Sword Art Online: Alicization – 16 – Duel at Cloudtop

While Fanatio was able to endure Eugeo’s Enhance Armament, Kirito delivers the coup de grace with his own, overwhelming her sword of holy light. There’s a moment when it almost looks like she’s giving up, and that’s when she’s blown all the way up into the dome of the hall.

Kirito passes out once his attack is complete, but Eugeo is able to revive him by transferring some of his life. Kirito rushes to heal the critically injured Fanatio, but neither he nor Eugeo can stop the bleeding. Kirito decides to use the dagger meant for Administrator, asserting that there’s no way he can walk away from Fanatio carrying the tool of her salvation in his hand.

A bemused Cardinal takes her away and promises to heal her, assuring the lads that they can still defeat the pontifex without the dagger provided they get the jump on her while she’s sleeping, which is…often. Cardinal also sends them potions to bring them back to 100% for the next fight. I wonder if the Fanatio who wakes up will be grateful to her saviors…or regain her memories.

The only way to the higher levels is a kind of elevator shaft glowing with green light. A floating platform appears with an almost robot-like “operator” who simply asks which floor they’d like. It doesn’t matter that they’re criminals, fugitives, or enemies of the pontifex; her calling is to operate the elevator, and that’s it.

The dreary drudgery of such a calling calls to mind Eugeo’s constant hacking at the Gigas Cedar, but at least he got to go outside. The operator, who doesn’t even remember her name, would wish that if they succeed in bringing down the pontifex and her calling were recinded, she’d want to retain control of the floating platform and use it to ply the skies.

She brings the duo to the eightieth floor, the Cloudtop Garden, where they find Saber Alice reclining against a tree, asking for a little more time to relax in the sun. When the lads keep advancing, she reveals that the tree is the ancient form of her divine object, the Osmanthus Blade.

She acknowledges that the boys must have some skill if they were able to make it thus far, but promises them this is the end of the road for them. Kirito and Eugeo have no intention of defeating her, only restraining her long enough to use Eugeo’s dagger to send her to Cardinal.

To put it mildly, Saber Alice…doesn’t make that easy. Her Osmanthus Blade scatters into thousands of petal-like shards, giving her far more unpredictable and adaptable offensive power than a mere single blade. I likened it to the shikai of Kuchiki Byakuya’s Senbonzakura, though I’m sure there are plenty of other analogues.

Things seem to go according to plan at first, with Kirito constantly retreatin, then turning aside Alice’s blows until he’s close enough to grab her and hold her still. That allows Eugeo to unleash his Blue Rose Sword’s Enhanced Armament, capturing both Alice and Kirito in a block of ice.

But that’s where things stop going their way. Alice’s blade is exposed, and it scatters into petals and dissolves the ice. Suddenly on his heels, Kirito breaks out his AE again, and seemingly fights Alice to a draw, as the combined force of their attacks blows a big hole in the side of the cathedral.

They’re on the eightieth floor, the pressure differential sucks them both out before Eugeo can get to Alice with his dagger. Worse, the wall almost immediately completely repairs itself, sealing Kirito and Alice outside and Eugeo inside. Neither Kirito nor Eugeo alone were ever going to be able to face the Commander of the Integrity Knights—let alone Administrator. Yet alone is where Eugeo now finds himself.

I can’t imagine he’ll go all the way back down to the entrance to meet back up with Kirito, and possibly continue assisting him in his duel with Alice. Or perhaps the duel is over as far as Alice is concerned. In any case, getting the two lads back together will take some doing. I wouldn’t be surprised if a dragon was involved.

Kaguya-sama: Love is War – 03 – Sex Ed, Ten Questions, and the Joy of Not Being Driven

When inappropriate literature is confiscated by the headmaster and given to Miyuki to dispose of, Chika takes one look and is scandalized, emphatically challenging fact about 1 in 3 high schoolers having “done it.” That means 1 in three in that very room could have already had an “experience”.

It’s Kaguya who comes right out and said she’s had one, shocking Chika and Miyuki and putting the latter in a bind: if asked if he’s done it, he knows Kaguya will sniff out a lie and likely respond with a devastating “that’s cute.”

