Fire Force – 01 – (First Impressions) – Exorcising Fire Demons

The premise of Fire Force is as bizarre as it is frightening: in its timeline, the “Solar Era”, spontaneous human combustion is not only a great hazard to Tokyo, but the beings that emerge from the flames, “Infernals,” are demons who must be defeated in order to put the souls of the victims at rest.

That’s the job of Special Fire Force Company 8, of which young newcomer and third-generation pyrokineticist Kusakabe Shinra is its newest member. He just happens to be a witness to the latest emergence of an Infernal, which Company 8 is dispatched to the train station to tackle.

In this way, Shinra gets a first-row view of how the Fire Force gets things done, and it’s as much a battle with a demon as it is a religous ritual; there’s even a sister, Iris, on staff to deliver the proper prayers at the proper time. While Shinra doesn’t participate in the battle, which is another success for Company 8, his quick thinking (and literally flaming feet) manage to rescue Iris from suffering a freak accident at the hands of a falling lamp.

From there, Shinra is taken back to Co.8’s HQ, a somewhat run-down but still very cool-looking cathedral (all of the architecture and mechanical design is very quirky and cool-looking, for that matter). He already met Iris by sweeping her off her feet like a princess, but soon meets Captain Oubi, Lt. Hinawa, and the first-class fire soldier Oze Maki.

Still, while his job is ostensibly to purify fire demons, Shinra clearly has some demons of his own, something he largely gives away every time he gets nervous and his mouth tightens up into a sinister-looking crooked grin. Those demons revolve around some kind of tragedy in his past where he was blamed for his mother and little brother’s death and subsequently ostracized by most other adults in his family and among their friends.

He doesn’t have time to contemplate how he’ll wrestle with those demons for long; the alarm sounds and within minutes he’s prepped and deployed with the rest of the company aboard the armored firetruck “Matchbox” to a factory fire caused by the manager’s wife combusting.

Another firsthand look at a scene of fire and destruction triggers his worst memories of the end of his mom, brother, and home, as he insists within his thoughts that someone else was present who was the primary culprit; it wasn’t a matter of his powers going out of control but someone causing them to.

We’ll see how that pans out, but his Captain and Maki work to keep him in the here and now, focused on the not inconsiderable task before them: the Infernal is one tough cookie.

Ultimately Shinra has to put aside the fact he couldn’t keep his promise to protect his family like a hero, but he decides to make a new promise never to let that happen again, and to protect anyone else affected by the Infernals. He delivers a devastating kick to the core of the Infernal, dispersing it, and Iris says the prayer. Mission Complete.

Outside, Shinra and the rest of the Fire Force gets its due congratulations, thanks, and adulation of the assembled crowd of citizens, not just for stopping the blaze but saving the soul of the manager’s wife. And for the first time since before his mother died, Shinra finally smiles a genuine smile, not the forced smirk with which he is so often cursed at the wrong times.

Fire Force, in a couple words, is pretty damn good. Stylish, fast-paced, and uncomplicated in its presentation of its protagonist, his motivations and goals, and the introduction of his new family and life among Company 8, which is definitely not your typical fire department. It’s a fun and imaginative setting that still feels grounded in reality and modern life.

The vaunted David Production studio provides a feast for the eyes, blending the reds and oranges of the flames with the ever-glowing blue of the fire soldiers as well as the eerie green aurora above Tokyo’s skies. The orchestral score also delivers the appropriate sense of occasion, peril, and excitement, particularly during the boss fight. I’m looking forward to this one.

Lord El-Melloi II Case Files – 01 – Not Even Close to a Hero

First of all, I wouldn’t bother watching EM2CF unless you’ve at least seen Fate/Zero in its entirety; aside from the fact that series is a masterpiece (and is available on Netflix, at least in the U.S.) you won’t have any context to who this Waver Velvet kid is unless you do. It would be like watching Avengers:Endgame without watching any previous MCU films.

Though to me that immediately hamstrings this sequel/spin-off: it has some huge shoes to fill, and from the outset it doesn’t seem interested in even bothering to do so. This is not a Holy Grail War arc, but a totally different, smaller-scale story about how one combatant in the fourth war has managed to honor his heroic spirit’s wish that he go on surviving.

Even with a good working knowledge of Velvet and his role the fourth Holy Grail war, this first episode of a series focused on him makes a lot of jumps backwards and forwards through time—probably more than should be necessary.

