Fruits Basket – 48 – Love is In the Air…and On the Stage

Just like that, it’s the day of the festival and the class play, totally reworked into something “Cinderella-ish”. After Kisa and Hiro arrive to join Momiji and Haruhatsu in the crowd, the first two-thirds of the episode is given over to the play…and it’s wonderful.

The scriptwriter did a masterful job rewriting the script to complement the cast, from making Tooru kind and meek stepsister to letting Saki just be “Sakirella”, regarded by the crowd as “sassy” and “a boss”. The crowd favorite is Yuki, who is resplendent as the Fairy Godmother—Ayame and Mine knocked it out of the park with the costumes.

By the time the big ball scene arrives, Saki is far more interested in Yakiniku than dancing with the prince (her first wish was to burn the castle down, but she settled for Yuki making her dresses for her stepsister and mother). As for Prince Kyou, the actor’s general reluctance to participate is used in the story, making the prince reluctant to find a princess despite his fellow prince (Arisa) helping him out.

Midnight comes, and Black Cinderella must flee, leaving a glass slipper behind and wishing she’d eaten more. At Arisa’s urging, Kyou visits every house in the kingdom until she comes to Cinderella’s house. Saki asks if he’s there to marry her sister (Tooru), which causes Kyou to explode. This works in the context of the play, but is another among many instances of reality seeping into the play.

When Saki launches into a dark monologue about the prince continuing to deceive himself and lock himself away in the castle forever, Tooru is compelled to speak out of turn, yelling “I don’t want….!” Of course, it’s not just her character who doesn’t want the prince to be lonely. This is Tooru expressing her objection to Kyou being locked away by Akito just for being the Cat…as well as her objection to Kyou being okay with it. Their dialogue’s close proximity to their real-life situation isn’t lost on either Tooru or Kyou.

After a deliciously feminist ending to the play (Cinderella doesn’t marry anyone and opens a yakiniku business with Tooru), the play is over, and Kyou couldn’t be happier…only to find that his Shisho is there, but Saki is flirting with him hard, using her sweetest demeanor and most dignified diction while around him.

Tooru meets up with Kisa, Hiro, Haru and Momiji, the last of whom capture the play on his camcorder. Tooru is glad for this, because it means Kureno will get to watch the DVD of Arisa. However, when Hiro lashes out at Haru (despite his efforts not to lose his temper), Kisa gets the wrong impression that Hiro likes Rin (Isuzu).

Released from his acting duties, Yuki checks in on the StuCo and is placed on patrol duty by an angrier-than-usual Nao. He overhears Machi being hassled by members of his fan club for her comments about Yuki not being a prince. He’s about to intervene, but Kanabe wisely restrains him; this is something Machi needs to work out for herself.

Eventually she does speak up for herself, first offering a curt apology when it is demanded, then elaborating on her read on Yuki, which is not only far deeper than the fans’ shallow infatuation, but also resonates with Yuki a great deal. She alone can tell that despite being around so many people, Yuki seems lonely. She can tell because she’s lonely too. Yuki blushes in the way a man blushes over a woman.

Kyou ends up joining Tooru with the others, but before they do, they share a quiet moment with each other, with that scene in the play still vivid in both their memories. But right at the edge of acknowledging their mutual feelings for one another, the two withdraw, neither allowing themselves to think about “it.”

If this were a one or two-cour romance, I’d say they were spinning their wheels, but Fruits Basket will continue for at least an entire third season and I’ve heard it could even extend into a fourth. So it’s so far so good with these two with two episodes left in the second season. I also continue to be intrigued with the Yuki-Machi connection, though I do hope they get to actually interact more down the road.

Check out Crow’s thoughts on the episode here!

Author: magicalchurlsukui

Preston Yamazuka is a staff writer for RABUJOI.

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