Miyuki is defined by being extremely well-liked by the opposite sex (he’s even been given homemade chocolate…full of hair?!?) but utterly inexperienced with same (not counting his non-romantic interactions with Kaguya and Chika). Boundless confidence and pure chastity are a weird combo, but they take a back seat to Kaguya’s situation.

You see, Miyuki is bailed out from having to answer whether he’s “done it” after Kaguya says several things that paint the picture of an extremely perverse upbringing, having “done it” with a “newborn on videotape” and assuming Chika’s “done it” with her dog many times.

He finally asks Kaguya what she thinks “doing it” refers to, and she replies that it means “kissing.” It’s an answer someone who’s been boxed up and protected from any and all sexual education for all of her sixteen years. When Chika finally explains what “doing it” really means (a 15-minute process!), her faces says it all: she’s lost this round.

In the middle segment Miyuki notes how much Kaguya has mellowed, and how in the half-year they’ve worked together he’s come to understand her better. She decides to put him to the test with a game of “20 Questions”, only he limits him to just ten, since he claims to know her so well.

She writes something on a piece of paper, and he’ll have ten questions to figure out what it is. Miyuki is game, while Kaguya senses an opportunity.

Her “yes” and “no” questions take a turn when Miyuki asks “is it something you like” and she suddenly gets all bashful and flustered. He comes to think the thing she wrote down was him, as all the responses fit that conclusion so far.

Miyuki himself is so flustered by the end of the sequence, he blows his ninth question by providing a non-yes/no query. But after thinking about it more (or rather thinking about the other side of Kaguya he knows; the one that plots) He eventually guesses “dog”, and he’s correct.

Kaguya was probably trying to lead him to reveal his feelings by getting him to suggest she was talking about him, but he doesn’t go for it, and in the process proves that he indeed understands her. A win for Miyuki!

The rubber match…isn’t even a match between Kaguya and Miyuki, and Chika’s not even in the sequence. Intead, with a cat holed up in the engine compartment of the car that drives her to school, she decides to walk to school for the very first time, having watched other kids do it thousands of times from the car window.

It’s a beautiful sequence that underscores just how rare an experience this is for the sheltered princess, and knowing Miyuki’s bike route, attempts to “surreptitiously” cross paths so he’ll give her a ride to school. Her plan is seemingly foiled by a crying, scared middle schooler who can’t cross the street without a buddy.

As Kaguya stays with her for all the crosswalks that lead to her school, she learns that like she herself, this girl doesn’t want to walk alone. When Kaguya suggests she just arrange to walk with her friend, independent of official group walking, the girl labels her a genius before meeting up with her friend (who has the colorful nickname “Yeti”).

At this point, Kaguya knows she’ll be late to school, but as she’s coming to terms with that, the crossing sign flashes “stop” and none other than Miyuki screeches to a halt on his bike right beside her. After he gets over the shock of Kaguya being there, he instructs her to get on and ride with him, as it would be a black mark for the StuCo if she were late.

There’s no hesitation or embarrassment in what Miyuki does, and he even puts school rules ahead of traffic rules prohibiting two people on a bike. Logic is on Kaguya’s side today, and you can sense her joy as she rides with the furiously pedaling Miyuki, keeping her skirt down, her hair flowing in the wind.

Even though the next day she’s back in the car, she’ll always look fondly at the one exciting day she set out on foot and got picked up by the boy she likes. Kaguya wins without anyone losing—a marvelous example of the show balancing its usual cynicism with lovely, joyful segments like this.

Other Stuff:

  • The two cats in this episode looked really good. It’s like they were drawn by people who have actually seen cats before! :-)
  • Slight continuity error: In one shot, the Audi A8L in which the cat has taken up residence has a prop shaft holding open the hood, but in the next scene the shaft is gone. In real life the A8 hood has hydraulic struts.
  • Moments after the middle schooler mentions her friend “Yeti”, a real Yeti appears in the edge of the frame, using the crosswalk, as one does.
  • I couldn’t close without mentioning Chika’s absolutely adorable song-and-dance during the credits. Just tremendous animation that has the look of motion capture but without that fake smooth CGI look that plagued Zombieland Saga. A welcome surprise after an episode that was otherwise light on Chika.