That being said, the story moves along well, from one final parting shot of Fuyuki Bridge ten years ago, to hanging upside down in the Archisorte Mansion seven years ago. There, he regails Lord El-Melloi’s blood niece and (sister-by-succession) Reines with an adventure he had while visiting the ancient ruins of Babylon some months after the war.

After being captured by a fellow ex-Clock Tower student Barzan, Waver meets another former classmate in Melvin. They break out of their cell and blow up the archaeological site believed to be where Iskandar is buried, which Barzan has been using as a workshop for illicit magecraft.

Once they’re both free, Waver asks Melvin to forgive him for being unable to pay back the money he borrowed to travel to Japan for the Holy Grail war he then went on to lose. But Melvin was impressed both by the fact Waver even did survive, and with his display of no-nonsense practical magecraft to get them out of a tough spot, so he decides to lend him more money; this time to buy the late Lord El-Melloi’s class.

Three years later, Waver has steadily managed the class, and now finds himself before Reines, who simply wants to know why he did so. Waver simply feels responsible for El-Melloi’s death, and thus feels carrying on the class is his duty. Reines, still too young to be a proper lord, decides to make Waver’s role in El-Melloi’s legacy official by naming him Lord El-Melloi until she comes of age.

In accepting the title, Waver agrees to help the nearly insolvent El-Melloi family repay their debts (through those titular Case Files) and try to restore the family’s heirloom magical crest that was heavily damaged in the war, and without which the family will surely fall. All he asks in return is to have “the second” added to his title, so that he need not bear the exact same title as his mentor; something he feels he doesn’t deserve.

And that’s how Waver Velvet became Lord El-Melloi II seven years ago. Flash forward to the present, and an older, more stately former-Mr. Waver meets his apprentice Gray (introduced in the preview episode) in the hallway, then sits down with a similarly older Reines and Melvin to discuss…the next case.

While this episode had no shortage of F/Z references, if the show keeps doing that it’s going to feel like a crutch. I for one think this show can stand on its own as a supernatural mystery-of-the-week kind of deal. It’s all about managing expectations, something Waver certainly knows a lot about, having always operated on shoestring resources and third-rate magic.

DanMachi II – 00 – The Story So Far

Yes, the first Saturday of the Summer season does not start with the first episode of the long-awaited, non-spinoff sequel to 2015’s DanMachi. It was your typical colorful, energetic J.C. Staff series that distinguished itself from other fantasy shows not only by not being an Isekai, but also featuring one of the more endearing untraditional boy-girl (or rather boy-goddess) pairings—though it can be argued he has a harem, Cranel Bell’s first loyalty is to Hestia.

In this zeroth episode, the two cheerfully narrate a recap of their adventures so far, culminating in the grand final boss battle that while a bit rushed at the time still provided a satisfying topper to a series that had plenty of potential for a second season. Instead, we got a pretty weaksauce spinoff (Sword Oratoria) with an entirely different cast which I quit after four episodes. It will be good to see the main characters back in the spotlight…but for that we’ll have to wait another week!

Fruits Basket – 14 – A Selfish Wish

On the one-year anniversary of her mother’s death, Tooru announces her plans to visit her grave, but pointedly doesn’t ask anyone to join her, in another demonstration of her fanatical desire never to trouble anyone. Still, Yuki asks if he can come, while Kyon is more tentative…for some reason.

Naturally, Arisa and Saki will also be attending, as Tooru’s friends and effectively, her surrogate parents. Saki notes how Tooru can be so cheerful after losing her dear mother just a year ago, and can only chalk it up to very, very hard work for which Tooru should be praised.

As if Tooru didn’t have enough on her plate, a seemingly innocent question about which one of Momiji’s parents is German turns into a whole thing. Momiji’s mother is German, and he looks just like her, but she doesn’t remember him. When she gave birth to him (two months early, as is typical of zodiac births), both her body and mind rejected him (which can also happen).

The only way to save Momiji’s mother from suicide was to wipe all her memories of Momiji, something his father told him had to happen, and that he’d love him enough for the both of them. Rather than forget himself what happened to his mom, Momiji long ago decided to carry every memory, no matter how heavy. He would have preferred if his mom had “stuck with it” and tried to accept him, just as it seems Tooru had wished to be there when her mom died—but they both consider those “selfish wishes.”

