Higurashi: When They Cry – Gou – 05 – Two Not of a Kind

This week the timeline resets back to June 12, long before everyone starts murdering each other. In fact, until the very end of the episode there’s barely a hint of dread to be found here. A lot of time is spent literally playing games at a store. Like the first episode, this is largely table-setting.

Keiichi is saddled with The Game of Life, which unlike his fellow club members’ games, is predominantly luck-based. When Mion, Rena, Satoko and Rika all win their games, Kei decides to win by making a deal with the two younger boys he’s playing with, both of whom like Satoko and Rika, respectively.

The shop’s owner, who is Mion’s uncle, gives everyone gifts for helping to boost the day’s game sales. Keiichi ends up with a western-style doll, and following Rika’s advice, gives it to Mion, who is surprisingly flustered and bashful about receiving it.

The next day, Kei’s dad takes him to a restaurant where all the waitresses are in fantasy cosplay. To his shock, he finds Mion working there—but she reveals she isn’t Mion, she’s Mion’s twin sister Shion, who seems to appreciate Kei’s praise for how she’s rocking her outfit.

Since Shion was so familiar with Keiichi, there’s a distinct possibility she and Shion pose as one another, so from that point on I kept wondering who was who while interacting with Keiichi. When he praises Shion’s outfit, Mion blushes, and while Mion goes to her part-time job, it’s apparently Shion who comes to Keiichi’s house to drop off some dinner.

Throughout this, Keiichi is kind of a jerk in how he treats Mion as somehow “rougher” or more “tomboyish” than Shion…but even he can’t be certain with which twin he’s been interacting, nor could he know how good Shion is at acting like Mion, or vice versa.

At school the next day, Kei returns the dishes to Mion, whom everyone notes is acting more “kind and gentle” than usual. Rena ends up giving Keiichi a friendly reminder not to always tell a book by its cover. When Kei asks what he’s to make of that warning given Rena’s “cover”, she changes the subject.

That said, Rena notably maintains her “cute” Rena persona, never betraying any kind of malice as she did in the previous arc. It could be that instead of Rena, it’s Mion, or rather the Sonozaki Twins Keiichi will have to watch out for.

That brings us to the foreboding yet cryptic ending: when Keiichi is distracted by the restaurant where he met Shion, he stumbles into a row of motorcycles, angering their delinquent owners, who seem to be itching for a fight.

Just when they seem poised to start roughing him up, they’re stopped by a suddenly very pissed-off and assertive Mion…or is it Shion? Whoever it is, they tell the three punks to piss off, and when they move to challenge her, they’re surrounded by dozens of ordinary townsfolk, all wearing the same hostile expression as her.

Is this simply a factor of there being so many Sonozakis in the town? Does Mion/Shion have some kind of power to bring allies to her side? Is she a secret delinquent with more clout than these three grunts? Which twin even is it, considering we’ve apparently seen both “normal” and “reserved” versions of Mion? Could it be we never really met the real Mion until now?

Adachi & Shimamura – 04 – The Joy of Being Patted on the Head

Shimamura calls Adachi to ask if she can do a sit-up. It’s a weird and random conversation, but who cares? They’re enjoying talking on the phone together; the content doesn’t matter. Then Shimamura goes to the gym with her mom and encounters Adachi’s mom talking about her daughter.

Shimamura can’t stop herself from speaking up for her friend, questioning whether her mom really knows what she’s talking about. Mirroring her own mom’s tendency to act younger than she is, Shimamura ends up challenging Adachi to a sauna duel to determine who is right.

While Adachi’s mom is initially hostile, she admits she doesn’t know what’s going through her kid’s head. She just wishes she did. In this, the two are alike. When asked for suggestions on how to be a better mom, Shimamura says she should just be normal: have dinner with her once in a while.

Adachi’s mom ends up doing just that, which Shimamura learns as she’s resting her head in Adachi’s lap. Turns out this was odd enough behavior from her mom for Adachi to be too anxious to taste the food her mom made. Shimamura snuggles closer to Adachi, who is demure. Then they do sit-ups!

Shimamura reaches out to Adachi to hang out with her and her friends at karaoke. Shimamura’s mom raised her not to be a burden to others, but it’s Adachi who feels she’ll affect the “harmony” of Shimamura’s three-girl group. Shimamura insists that won’t be the case, and Adachi agrees to the date.

