DanMachi III – 12 (Fin) – The Hero (and the Status Quo) Returns

As Asterius walks along Daedalus Street in search of the “ultimate adversary” of his dreams, Hermes clarifies his request for the Xenos to “die”. Rather, he’ll need some of them to die by Bell’s hands, so that Bell’s honor and reputation can be restored. Whatever else Hermes is planning, Bell continuing to be the beloved Little Rookie is a big part of it.

Gros and three others decide to acquiesce to Hermes’ request, and make a big show of attacking a square full of civilians and adventurers. With this “stage production”, Hermes is conceding that Ouranos’ desire for humans and monsters to achieve piece was little more than a pipe dream. He just can’t see thousands of years of continuous enmity ever ceasing.

The moment Eina is threatened by Gros (who I believe is being berserk-ified by Asfi), Bell comes between them, and Gros’ inner voice hopes Bell will defeat him before he kills her. But Bell isn’t altogether interested in playing the exact role Hermes laid out for him.

Rather than raise his blade to Gros, he simply puts his arms up and serves as Eina’s human shield. Gros ends up shoving him back. That’s when a frustrated Hermes has Asfi berserk-ify Asterius, who flies at Bell like a bat out of hell and presses a vicious, building-smashing attack.

Bell somehow manages to hang in there, and DanMachi’s Big Battle Theme starts to play as their epic duel carries through the night and into the dawn. Unfortunately, while the battle is quick, brutal, and fun, it also can’t really hold a T to Bell’s duel with Ais. In addition to Ais being easier on the eyes, it was more satisfying on both a thematic and character level.

Asterius’ whole deal is that Bell apparently beat him once, and he wanted another shot at him, and…that’s it. Everyone else allows the battle to unfold without interruption in part due to Ottarl, operating on Freya’s wishes. Asterius ends up delivering a huge defeat to Bell, and even though the battle served a purpose—both to rehabilitate his public image and serve as cover for the Xenos’ escape—Bell is still super upset about losing.

Satisfied that their head-to-head record stands at one win and one loss apiece, Asterius withdraws. We later see his arm is restored, as Fels heals all of the Xenos injuries once they arrive in Knossos. Wiene is happy where she is and not crying over missing Bell, and the Xenos have a new haven in which to survive and maybe even thrive…just separately from humans for the foreseeable future.

I can’t help but be a little disappointed that more effort wasn’t spent trying to move the peace process forward, but at least from Bell’s perspective part of the reason that process failed was he just wasn’t strong enough. Even though he beat Bell, Asterius isn’t standing still, and continues training the moment he’s healed.

Bell too returns to the battlements of the castle where he and Ais have met and trained so many times, and is surprised when she too arrives at that spot, telling him she had a feeling he’d be there. Bell asks Ais once more to teach him how to fight. He wants to become stronger, and their friendship remains strong enough to have survived the recent adversity.

TONIKAWA: Over the Moon For You – 12 (Fin) – I Want You to Live

In the first half, Nasa lets his tendency to get really involved in something get the best of him, and he works on a computer project all day and through the night. When he’s done, he has a fever, and Tsukasa is committed to being the “cute newlywed wife” who sees to his every need until he’s better.

That includes making him food and administering medicine, but also more intimate things like having him strip (as much as he dares to) so she can wipe down his sweat. By the end of the day, he’s feeling much better…better enough to get frisky in bed.

But Tsukasa again warns him to know when to “apply the brakes”—she’ knows he’s still not fully recovered enough for strenuous activity. As for Tsukasa, she drops one last hint about her mysterious origins by declaring she “can’t get sick or hurt”.

The remainder of the episode is actually the reason Nasa worked so hard he got sick: he wanted to be able to go to the summer festival with Tsukasa. He makes what he believes is not an unreasonable request to watch Tsukasa change into the yukata Kaname lent her, and doesn’t forget his camera—mostly to take pictures of his cute wife, not fireworks.

Nasa shows he’s not good at everything when he instantly fails at goldfish scooping, and Tsukasa confesses that the way they made takoyaki at their party is not her favorite way, and she’s super stoked to get the traditional kind at a food stall. Finally the two make and offering and pray for a long and happy marriage, for their health, and for better luck scooping fish in the future.

Then they join the others to watch the fireworks, Nasa looks forward to going to next year’s festival with his wife, and they return home together, husband and wife. Nothing too fancy! Certainly no other further revelations about Tsukasa’s possibly immortal status are revealed.

In this regard, TONIKAWA ends just the way it should have, with the lovely status quo of a happy Nasa and Tsukasa continuing to enjoy their lives with one another and their little circle of friends. It’s simple and mundane, but in the very best way, and I wouldn’t mind more heartwarming comfort food of this kind at some point in the future.

Rating: 4/5 Stars

Wandering Witch: The Journey of Elaina – 12 (Fin) – The Multitudes of Me

Elaina’s final trip takes her to the suspiciously foggy “Country That Makes Your Wishes Come True”. Elaina enters the country wishing to become rich, and is utterly mystified when she happens upon a landscape comprised of all of the places from her travels thus far.

Things get even stranger when she enters Mirarosé’s palace to find no less than fifteen alternate versions of herself. Some of them represent individual personality traits she possesses, while others are just random like the gel and ghoul versions.

Hondo Kaede has a blast voicing all these different one-note versions of Elaina, but I have to admit…it’s all a bit much. The intros were fun, but the gimmick wore quickly. This wasn’t one of those dreaded Recap finales, but it did borrow elements from the previous episodes, without adding much new or compelling, which gave it the sheen of a recap.