The day of the grave visit arrives, and Uo is resplendent in the “Crimson Butterfly” bike gang coat she inherited from Kyouko. Yuki also learns why Tooru was so upset about him catching cold: Tooru the tragedy magnet’s dad died of complications from a cold. And yet despite losing both parents, rather than radiate despair, she’s always smiling and exuding cheerfulness. He just doesn’t get it, but he’s glad to be close to such a person.

As for Kyon, he acts super-shifty and suspicious throughout the grave visit. When he stalks off, Saki follows him, and he asks her if she can talk to ghosts (she can’t). She proceeds to explain the difference between waves (to which she’s attuned) and spiritual energy (of which she has none), and she can sense from his waves of “chaos” that he feels some kind of regret in this place.

Uo and Saki are glad Tooru is doing so well with Yuki and Kyon, but the two lads’ minds remain “ruled by dark troubled thoughts” which will, for the interim, prevent either of them from romantic thoughts (which is fine with Saki as she’s not yet ready to give Tooru away as a bride).

Kyon’s actions later that day seem to bear that out. As the wind blows the hat either Yuki or Kyon gave to Tooru off its perch, Kyon leans in close to Tooru’s face, not to kiss her, but to tell her he’s “sorry”. About what? Did he, perchance, have a part in Kyouko’s death? Is that why he had waves of regret at the cemetery, and why he feels the need to apologize?

As many mysteries still swirl around Yuki and Kyon’s past, present, and future with Honda Tooru, the one constant is that she’s not going to let anything keep her spirits down. Not losing both parents, and probably not learning someone close might’ve had something to do with one of those losses.

Mr. OldSchool’s Summer Season Quick-Fire Reviews

Granbelm – A kind girl stumbles into a magic girl battle royale with super deformed style Gundam. The art style is visually striking and the action is top shelf’ish. Too bad Granbleh’s kitchen sink of tropes is delivered in such a loveless and generic way. 7

Maou-sama, Retry! – A game developer is sucked into the fantasy MMO he created in the moments before the servers go dark! Now he is a super powerful demon lord and looks like a yakuza! Zap! Loli! Art with zero style and story without originality or substance! 5

Kanata no Astra – Space High schoolers get lost in space; must show grit (and team work) to overcome crisis. Crisp animation and competent narrative construction save it from an underwhelming cast and middle shelf art style. If a kid dies next week, my opinion will move higher. 8

UchiMusume – A young adventurer adopts an orphaned demon girl he finds in the woods. There’s a potty joke! It’s charming but very safe and gives all the hints that it wont go anywhere by the end of the season. 8

Joshikousei no Mudazukai – A girl realizes she picked an all girls high school and she just. can’t. even. The comedic timing is on the money… but humor kinda whiffs? Mid shelf artwork makes it watchable but not remarkable. 7

Araburu Kisetsu no Otome – The literature club tackles sex in literature… AND LIFE! Reading train schedules and draping penises on girls’ heads play out in this earnest, bashful, slow burn. Looks to be Summer’s sleeper hit. 9!

Dumbbell Nan Kilo Moteru? – A high school girl gains weight for comedy. Goes to gym for comedy. I got bored and stopped watching. 6

Sounan Desu ka? – Girls wash up on a beech. Panty shots. ¯\_()_/¯

Tejina-senpai – A boy must choose a school club and meets a girl into magic. 12 minutes of humorless antics ensue. #Skippable 5

Enen no Shouboutai – A boy with a tragic past starts his first day as a Magic Firemen fighting demoney fire people. There’s a churchy vibe and Soul Eater art style. The animated fire is fantastic but the production costs must have been too much for the studio. (scenes linger) Worth a watch though. 8

Katsute Kami Datta Kemono – A squad of super human monsters turn evil shortly after winning an alt US civil war. Bad guys laugh like evil bad guys and tragic love interests die for motivational purposes. It’s lower shelf animation and writing with some blood to tide viewers over. 5 #shitshow

Dr. Stone – Suddenly everyone turns to stone. 3,700 years later, two teens break out and start to figure out the stone-age world around them. With style so jarringly OTT my brain can’t tell if I love it or hate it, and a narrative construction so bat shit crazy I have to keep watching. 8 #WTFFTW

Wasteful Days of High School Girls – 01 (First Impressions) – An Interesting Woman (Or So He Says)

Wasteful Days picks up on the first day of high school for three friends who have been together since middle school (and possibly longer). Particularly for the liveliest of them, Tanaka Nozumu (voiced by the always-energetic Akasaki Chinatsu), this is supposed to be the start of their amazing high school lives; the pinnacle of youth. She hoped to become popular with the guys. The only problem is, they attend an all-girl’s school.

