3D Kanojo: Real Girl – 24 (Fin) – Better Late Than Never

The last two weeks of 3D Kanojo: Real Girl have been odd and honestly a little frustrating. First of all, with Iroha facing a potentially life-and/or-memory-threatening medical operation, Iroha and Hikari basically break up, saying their final goodbyes.

The question I had at the end was, why? Why is Iorha cutting Hikari loose now? Certainly not to spare him the pain of losing her! And why is Hikari okay with this, and not insisting on staying by her side so she doesn’t have to face this trial alone? Then, last week, without providing a satisfying answer to that question, the show simply moves on with a HUGE leap in time, after which we learn Iroha survived the operation, but her memories didn’t.

That’s all well and good, but when they broke up, neither Iroha nor Hikari knew with 100% certainty that this would be the case. Iroha could have emerged from the operation with her memories intact, allowing them to remain the loving couple they clearly wanted to be. More troubling is the possibility that even though she lost her memories post-op, she might be more likely to regain them with her lover present (another reason I questioned them breaking up when they did).

Alas, none of that happened. And that was a little strange! But hey, sometimes things don’t work out the way you expect. I’m sure Hikari is well versed in this concept early in the episode, as he ponders whether it’s time to finally forget about Iroha. Who would have thought that Iroha’s brother Chika of all people would be the one to actually make the right choice at the right time?

If he wanted, Iroha would move back to L.A. and live with him. He obviously adores her. But his love is not the kind that would deprive her of that which she needed most, just for his own benefit. So after six months of being a total dick to Hikari in high school, he pulls a 180 (seven years later, for some reason) and tells Iroha why she feels there’s a big hole in her heart she’s unable to fill: there’s a guy out there who knows and understands her better than he.

So Chika arranges for Hikari and Iroha to meet—something that should have happened ages ago, mind you—and Hikari is his usual self-flagellating self. While he’s happy beyond belief that she’s alive, he stops short of giving his name. He’s prepared to let her go all over again, content that she survived. But then Iroha sees the strap on his bag that matches hers, and she suddenly remembers Tsutsun.

Hikari was ready to let her go because he feels he didn’t deserve to have her remember him (always nailing himself to the cross, Hikari). There’s definitely a case to be made for why he didn’t fight harder to stay by her side…or even suggest it for that matter, but one can chalk that up to Hikari being a romantic naif. But that hopelessly kind side of him is what finally causes Iroha’s memories of him to surface.

Fast-forward to Takanashi and a very pregnant Ishino’s wedding, where we’re introduced to 25-year-old Itou (who’s not that different), but no Ayado (it’s as if she was written off the show!), and during which Hikari of all people accidentally catches the bouquet. That’s right about when Ishino discovers one of her wedding guests is none other than Iroha.

It goes without saying that she, Takanashi, and Itou are beyond elated to see her, and simply by reuniting with them, Iroha is able to remember bits and pieces of her old friends (which, again, if only she’d done this years ago her memories would already be back!)

At the reception, we finally learn that Ayado married someone else, and simply couldn’t make it to the wedding. After the reception, Hikari tells Iroha they should get together again sometime, even if she’s going back to L.A. That’s when Iroha tells him she’s remembered more—a lot more—about the person she was, and how she was once terrible.

At first, dating him was only about curiosity than actually caring about him, but that soon changed when she got to know him, and being with him changed her as well, for the better. She now remembers those six months with him were the happiest of her life. Hikari feels the same way, and if he ever found out she was alive again, he’d always hoped she’d fall in love with him again.

Hikari doesn’t want her to go back to Los Angeles after all, and so does something he should have done seven frikkin’ years ago, and what he needs to to do stay by her side: he tells her not to go back. As Iroha feels the same way, she wholeheartedly agrees.

Fast-forward to another wedding, this time, that of Iroha and Hikari. Ayado is there—with long hair! Everyone’s doing the opposite length of what they had in high school, apparently—and not only that, she’s recently divorced! Itou, in his eternal awkwardness, sees this as an immediate opportunity to ask her out to dinner!

Thankfully poor Ayado is spared having to respond when the bride and groom appear. Hikari’s family is there, and even Kaoru is blushing a bit while their folks are crying tears of joy, and Chika is there too, good sport that he is—heck, Hikari and Iroha owe their joyful reunion entirely to him not being a total dick for once.

I still shrug at the point of the seven-year gap, which in hindsight seemed only to inflate the drama of the lovers’ inevitable reunion, but it happened so fast it didn’t quite land. Also in hindsight, I appreciated the ambition that went into such a development.

Let’s say Hikari and Iroha didn’t break up, and Hikari stayed by her side throughout the operation and immediate recovery. I posit there’d still be plenty of drama to be mined from the period immediately following the surgery when Hikari would have to wait and see not only if Iroha would live, but would return to being the Iroha he knew and loved. That would have been a smaller-scale denouement, but still effective.

Still, had it stayed in their high-school years we wouldn’t have witnessed their wedding, or that of Ishino and Takanashi, or their little one, or see Itou ask the recently-divorced Ayado out on a date at a wedding! So I’m content to say MEDETASHI MEDETASHI.

 

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Author: sesameacrylic

Zane Kalish is a staff writer for RABUJOI.

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