No Guns Life – 04 – Spiders Are People Too

This week the sprawling gritty cyberpunk world of NGL shrinks considerably to a small area in the labyrinthine Kyusei pit where Tetsuro (via Juuzou’s body) is locked in a standoff with Cunningham, Anne, and Spider-Ende. Being trapped in this spot for a half episode gets increasingly claustrophobic, but also tedious. It actually felt more like an episode of a shounen anime…just not a particularly good one.

The bad guy spends a lot of time jabbering, Tetsuro’s inflexible morality is decried as selfish arrogance by Anne, poor Ende occasionally makes a peep, rinse repeat. But eventually something does happen, when Cunningham puts shoots Ende with a drug that puts her into a comatose state, such that there’s nothing keeping the spider part of her from going completely berserk.

Monster-Ende sends Anne flying, and while Tetsuro manages to somewhat cushion her impact with the wall, Juuzou’s body ain’t exactly soft, and she seemingly dies of her injuries just after telling Tetsuro to “save Ende in her place”. His connection with Juuzou’s body severed, all Tetsuro can do is use his Harmony, but he’s in luck: Juuzou comes to, and gets Tetsuro out of there.

From there, things get more interesting, as the episode is finally moving again. Monster-Ende’s relentless pursuit is particularly well done—not to mention very appropriate for Halloween. Once Juuzou and Tetsuro (and some poor bystander) are trapped in an elevator and Ende’s tearing apart its ceiling, Juuzou has no choice but to let Tetsuro fire the big gun that is his head.

That does the trick—Ende’s humanity is momentarily restored before she dies in the gun blast, and she seems to smile in gratitude that she’s finally freed of her constant torture. Only, as we learn later when Juuzou and Tetsuro are vacating the Kyusei Pit, Ende didn’t die…and neither did Anne. They’re both fine in Mary’s care.

When things started going badly for the two girls, I wondered why they featured so prominently in the OP—even appearing as a Polaroid on Juuzou’s bulletin board—if they were just going to kill them off here. It felt like a waste, so I’m glad they’re still alive. But that they are, and it’s announced quite suddenly in a new scene, sapped much of the drama and tragedy at the heart of the episode.

I’m also not sure what to make of Juuzou possibly being able to wrest control of his body back from Tetsuro, even though he said when he woke up that while he was conscious, he was just a “passenger.” There were definitely times when it made no sense to give him free rein, especially when it came to his overarching job of protecting Tetsuro.

So yeah, this wasn’t the best NGL, but it did still manage raise the stakes for Juuzou and Tetsuro. As we said, Juuzou isn’t welcome in the Kyusei Pit anymore, while Tetsuro’s status has evolved from “prey” to “enemy” of Berühren. Not to mention when Juuzou fired his gun, a woman with blue hair and lips took notice. She definitely looked like she meant business.

Assassins Pride – 04 – What Matters is the Way it Looks

Since they were little, Elise has always seen herself as Melida’s little sister, someone to cling to. That hasn’t changed just because Elise’s mana awoke sooner, nor since she surpassed Melida in combat prowess. That means the both of them would really prefer if they could be on the same side…a sentiment shared by Elli’s tutor Rosetta where Kufa is concerned.

Unfortunately, when the Luna Lumiere Selection Tournament kicks off, the two are unexpectedly named Cadets and the leaders of three-girl teams in direct opposition with each other, along with two similar teams from their sister school. Both Nerva and school “queen” Shenfa join Melida’s team.

Needless to say this isn’t ideal for the girls, as Melida still doesn’t think she has a hope of defeating Elli in the inevitable one-on-one matchup. She may not be wrong, but as one of the members of the other school (perhaps the “amazing first year” people were buzzing about) tells Melida to stand tall and demonstrate her power, otherwise no one will ever trust that she has it.

Kufa tells Melida that no matter what others think (and they think her and Elli’s selection was rigged), he’ll stand with her always. But he also finds out that Elli’s maid Othello rigged the stained glass window so the two would be named the school’s cadets, which he reveals to both girls and Rosetta. Still, Melida intends to carry on; beating Elli fair and square in the final trial is the only way to change the minds of people like Othello.

However, a number of obstacles to that outcome reveal themselves. First is Black Madia, an emissary from the White Night who confronts Kufa in the forest. She wonders why his report on Melida was so sparse and whether his loyalties to their order are wavering. As far as Madia’s concerned, Melida should already have been eliminated, but to do so herself, she’ll have to get past Kufa and Rosetta, and later school security.

She can’t, so she withdraws for the time being, warning through her burning cards that “the shadow is always behind you.” Kufa tells Rosetta that Madia is Flandore’s most powerful member of the Clown-class, able to mimic all the other classes. Needless to say, we haven’t seen the last of her.

The other main obstacle to Melida’s intentions is, well Elise. Elise isn’t any more confident Melida can beat her than Melida is, and so she comes to her room in the night to announce her intention to lose to her on purpose. She clarifies that she’s not doing it for Melida’s sake but for her own: she wants to remain her “little sister”, and beating her in public is the last thing she wants to do.

This doesn’t sit well with Melida, but fortunately she has a week to change Elli’s mind, either through words, or more convincingly, through her actions during the tournament.