The only guy is a teacher who makes it clear he’s only into college girls, and manages to creep out the entire class. From there, Nozumu seeks out advice from her classmates, assigning them nicknames in the process, from from “Serious” (the girl who regularly checks stocks) to “Loli” (self-explanatory). No one is of any help, particularly her two friends, Saginomiya Shiori (a listless Toyosaki Aki) and Kikuchi Akane (Tomatsu Haruka).

The veteran all-star voice talent and the pacing of jokes somewhat make up for the fact that only a few of the jokes land, and I particularly liked the various cutaways and instances of characters reacting by just…walking away. But the full episode length makes it feel like there aren’t quite enough jokes to fill the space—a 12-minute runtime might’ve been a tighter affair. As it is, my mind often wandered.

There is a nice sequence of “possible” (but highly contrived/far-fetched) scenarios in which Nozomu encounters a hot guy, but they’re all in her head, and all are rejected as absurd by her friends, neither of whom have much energy for her antics. That being said, you get the feeling these three stick together anyways, as friends tend to do, due to pure inertia, and in the absence of strong new bonds.

If nothing else, this show captures the ennui and irrelevance of high school life as much as O Maidens captures the drama and angst. The fact it’s early in the Summer season means I don’t have a full plate yet, so this will stay on my list for now. But as tends to be the case, if better shows come along in my wheelhouse, it may signal the End of (Wasteful) Days.

O Maidens in Your Savage Season – 01 (First Impressions) – Crazy Train

Onodera Kazusa is an almost aggressively normal high school girl. She doesn’t really stand out anywhere, and is part of a literature club whose members include both a budding author, a glasses-wearing prudish type, and a serene senpai who is perfectly comfortable reciting very steamy sex scenes in the book they’re all reading.

Kazusa has a best friend in fellow lit club member Sudou Momoko, and she has a childhood friend in the train-loving Norimoto Izumi. She and Momoko are each other’s main source of verbal and emotional support in these trying adolescent times. She and Izumi were once as close as brother and sister, but have drawn further apart due to his increasing popularity—particularly with other girls.

Kazusa is voiced by relative newcomer Kono Hiyori, who does a splendid job modulating her voice for Kazusa’s vulnerable and frustrated inner monologues. It also helps that she closely resembles Shizuku from Whisper of the Heart, a rare Ghibli film grounded in contemporary life and one of my favorite anime works.

It helps because Shizuku never strayed past the “pure and innocent” phase of her romance with Seiji; the film ended (spoilers!) with her suddenly proposing marriage after they bike up the highest points in West Tokyo and watch the sun rise on the city. It’s beautiful, and it marks a major milestone in their trudge toward adulthood…but it’s incomplete.

O Maidens in Your Savage Season (written by the great Okada Mari) is not incomplete. It reveals all of the insecurities and worries and downright dilemmas far beyond simply developing feelings for someone and being frustrated by one’s comparative lack of accomplishment. By the end, we have a nearly complete picture of who Kazusa is (just a kid), what she is gradually becoming mentally and physically (an adult) and how she feels about that (not so great so far!)

When Kazusa’s mom—whom she says many describe as “child-like” even though she’s most definitely not a virgin due to Kazusa’s existence—asks her to take some food to Izumi’s next door, the comfort of their familiarity is evident, but so is a growing awkwardness punctuated when Izumi asks if he should talk to her around other people.

Kazusa’s wishy-washy reply (depends on who and where) doesn’t help matters. Talking about their issues clearly would be optimal, but again…these are kids. She’s aware enough to know she didn’t handle her interaction with Izumi in a satisfying way, leaving so much up in the air and unclear, but she doesn’t yet possess the tools to do so, hence her frustration and very Shizuku-like private mope on Izumi’s front stoop.

