In / Spectre – 04 – Much More than Big Melons

Despite Saki’s hospitality in bringing Kotoko into her home to tend to her minor wounds and serving her coffee, it doesn’t take long for pleasantries to cease and for the barbs to start flying.

Saki is dubious that Kotoko and Kurou are really dating, and isn’t convinced by Kotoko’s obviously forced “couple” photos. Kotoko eventually reveals that Kurou disappeared a week ago and hasn’t answered her calls or texts—more fuel for Saki’s “he doesn’t like you” fire.

After Kotoko takes her leave (on the shoulder of an awesome giant skeleton!) Saki wastes no time diving into the internet to research the life of Nanase Karin, a well-endowed beauty who could also boast a sharp intellect.

She gained a flame-throwing lead role on a live-action drama (the OP for which we see in its entirety) and her fame grew, but her father, whom it’s believed she resented after he quit working, died under mysterious consequences.

An unscrupulous tabloid put forth the theory that she murdered her father to get him out of the picture (and collect on his life insurance), Karin took a kind of sabbatical. But the day after a bad storm an eyewitness found a body buried under fallen steel beams.

The head and face were completely pulverized, but the rest of the body, clothes, belongings all pointed to Karin as the victim of the accident. Some time after that the legend of a vengeful spirit grew in the town.

Both Saki and Kotoko arrive at the same point in their respective investigations, but only Saki has the benefit of police records and resources to support their case. The idea is planted in both their heads that there’s more to this Steel Lady Nanase than has been covered by news, reports, and the internet.

My take? The absence of her face could mean the body was that of Karin’s older (and similar-looking) sister, whose life Karin then took over…but that’s just one of several theories rattling around.

Before Kotoko and Saki meet to put their heads together (and make no mistake, Kotoko relishes being able to freak Saki out with youkai), Kotoko is informed that Steel Lady Nanase has reappeared, and finds Kurou dueling with her.

Magia Record – 05 – The Ones They Lost

Unsurprisingly, the Seance Shrine isn’t so much a means of reuniting with someone you’ve lost as it is a magical girl trap. “Ui” looks like Ui, but the moment she starts talking the illusion is broken for Iroha, as the girl can only string together a few words in various combinations over and over again: “If you want to change your fate, come to Kamihama City.” Iroha is understandably disappointed; her search has hit a dead end.

Meanwhile, “Mifuyu” is far more convincing to Yachiyo, to the point Yachiyo is entranced. But while Mifuyu can draw from the memories they share, she is singlemindedly dedicated to making sure Yachiyo stays put right there, assuring her she’ll perfectly fit the hole in her heart. The whole time both Iroha and Yachiyo convene with their lost people, the chaotic visual cues of witches dance on the margins.

Iroha is able to break Yachiyo from Mifuyu’s hold, but when a witch arrives and neither they nor Tsuruno can easily defeat it, Iroha fights too hard, her soul gem becomes murky, and she transforms into a second witch and fight viciously attacks the first. This felt like a huge deal when it happened, and like the protagonist of the show was going to die in the first five episodes.

Iroha is “rescued” by none other than Mami, marking the first time characters from the two shows meet. Only Mami had no intention of saving Iroha, but to finish her off, assuming she’s a witch in human form. Yachiyo is able to get Mami to stand down and take her leave without further harm to the unconscious but unharmed Iroha, but not before warning Yachiyo and Tsuruno not to trust Iroha, as she’s still “hiding something.”

Iroha comes to at Yachiyo’s house. It’s too late for her to catch a train home so Yachiyo suggests she spend the night. Iroha take her up on the offer and returns to bed to rest, grateful for the hospitality (it’s apparently been a while since anyone has cooked for Iroha—I guess her own folks are too busy).

When Yachiyo checks in, she notices Iroha has been crying, and has a short vision of Mifuyu, whose room this likely once was. I imagine that despite her initially cold attitude towards Iroha, Yachiyo is happy to be hosting someone in that big lonely house.

That brings us to a post-credit sequence that is all over the map, with Kaede encountering both Momoko and Rena passed out while she takes the form of a witch. She isn’t any more sure what’s going on than I was, which is comforting, but it’s clear trouble is brewing for this magical girl trio.