstyles.

That’s always been an odd disconnect between our visual perspective and Fuu’s, but it is what it is. The sister in the towel dropped five quizzes with “0” scores, so he has all five take another test so he can examine their handwriting. Ichika, the one who was in the towel, realizes this and tries to change hers, but the way she writes her “b’s” tips Fuutarou off, proving that while he can’t tell them apart, it’s not because he “doesn’t pay enough attention to girls”, as Ichika asserts.

As for Itsuki, she realizes who the towel girl wasn’t of consequence to Fuutarou so much as who that mystery girl in Kyoto was. She knows he thinks it was one of the five of them, but is fine with keeping it a secret for now. As for the quizzes, all five sisters scored “0”, which means they all need more of Fuu’s tutoring.

QQ is never not a ton of fun, both due to how great it looks, how unique and engaging the five sisters are, and how they all bounce off Fuutarou, and he them. Last season revealed that all five of them like or love him in one way or another (and with various levels of awareness).

It will be still more fun to watch what moves each of them make to get a little closer to him (I mean, someone’s gonna marry him!), and whether he makes any progress with his investigation into the mystery girl. But even if none of them date him and he makes no progress, I’m still looking forward to the journey, which is off to a solid start.

Rating: 4/5 Stars

Episode One Quintuplet Ranking:

  1. Nino: There’s something particularly adorable about how the mom of the group is so scared of needles. Also, she saw Fuu first!
  2. Ichika: For that shot of her at Fuu’s bedside…and that giant sweater!
  3. Itsuki: Probably spent the most alone time with Fuu, and is aware he thinks he met one of them (possibly her) years ago.
  4. Miku: Says Fuu is welcome to see her mole…
  5. Yotsuba: Seemed like the odd sister out…didn’t do much this week.

Higurashi: When They Cry – Gou – 14 – Parting Gift

In the previous episode Rena informs Keiichi that they’re the only two survivors among their circle of friends, but this week we have the dubious honor of watching Ooishi’s rampage unfold in real time, and I’m not sure I needed that.

Watching the crazed detective choke Rika while scratching out his throat (due to the itch of Oyashiro’s curse, no doubt) and shooting anyone who comes near (including the Sonozaki twins and Satoko) before beating Rika’s head in with a bat is not my idea of a fun time.

When Rika wakes up, it’s in the strange space filled with pieces of a temple and glowing shards, and she’s welcomed by Hanyuu once more. Rika’s apparently been at this for over a century, trapped in Hinamizawa, but every loop ends the same: with her and plenty of others dying.

Only now, apparently, Hanyuu (or rather the “echo” of her) has used “the last of her power” to ensure Rika retains the memories of her past loops so she can learn from them. This sounds like absolute torture of Steins;Gate proportions to me. What kind of friend is this Hanyuu?!

Hanyuu also informs Rika of the Onigari-no-ryuou, a sacred sword that can kill a looper. She calls it a parting gift, because after telling her where to find it (the shed) she bids Rika adieu, and Rika wakes up in a fresh new loop.

Now that she knows of a weapon that can kill her for good, Rika, who looks for all the world to have had her fill of all this, can’t quite hide her depressive state from the others. She picks hide-and-seek for their club game, with the caveat that she’s the only one hiding. Sundown arrives and they can’t find her…but they don’t give up.

Rika has given up, however, and after briefly cry-laughing from the cruelty of the sword not being where it should be (inside the statue of Oyashiro), she digs a little deeper and finds a small shard of it, which she deems adequate to “do the job.”

Just as she’s about to open her Carotid with the shard, her friends call out for her from outside, having finally located her at the shed. She decides not to kill herself after all. Now that she knows she can, she can go on a little longer—five more loops, to be exact.

While this is an intriguing new twist on the formula we’ve seen so far, as a practical matter I’m starting to have trouble overlooking the clunky, inconsistent character design of Higurashi, especially as I begin new and far better-looking Winter shows. This week’s score reflects my growing disappointment in the visuals.