Back in lit club, Sugawara Niina, with her confident stride, ever-calm tone, and shorter skirt, all indicate she’s more mature than the other four members. To put it far more harshly, some boys consider her a diamond atop a pile of dung. But when a story with the premise of “doing something before you die” comes up, she blurts out “have sex,” because as mature as she looks and sounds, she’s still a virgin—still in the bubble with the rest of them. Despite all the classy smut they’ve read, it’s still a totally unknown world.

But her stated desire to have sex before death brings that subject too the forefront, like poking at the bubble until it bursts. Now sex is the first thing on the minds of the four other girls, from Rika (glasses) telling some gals to shut up about sex and being verbally abused by some classmates and then complimented by another; to Kazusa overhearing two of the girls who like Izumi talk very openly about wanting to take his virginity.

The more Kazusa hears about Izumi and sex, the more those two seem like something possible and thus terrifying—a far cry from the little boy with which she used to run around, fall over, and wade in the kiddy pool. The boy who’s crazy about trains. With the bubble of obliviousness popped by Niina, Kazusa finds herself on the deep end, her surroundings growing darker and more morose. But she has to kick and swim and breathe, or she’ll drown.

Things already feel like they’re starting to spiral out of all control for Kazusa, who asserts that she doesn’t like this and isn’t ready for it at all, but she has no idea what’s coming down the track to knock her off the rails of innocence for good, where she was once only teetering and threatening to fall. In an absolutely stunning sequence that plays like, well, a train wreck, Kazusa hears music inside Izumi’s, and so enters through the unlocked front door.

She makes her way up the stairs to Izumi’s room, where the door is cracked but not closed, and lets herself in without knocking. Izumi is inside, his pants down and his feet on the desk, masturbating to porn on the internet. The director lets the two just sit there in the moment of horror, completely silent but for the (likely fake) orgasmic screams of the woman on the laptop. Izumi gives a half-hearted “Hey,” then asks if she’ll keep this a secret. Pretty smooth, considering one of every guy’s worst nightmares just came true.

Kazusa…snaps. She bolts out of the house screaming and just…keeps running and screaming (the action animation is superb) through a market district. Naturally, every food sign is a double entendre, lending credence to her lament that there’s just too much god damn sex in the world.

Worse, her pure, innocent Izumi has changed forever. The boy is dead; a man has taken his place. The last time he saw her penis it was tiny and harmless. Now, not so much. As she stops on a bridge over a train track to catch her breath, she tearfully declares out loud that “that won’t fit in there!” Then, in a moment perhaps almost too on the nose but also pretty damn effective, a train passes beneath her, lining right up between her legs, and enters a very tight tunnel. “It fit,” she says, relieved, but she soon collapses back into a heap of adolescent frustration.

O Maidens is a refreshingly bold, sincere, brutally frank depiction of sexual awakening and its maaaany pitfalls. So far the experience is largely horrifying, terrifying, and overwhelming for Kazusa, and it’s sure to continue to be so. But the show balances the drama and comedy, never letting you forget these are human beings with human being minds and parts, all of which are in a state of open rebellion, but all of which are also very complicated.

The stakes for Kazusa and her friends are far higher than looking fit in a bikini for the summer. This is for all the marbles. All we as viewers can do is ball our fists and hope she hangs on for dear life to this train ride that can’t be stopped, until the ride becomes at least little smoother, if not joyful. I’ll be in the cafe car, quietly cheering on these maidens in their savage season.

How Heavy are the Dumbbells You Lift? – 01 (First Impressions) – Feel the Burn

Sakura Hibiki eats too much of the wrong food and doesn’t exercise enough. That’s what brings us to her initial motivations: to slim down so she can snag a hot guy. Of course, this is not a finger-snapping affair, but a brutal, exhausting odyssey that will challenge every aspect of who Hibiki thinks she is and of what she’s capable.

Of course, Hibiki doesn’t have the willpower to undertake such a quest alone, which is why it’s surreptitious that another girl at her school, the rich, beautiful, and 16% body fat class president Souryuuin Akemi joins the newly-built Silverman Gym the same day she does. She soon learns that not only is Akemi a health and fitness fanatic, but cultivates a strong muscle fetish.

Thus we have our comedic duo for this edu-taining aspirational slice-of-life: Akemi as the wilder comic, Hibiki as the straight man who reacts similarly to how most of us would in the midst of all the intense musclery on display. Their coach at the gym is Machio Naruzou, who is always wearing a bright smile and whose Prince Charming good looks immediately persuade Hibiki to join despite seeming way out of her element.

