Kamikoshi Sorao (Hanamori Yumiri) is a solitary young woman who has found her way into another world, but when we find her, she seems to be in a bit of a fix. She’s floating in a pond like Ophelia from Hamlet (and a famous Klimt painting) and not only does it seem like she’s about to drown, but she’s not particularly upset about it, admiring the beauty of the light through the water as she sinks.
Then Sorao is suddenly pulled out of the water in a princess hold by Nishina Toriko (Kayano Ai) clearly a far more cheerful and gregarious young woman. There’s also a strange monster that makes you nauseous if you even look at it, but thanks to Sorao looking at it just long enough and Toriko tossing some rock salt at it, it is defeated, leaving a curious reflective cube.
Having felt a rush of danger and accomplishment from their joint defeat of the “thing”—called a Kurekure or “Wiggle-Waggle”—Sorao and Toriko retreat back to their own world. There, Toriko refers to where they were as the “Otherside”, and asks Sorao for her contact info, wanting to meet again.
Sorao only feels comfortable telling Toriko where she attends college, and to her shock, Toriko shows up while she’s eating alone in the dining hall. Toriko has a backpack full of rock salt and wants to return to the Otherside to hunt some Wiggle-Waggle, and she wants Sorao to come with.
Their subsequent journey to the Otherside via a different portal makes for another pleasantly weird, creepy, and atmospheric sequence, aided by Watanable Takeshi’s nervy ambient score and both dreamlike and nightmarish visuals. They must press the elevator buttons in the right order, stopping at a certain sequence of floors, on some of which lurk frightening monsters both white and black.
But once on the Otherside, we see that it is something of an alternate, fallen version of where they came from. Between this ruined yet eerily beautiful setting and the two very different personalities who explore it, I was immediately reminded of 2017’s excellent Girls Last Tour, with more conventional character design and the fact these girls aren’t stuck in the ruined place, but can come and go as they please.
Predictably, Wiggle-Waggle Battle No.2 doesn’t go as planned, as neither Toriko’s rock salt or her handgun seem to have any effect on the beast. Sorao goes over how things went down before and remembers that she maintained eye contact with the thing as Toriko attacked. This time, doing so is an even more harrowing and trippy experience for Sorao, who hears layered voices as the dragon-like beast descends upon her.
Still, she only has to stare at the thing long enough to make it vulnerable to Toriko’s bullets—too long, and she’ll go mad, she’s told. Toriko keeps that from happening by giving Sorao a well-timed slap, while pulling the weird blue tendrils that started to grow out of Sorao’s face (and which apparently killed another explorer nearby).
Toriko puts some caps in the Kurekure’s ass, and their reward is another magic cube, the true purpose of which eludes both of them. Then they realize just how close they came to utter ruin, and run like crazy people to safety, settling on the roof of the building where the portal home is located. Toriko suggests they go out and celebrate when they return, after a short rest. Sorao betrays an easy smile and concurs.
In the beginning, Sorao preferred to keep the Otherside to herself, but after meeting Toriko and becoming “partners in crime”, she now realizes the value and novelty of sharing the place with someone. She may call Toriko a “weirdo”, but only because she knows she’s a weirdo too. As different as the two of them are, Sorao had fun being weird in a weird place with Toriko.
And you know what? I had fun watching them too! This is no Girls Last Tour—at least so far—but it has a wonderful stripped down quality, an otherworldly mood and atmosphere, and just the right amount of potential peril. It’s just enjoyable to spend time watching these two explore this strange place while simultaneously exploring each other. Looks to be a fun ride.