Oresuki – 11 – Stifled by Righteousness

After Joro dispatches Tampopo for running another kooky op—this time on him with Pansy’s cooperation—Cosmos rushes in to tell them the bad news: the school is shutting down the library. I won’t go into how bizarre and random a development this is…but it’s as bizarre and random as Tampopo’s ops!

Turns out there IS a way to save Pansy’s haven, but it might be a case of the cure being worse than the disease. It’s nice if her friends all tell their friends to start packing into the library, but isn’t the whole point for Pansy that it’s a place of peace, tranquility, and (present company excepted) relative solitude?

Oddly, this quandary isn’t really addressed, and it suffices that the end of the library remaining open will justify whatever means are used. It could also mean that having been warmly welcomed into Joro’s circle of friends, Pansy is ready to graduate to larger social networks.

Instead of exploring whether the rescued library will still be a place for Pansy, the episode instead ruminates on who is helping with the rescue, and why. Enter Hazuki “Hose” Yasuo, the seemingly perfect buddy who helped Joro out in a previous episode. Joro lacks a large group to call upon to help with filling the library, but he does have Hose.

Hose comes to Joro’s school with Sakurabara “Cherry” Momo and Kusami “Tsukimi” Luna, his StuCo president and childhood friend. It’s like “Bizarro” version of Oresuki, with Hose as Joro, Cherry as Cosmos, and Tsukimi as Himawari. They’ve come to help with the library problem in any way they can.

Joro could have probably predicted the resulting interactions would threaten to supplant him as MC. What Joro doesn’t know until it’s a problem is that Hose, Cherry, and Tsukimi all went to middle school with Pansy. Hose is the boy everyone in class wanted her to date, eventually leading her to disguise herself for high school.

At the end of the day, after Joro orders Asunaro to take Pansy to her house to talk newspaper story on the library (so that a visibly uncomfortable Pansy doesn’t have to walk home with Hose), Cherry and Tsukimi meet with Joro, Cosmos and Himawari. They come right out and say it: they’re both in love with Hose, but are putting their friendship with him and each other before those feelings.

They also know he loves Pansy, so they’re dedicated to getting them together. As the wheels turn in Joro’s head, he can’t help but conclude that there’s nothing inherently wrong or malicious about the two girls’ positions. Tsukimi even directly asked Joro if he liked Pansy. When he reflexively responds in the negative, she takes it as the truth.

That truth is all she needs to know that even if Pansy loves him, she’ll eventually have her heart broken, thus their nudging her towards someone who actually has feelings for her. But there’s a piece of this seemingly even-steven puzzle Joro feels is missing.

That piece is revealed and confirmed when he speaks with Pansy about it: Hose “doesn’t understand the other side of people’s feelings,” and his good intentions unintentionally hurt people. He’s hurting the two girls who love him, but he’s so good and kind and righteous that they feel compelled to put his feelings before their own. And he hurt Pansy too, even if he never meant to.

Pansy likens him to a demon. Even when he resisted his own feelings for her in order to protect her from others in middle school, he was only tackling the surface of her feelings. Joro has seen how conveniently things always seem to work out for Hose, but that’s only because, unlike him, Hose simply isn’t seeing the whole picture. His Bizarro counterpart is a cautionary tale: paths of least resistance can still cause great harm and even suffering.

Joro vows to make sure Pansy won’t be hurt or made uncomfortable any more, but while he’s off doing so, Pansy is confronted by Sun-chan, who for some reason thinks his “chance has finally come around,” following that up with an uncouth smirk. I knew they should have excommunicated this dirtbag when he threatened her back then!

Author: sesameacrylic

Zane Kalish is a staff writer for RABUJOI.