When Adachi arrives on her bike and spots Shimamura’s cute outfit, the two look like a perfect couple. Shimamura’s other two friends are warm and friendly to Adachi, but things still feel “off” to her. She senses that while Shimamura is better at social situations, she doesn’t like them anymore than Adachi.

The two sing a beautiful duet and then prepare to head home, but Adachi offers to give Shimamura a ride on her bike, and Shimamura accepts. Adachi is blushing the whole trip, completely on top of the world to have Shimamura behind her, her hands on her shoulders.

Shimamura suggests a detour to a nearby playground and buys them drinks. Earlier, while underwater in the pool, the vivid aqua color reminded Shimamura of Adachi’s favorite brand mineral water, but the machine closest to them didn’t sell it.

When Shimamura finally draws close and asks Adachi if she has something she wants to talk about, Adachi is initially silent. After all, there isn’t just something she wants to say; a great number of things have piled up inside her, but she’s held them all back for fear of making things “weird” between them. Even so, something comes out: “I want you to pat my head.”

Adachi thinks she’s totally blown it, but then Shimamura pats her head! She pats it slowly and gently, and Adachi has never been happier. Shimamura again notes that Adachi likes to be coddled, and while that’s true, her little request shouldn’t be taken to mean she wants a Big Sis. She wants to be someone special to Shimamura…even if it’s weird.

That head-pat all but clinches it for Adachi: she must like her. Rather than let Shimamura toss her empty off-brand drink can, Adachi keeps it as a memento of that moment of clarity. If Shimamura ever ends up in that room, maybe she’ll see it, and understand. And maybe laugh, too…but good-naturedly!

Rating: 4/5 Stars

Akudama Drive – 04 – The Kickass Express

As expected once the Shinkansen took off from Kansai Station, the action and difficulty level of the heist kicks into a higher gear. The train is hurtling towards an “Ultimate Quarantine Zone”, and if that doesn’t kill them, the sweep that eliminates all organic material before the Kanto gate certainly will. Oh, and the Master and Pupil have hopped aboard.

With so many different ways to die, the shrinking of the setting to a long but relatively narrow tube makes for some excellent action set pieces. Without a lot of space for lateral movement, there’s a lot of people punching, kicking, or tossing their opponents across the length of a carriage.

Brawler and Cutthroat fight Master and Pupil with Doctor offering occasional support and Hoodlum, um, cheering on his kyoudai. Ordinary Person and Black Cat watch Hacker’s back as he hacks one lock after another to reach the next carriage. Each lock gets more complex, so it feels like a game for him.

Indeed, everyone seems to take the unexpected setbacks and increased difficulty level in stride, thriving off the increased challenges. That’s with the exception of the lazy and childish Cutthroat, who just wants to see blood, but even Master can’t help but be impressed by his natural fighting skills.

Thanks to the weekly Bunny & Shark informational segments, we learn more about how and why the Shinkansen operates, while Hacker and Ordina’s progress reveals passenger carriages, meaning the train either used to transport people to and from Kanto, or once did and no longer does. After the mostly metal and mechanical freight carriages, the lavishly-appointed, wood-paneled carriages are a lovely visual change of pace.

Once Courier finally gets to his bike, he points its railgun forward to destroy the defense drones, then points it back at the Executioners, slicing their carriage off from the front of the train. This exposes everyone to the Zone briefly, but Doctor uses a quick-solidifying foam to seal the breach. Like last week, some members are more important roles than others, but everyone is needed and everyone contributes, with both actions and wry banter.

They finally reach the front carriage, which has an appropriate “final stage” aesthetic with its clean off-white bulkheads. Hacker breaks through all the locks he can, but the final one requires a seal he doesn’t have. That’s when the Black Cat disintegrates, revealing it was the seal all along. Ordina uses it to open the vault…where they find a young brother and sister in military uniforms.

The sister immediately plays a note on a flute which stops the train and puts up a protective shield. The brother speaks with the same voice as the cat’s (Maaya Uchida), while the sister is voiced by Ichinose Kana. So, Mission Accomplished—everyone’s super-rich, right? Seems that way; I don’t see the siblings double-crossing their own rescue team.

The question is, why were two human children being transported to Kanto like cargo? As the Black Cat implied with an earlier comment, Kanto is far from the wonderful Utopia Hacker believed it to be. Will our gang head back to Kansai for now, or will we get a glimpse of the not-so-perfect-after-all other side?