Fate/Grand Order: Absolute Demonic Front – Babylonia – 19 – Just Another God

You can go ahead and call this the “Kitchen Sink” episode: everyone who didn’t fight in the previous few episodes fights this week, and I mean everyone. Gorgon basically covers Mash and Ritsuka’s retreat by butting heads with Tiamat. Still, that only slows her down a bit, so with Uruk about to be stamped out by the roving Tiamat, Gilgamesh goes on the offensive, managing to personally fire 360 cannons even with a huge hole in his chest.

Kingu, who’d been telegraphed as a potential turncoat, realizes that potential in the 11th hour by detaining his mother with the Chain of Heaven, because it’s what he, Kingu, not Enkidu, wants to do. Uruk, once so sunny and grand, now looks more like Mordor, and it’s a hell of a setting for a kinda-sorta-final battle. For Gilgamesh, it is the final battle, full stop.

With Tiamat chained down and Ereshkigal’s preparations complete, all Ishtar needs to do is unleash her stored up magical energy, firing her Noble Phantasm Angalta Kigalse, blasting through the earth that separates Uruk from the Underworld and dropping Tiamat down into a domain where the rules are different: Ereshkigal rules, Tiamat is no longer invincible.

The plan seems to be going well, and Kigal certainly seems confident in her impending success, fueled as it is by warm praise from Ritsuka and Mash. However, things take a turn when Tiamat covers herself in her primordial mud, and her chaotic sea starts to infect the Underworld itself. More than anything, Ereshkigal is grossed out, but also shocked her authority can be overwritten in such a way.

Fortunately, Merlin returns in his real form to turn all that mud into harmless flowers, but Tiamat is still hanging around, is still ridiculously huge and strong and has not only healed, but transformed into an immense dragon that Merlin somewhat unimaginatively calls Beast II, the culmination of evil borne by mankind’s folly throughout its history.

Tiamat is not getting any weaker, and will only remain mortal while in the Underworld, so she’s gotta be killed before she can escape by air (she regained her flying ability). And if you need someone important killed, who do you call? Why, an Assassin, that’s who. Specifically in the Fate world, you call the first Assassin, Hassan-i Sabbah.

FGO took a week off to sharpen up the animation, and it shows: this episode looks fantastic. It’s just…things are getting awfully ridiculous and BIG now, and Tiamat has now morphed into a comically overwrought CGI final boss. With just two episodes left, I’m hoping this Tiamat business can end sooner rather than later so we have some time for a proper epilogue.

In / Spectre – 09 – There is No Truth Here

Parliament is in session, and Leader of the Opposition Iwanaga Kotoko confidently casts her first net of logical fiction, hoping to snare enough votes to neutralize Steel Lady Nanase. A string of believable lies issues forth from her brain and fingers into the forums, creating a non-supernatural solution to the murder of Detective Terada. This early in the game she knows she doesn’t have to convince everyone, just enough to start creating reasonable doubt. It’s as much a murder case as a committee for a bill.

Her solution to Terada’s unusual, uncontested murder is surprisingly elegant and plausable, capitalizing on Terada’s general exceptionalism both as a detective and as a judo practitioner. She also makes good use of the site where his body was found (an abandoned gas station on a sleepy road). She spins the yarn of a the unghostly killer rigging a weight on a pendulum and luring Terada to the spot where it would smash into his face at great speed and kill him without resistance.

Since the episode can hardly just show Kotoko tapping away on her laptop in the back seat of a car the whole time, the online committee is visualized as her standing alone in cyberspace, surrounded by the screens of other users on the forum, poking holes into Kotoko’s solution. Kotoko expected this—any underdog would—and rather than trying to make everyone happy by plugging all of those holes, she settles for reducing the belief in the ghost story by increasing the specificity of the “real” killer’s description.

When that description starts sounding an awful lot like Saki, the policewoman turns around to shoot an angry look at Kotoko. She explains that it’s not her intention to frame an innocent policewoman at all, but to create an alternate killer that both fits the facts of the case and has motive (in the case of Kotoko’s fiction, romantic obsession). After all, neither her solution nor the legend of Steel Lady Nanase are true; they are dueling fictions. Since Rikka’s got a huge head start, Kotoko has to use every rhetorical weapon at her disposal to create lasting doubts.

And therein lies the challenge of this committee: even when Kotoko starts to sway the flow of the forum in her direction, the flow changes back to believing in the ghost all too quickly. That’s because Rikka is killing herself, visualizing and choosing the future threads that favor her ghost story. In the meantime, Kurou duelling with Nanase isn’t just to serve as a gauge for the effect of Kotoko’s lies (her power fluctuates in real time), but a way for Kurou to die and see the futures that favor those lies.

Despite it being another extremely talky episode of perhaps the talkiest show of the season, this is honestly all very fascinating and exhilarating to me. Your mileage may vary, but watching Kotoko do her thing is freaking awesome. Not only that, her first solution not holding up long was already folded into her calculations. She has three additional doubt-creating amendments to her proposed bill, so she’s feeling very confident about a legislative upset.

Magia Record – 10 – Home is Where They Call Your Name

In a dream, Sana reaches out to her parents, but trips and her doll—who looks just like her—falls to the ground and shatters. But after Ai says goodbye and she’s spit back out into the outside world, Iroha is there to grab her hand and not let go. There are a lot of people gathered by the Uwasa exit, including Iroha’s crew, the Twins, and Alina—three parties with different agendas, all in conflict with one another.

Alina, seemingly in this all for herself, messes around with the normally Magius-administered Uwasa controls, releasing the witch. It clones itself and attacks Yachiyo, Felicia and Tsuruno, all in service of what Alina calls her “artwork.” She also unleashes toxic paint that Iroha warns will make you crazy. The thing is, Alina Gray is not that interesting a baddie, at least not yet.

Alina’s performance is cut short by Tomoe Mami, now a member of the Wings of Magius. She covers the escape of the Twins and Mifuyu, whom Yachiyo glimpses again briefly before Mifuyu teleports herself the Twins, and the recaptured witch away. Before withdrawing, Mami tells Yachiyo & Co. that everything the Wings do is for “the sake of salvation”.

With all the excitement over with for the time being, Sana slowly but surely settles into life at the Mikazuki Villa, aided by the kindness of the others. The five girls go on a shopping trip for individual mugs (at a massive and very SHAFT-y mug store), making the house feel like more of a home, and the five of them more than a family than a coven.

Sana makes a quick trip back to her old residence, but sees no semblance of family there (they look more like fast food statues like Colonel Sanders, Bob’s Big Boy and Ronald McDonald), and hurries back to the villa, where she’s not just seen and heard, but welcomed, valued, and liked.

Meanwhile, before we conclude the WoM is an evil cult, it must be said they don’t consider themselves as such. We see the Twins checking in on a gloomy-seeming Mifuyu, and offer to cook her a meal as a break from konbini food. It shows there’s a family dynamic here, and that her break from Yachiyo and the others comes down to methods, because they’re all trying to save the world.

Sana also recognizes the name of one of Ui’s friends in the hospital—Hiiragi Nemu—as the name of a member of WoM. It’s possible Nemu and Touka are the two figures in shadow to whom Mami and Mifuyu report. With Sana now settled in perhaps Iroha can make some fresh progress in investigating her sister’s disappearance—a phenomenon that could be the result of another Uwasa the WoM manages.