But that’s the thing about trying any new thing: you can easily come to feel like you have so much to learn and catch up on that you put far too much pressure on yourself from the start, rather than trusting in a healthie, more incremental process. You’re so afraid of failure, and success feels impossible. In something like weight training, the body will follow the mind’s lead and you’ll get nowhere.

Where How Heavy excels is on how carefully and gradually Machio eases Hibiki into the basics of lifting weights, all while maintaining a supportive demeanor that never comes off as patronizing. It’s not an easy balance to strike, but Machio makes it easy.

Heavy is also fully aware that some of the explanations of the routines look and sound pretty…erotic, but hey, we’re dealing with sculpting the human body here, and the production values are more than up to the task, so the ecchi element is not just unforced, it’s executed splendidly. You’re not mean to leer at the bodies on display, you’re supposed to regard them with awe.

That’s exactly what happens when training wraps for the day, and when Machio says the word “besides” he suddenly becomes compelled to bust out of his tracksuit and strike a classic “side chest” pose, presenting his Arnold Schwarzenegger Mister Universe physique. Hibiki fell in love with his face, but is somewhat put off by the excessive muscles, while Akemi, she of the fetish, almost has a crisis.

After her first real workout probably ever, Hibiki feels ruined, and can barely stand in class the next day. As she and Akemi walk home and she continues to voice her reservations about continuing at Silverman Gym, Akemi tells her how happy she is to be able to train with a friend from school. That convinces Hibiki to stick with it. After all, this is already more about getting a hotter bod, or gaining joy and confidence in one’s increased strength and stamina…it’s about making a lovely new friend. Akemi certainly challenges her preconceptions about her “rich girl” status.

The next day, his “secret” revealed, Machio doesn’t bother hiding his tank of a body, and gets right into introducing Hibiki to squats, which are much tougher than the bench presses Hibiki thought were already plenty tough.

Hibiki is such a relatable protagonist because she approaches things realistically within her established modus operandi: try a bit, and quickly give up. As we all would if we were in her shoes! But with multiple motivating vectors including not wanting to let Akemi or Machio down, and yes, wanting to look hotter for the beach, she perseveres and blows past those old boundaries. That’s what the slogan “becoming a new you” is all about.

While walking home after another grueling workout, Akemi notices Akemi snacking and asks her how many times she eats a day. When Hibiki honestly replies “around six or seven, sometimes more,” she fully expects a stern scolding, like she normally gets from her best friend Ayaka. But instead, Akemi is duly impressed that Hibiki has been blessed with such a powerful appetite. After all, building muscle requires fuel.

Where the critical Ayaka sees the expanding Hibiki as a bomb ready to go off, Akemi sees great potential, not a threat—a diamond to be cut and polished from rough stone. While Ayaka’s concerns are legitimate and her heart’s in the right place, the tone is wrong. If Hibiki is going to make progress, she’s going to need positive voices, including her own. I look forward to her and Akemi’s iron-pumping journey!

Astra Lost in Space – 01 (First Impressions) – The Final Frontier: Getting Along

ALiS immediately sets the mood and grabs our attention by throwing us into the inky nothingness of space to float with poor Aries Spring (Minase Inori). She has no idea how she got there, but is understandably terrified, until she spots someone approaching her with an open hand.

Now that we know how bad things are going to get for Aries, the narrative rewinds back to the day Aries sets of for the five-day “Planet Camp.” Shortly after arriving at the spaceport, her bag is stolen, but the very fit and valorous Hoshijuma Kanata gets it back…only to be arrested by cop-bots.

No matter, Aries and Kanata eventually join their six fellow high school students (plus one little sister with an alter-ego in the form of a hand puppet) at the gate and before you know it, they’re on a 9-hour FTL journey to Planet McPa.

The meetup at the gate and the trip paint the characters in broad strokes, but the bottom line is they’re all very different personalities—pretty typical for a Lerche show. Within a couple minutes of setting foot on McPa, those clashing personalities are immediately tested by a weird floating orb, which I’ll just call a singularity. One by one, it sucks up the students who can’t outrun it.

After a very trippy visual sequence, everyone finds themselves floating in space, near a planet that doesn’t quite look like McPa. You couldn’t ask for a more nightmarish scenario, especially considering these are just kids with zero experience in space. Fortunately, there’s a spaceship in orbit, just within the range of their thruster suits.