Deemed “Protagonist Me” by her intellectual version, Elaina sits down on the throne and orders the others to go out and investigate, but all of a sudden the “Violent Me” everyone else had been avoiding bursts into the palace.

Violent Me’s hair is still short from being cut by the ripper, as apparently she never emotionally recovered from the events at the town with the clock tower. All the other versions kind of hang around while the Protagonist and Violent Elainas fight to a draw (as expected).

Only when both are completely exhausted of magic and can no longer fight does Elaina try to calmly discuss things with her violent self. While we heard Elaina wish to become “rich” back in the beginning, it seems the country interpreted that as becoming rich with different “experiences”.

As such, all of the versions Elaina has now encountered represent different paths and possibilities available to her on her journeys. She also believes her other selves wished for the same thing, which brought them all together to pool their stories into a single book: Wandering Witch.

Elaina then wakes up in a meadow; the whole ordeal with her versions was just an elaborate dream. She hops back on her broom and continues her travels, cognizant of and excited for all of the possibilities and choices those travels will present.

In an epilogue that seems to preview a second cour of Elaina I’m not sure it earned, Elaina (in plain clothes) bumps into someone with similarly ashen hair but green eyes. They’re both holding red books, and when they bump into each other, those books get switched. This person’s name is apparently “Amnesia.” Um…alright then!

It’s a curious yet also fitting way to end a show that was never quite sure what it wanted to be: episodic or serialized; lighthearted and comedic or dark and dramatic. It started strongly and had a couple of powerful episodes, but that lack of decisiveness and focus in the stories it wished to tell ultimately dulled its impact.

Read Crow’s episode 12 review here!

Assault Lily: Bouquet – 11 – A Drop of Morning Dew

Apprently, there is no separating Yuyu from Misuzu. Wracked by grief and guilt in the third and sixth episodes, Yuyu went on rampages and Riri was able to calm her, probably by using her Rare Skill Charisma. But that seems to have only been a temporary fix, as some lingering version of Misuzu continues to haunt and influence her.

As Riri’s Legion decides to throw a “ramune party” for Riri, Moyu reports the findings of her research, which suggest that not only did Misuzu possess the Rare Skill Charisma (like Riri), but that Charisma has influenced the Huge and caused them to evolve.

Moyu, an old friend of Yuyu’s, isn’t able to get much of anything useful out of Yuyu, as the Misuzu in her head seemingly tightens her hold on her, making her less useful and responsive. Moyu knows something is wrong, but unless Yuyu says something, she cant help.

Instead, Yuyu keeps returning to her past with Misuzu, who comes off like a young Anakin Skywalker, slowly being consumed by the fear and anger her powers are creating, and thus talking about things she wouldn’t say to anyone else. Young Yuyu is so glad to be loved, she doesn’t seem to realize Misuzu is serious about wanting to be killed if she “goes too far”.

When Riri tries to bring Yuyu back into the here or now, she’s unsuccessful; Yuyu’s simmering pain and the influence of the Misuzu in her head are too overwhelming to bother with Riri or parties. Misuzu wonders if it’s Yuyu with the Charisma. Just then, three bright lines streak up into the sky from the Huge Nest.

Those three objects eventually land, creating craters and forcing the evacuation of the academy. The three objects become active and combine their Magie into a single object. Even the Acting Chairman seems unsure if they’re going to be able to get out of this one. All of the Lilies discover their CHARMs have no Magie; the objects created some kind of dampening field. Only Riri’s CHARM works, and she heads off to find Yuyu.

Yuyu, who has all but Gone Bye-Bye, reliving a disturbing memory of Misuzu comparing her to a drop of morning dew. Misuzu is fighting with every fiber of her being not to destroy Yuyu like she did that beautiful but ephemeral drop…to hold back “wicked feelings.” Very Dark Side-y. It’s confirmed when the developing Huge flashes the same Rune Misuzu flashes when she uses Charisma to silence Yuyu in the flashback.

It’s clear Misuzu controls Yuyu still, as Yuyu tries to enter Lunatic Tracer mode to attack the developing Huge. When Riri arrives to try to take her out of harm’s way, Yuyu accuses her of trying to control her like Misuzu did. Riri, noting Yuyu’s CHARM has no Magie, she smacks it out of her hands, ruining it in the process.

Riri assures Yuyu that the Misuzu she’s seeing and interacting with isn’t the “real” Misuzu…but how can she know that? She then heads off, again, on her own…again. How did that work out for Yuri, again? The rest of the Legion may be all but powerless, but they’re still united in their desire to help Riri…somehow.

As for Riri, she comes face to face with the biggest, meanest, most advanced Huge yet; a Huge whose evolution has seemingly been sped along to near-perfection by Misuzu. Back in the dorm, Yuyu calms herself enough to remember there’s a CHARM she can use: the Dainsleif in the research lab. Sure enough, its Magie is still active. But will Yuyu use it to help Riri fight the Huge, or will she simply fight Riri?

Assault Lily gets super dark this week, building on a lot of bandied-about ideas about the similarities between the Lilies and their Nemeses the Huge. But I can’t help but feel like we’re treading on worn ground with Yuyu and Misuzu. I like all the dark new revelations that surfaced this week, but Yuyu’s previous struggles lend these events an air of repetitiveness.

The Yuri arc, on which considerable time was spent, doesn’t seem to offer much to all of this, or at least the show isn’t making a potential connection clear, other than possibly Misuzu chose to be a Huge while Yuri chose to be a Lily. I almost wish the Yuri story had been excised in favor of more development of Yuyu and others.