They head to the ship, open the thankfully unlocked hatch, and climb aboard. There’s a grand sense of adventure afoot, and the music really helps to sell it. That’s when they realize there are only eight of them—poor Aries is still out there, drifting further and further away.

With insufficient fuel for a two-way trip in their suits, Kanata decides to use a tether to reach Aries, and we return to the end of the cold open, with Kanata reaching out to take Aries’ hand…only his rope is just too short. Disaster! Whatever to do? Kanata decides to go for broke and detach himself from the tether so he can grab an eternally grateful Aries.

But while they’re safe for the moment, there’s another problem: on the way back Kanata runs out of fuel, but his trajectory is five degrees off, meaning he and Aries will fly right past the ship. It’s time for the others, putting aside their initial differences to create a human chain outside of the airlock that snags Aries and Kanata and pulls them aboard.

That’s when they learn of several more problems—there are always more problems in space than in…not space, after all. They’re 5,012 light years, or more than three months, away from home, with only enough water for 20 days and only enough food for three.

With the aid of Zack Walker, he of the 200 IQ and spaceship license, he manages to calculate a route that will enable them to resupply at planets within twenty days of one another…but there’s only one possible route. Even so, the fact that there’s a remotely feasible plan bolsters everyone’s spirits.

With hope in their hearts (and probably very little food in their stomachs) Kanata is chosen as their captain, and they all take their places as the ship’s FTL activates, and they head off, through hardships, to the stars, on a very simple mission: Get Home Safe.

The last act seems to blow by extremely fast as solutions present themselves almost too easily, and while many members of the cast showed different sides, the jury is still out on others, but over all this was a strong start to a good old-fashioned space adventure. No convoluted factional conflicts or supernatural chosen ones…just nine kids probably in over their heads, but who have no choice but to grow up and do the best they can.

One Punch Man 2 – 12 (Fin) – A Blow from the Weak

Bang, and then Bomb, and then Bang and Bomb start whaling on an already diminished Garo, and Genos is reasonably confident the old dudes have this in the bag. But he underestimates Garo’s almost bottomless stores of resentment and disdain for the heroes of the world.

As a kid, he was always made out to be the monster while so-called “heroes” beat him up, just because he was weak and unpopular. The monster never got to won. This fuels a fourth or fifth wind for Garo, but the battle is interrupted when he is airlifted out by a big talking bird monster.

I have to say, I’m as pissed off as Garo, Bang, and Genos about this twist. This was supposed to be the Hero Hunter’s final battle; this episode should have brought some kind of closure to his story (and this season), even if it ended with him meeting Saitama’s fist. But that expected period became an ellipsis. Clearly OPM has other plans for our bloody-eyed friend.

As Garo exits the stage prematurely, Centichoro appears in all his very big, evil-looking CGI glory. As skilled as Bang and Bomb are, their gifts just aren’t that effective against an enemy so freakin’ huge, while Genos is similarly hamstrung by a firepower limit that can barely scratch Cent’s carapace. Even Bang and Bomb’s final one-time combo attack only works temporarily; the centipede simply shrugs it off molts.

Genos offers to stay behind, but the old-timers don’t think that’s right. Young’ins need to live on; Genos’ own scientist mentor said as much. But Genos ignores the advice of his elders, because he doesn’t think it’s right to let the old protect him while he sits back and watches.

So he blasts off and starts going at Centichoro, pushing him away from the civilian centers, blasting through one of his teeth, entering his digestive tract, and incinerating him from the inside out. As he’s spat out of the boss’s mouth, all his clothes burned off, it looks like his reckless abandon did the trick…but it just wasn’t enough.

That’s when Bang, Bomb, and Genos finally run into a little luck, as “S-Class” King starts egging on Centichoro with a megaphone, telling him he’s brought his rival, “Blast”. Of course, he’s only serving as bait for Saitama, who arrives just in time to save King from being squashed like a bug.

Saitama steps between King and Centichoro, rushing at him at full speed, and delivers his One Punch special, totally eradicating the monster, just as we all knew he would. It doesn’t matter how much other heroes struggle in vain to defeat a boss; Saitama will always make it happen.

That’s why it seems like a bit of a letdown he wasn’t able to deliver a punch to Orochi, chopping off the head of Monsters, Inc. so the body will die (or alternatively, punching all of the monsters into oblivion, Orochi included). Instead, Genos is yet again inspired by his master’s excellence, and Garo is probably off to be transformed into an actual monster. Those twelve episodes just flew by!

Attack on Titan – 59 (S3 Fin) – Finally, A Beach Episode

After hearing testimony from the surviving scouts and the opinions of the brass, Queen Historia decides to make the truth public. It’s feared doing so will sow chaos, but as Pyxis puts with his usual elegant bluntness, if they’re going to keep lying or hiding the truth, then why even bother ousting the last king?

Once the people are told what they really are and what was done to them, there is indeed a measure of heightened chaos, but public reaction runs the gamut from belief to disbelief, resignation to outrage, relief to rage. That’s a as good a sign as any that they made the right choice. The massive lie was another prison, but Eren & Co. found the key, and Historia used it to thrust open the gates. People are now free to leave…or stay.

Of course, after the trauma of the battle that claimed Commander Erwin Smith and most of the scout “fodder,” that group’s sole survivor in Floch can’t escape the prison, even with the open door right in front of him. He can’t see the door.

Floch is chained down by the belief that Armin was the wrong person to revive, and it was a decision born of emotion by Eren and Levi. He tells this to Armin’s face, and stands his ground when Eren gets in his face, because he believes has nothing left to lose. He already lost it all, and believes winning is no longer possible

The conviction of his words shakes Armin to the core; he can’t help but agree with Floch that he shouldn’t have been the one saved; that he has no idea how to turn things around. Armin is about to walk right back into the prison when Eren tries to encourage him that it’s too early to say, at least until they finally see what’s beyond the wall.

Since they were kids, Eren and Armin believed freedom was beyond the wall. But now that Eren has been beyond it, though his father’s memories and those of Kruger before him, of which he is now privy, but is being very careful about revealing what he knows to anyone else. In trying to comfort Armin, Eren only ends up bumming himself out when he dredges up the horrible scene of Faye torn to shreds by Marley dogs.

At the award ceremony, a fully decked-out Queen Historia presents the nine surviving scouts with medals of valor. Eren will do anything, including casting his life aside, to prevent a repeat of Faye’s fate. Anything except sacrificing Historia. And yet, upon taking her hand and kissing it, he pauses, leading Historia to wonder what is amiss.

Eren is remembering the day Grisha stormed into the Reiss chapel, before defeating Freida and eating her. He wears a subtler version of the same crazed, horror-filled face his father wore. Is there really hope beyond the walls, or only despair, and can freedom even be achieved without hurting Historia, or is Eren as much of a slave to this “cycle” as all who came before him?

Following that ceremony and Eren’s look of horror, a year passes. Wall Maria is purged of all Titans. Refugees return to their homes and begin to rebuild. And the Scout Regiment rides again, beyond Maria, into the great frontier. A year older yet somehow much cooler-looking Eren, Mikasa and Armin are among them.

After finding a particularly unfortunate Titan whom Eren identifies as a “fellow patriot” sent to Paradis transformed, and left to crawl along the earth at an infinitesimal pace, he and the scouts simply leave it behind and continue pushing forward, through valleys and sands that were once only illustrations in Eren and Armin’s book.

And then, just like that, they arrive at the edge of the island of Paradis and lay eyes on the sea for the very first time. It is one of the most epic moments of the entire series, and it’s sold quite well. Everyone is in a giddy sort of shock about it, like it doesn’t quite feel real. They taste the water, splash around, have fun. And why not? It’s a gorgeous day and they’re at the beach!  The kind of day dreams are made of.

As Armin dredges up a distinctive shell (notably empty), the breakers cause Mikasa, standing beside him, to stumble, but she manages to regain her balance. After a beat, Mikasa’s face shifts from surprise to sheepishness, before flashing perhaps her first genuine smile in six years; a smile which Armin returns. Honestly, her sequence of expressions was almost as momentous as the initial sight of the ocean.

Eren, who gesturally speaking is apparently still in that “phase” Levi mentioned to Hange, points dramatically to the horizon, to Marley, and tells his friends for the first time that he was wrong: freedom didn’t lie beyond the sea, enemies did.

But as for whether killing all of their enemies will free them once and for all…that remains a question to hopefully be answered in the fourth—and most likely final—season of Shingeki no Kyojin, to air in 2020. Until then, we are all of us trapped in a new prison…of waiting.