Golden Kamuy – 16 – Climbing Out of the Swamp

Shiraishi rather carelessly falling into the custody of the 7th Division is one more detour on the increasingly complex road to meeting Nopperabo. Hijikata cannot act when so outnumbered by armed soldiers, but he can lie in wait at a fragile hanging bridge that causes them to bottleneck.

Hijikata cuts the bridge, sending the soldiers and Shiraishi into the river, and Kiroranke is waiting to pick him up in a boat. But Shiraishi remembers his nightmare of being killed by Sugimoto for his betrayal, and hesitates to grab Kiro’s arm, and ends up right back in his captors’.

After imagining his annoying self in their heads, everyone kind of shrugs at the prospect of losing him, but decide that his know-how is worth traveling to the 7th Division base, infiltrating it, and rescuing him.

Meanwhile, we learn a little more about how Tsurumi intends to carry out his grand plan: Lt. General Arisaka’s top-quality weapons will sell like hotcakes; those weapons will be used to kill and maim in war after war; opium from Tsurumi’s cold-weather poppies will supply the drugs to sooth those who survive the battles. But he needs capital for his venture, hence the need to find the Ainu gold.

Tsurumi also had Arisaka built Nikaidou a new leg, all but assuring one more rematch between him and Sugimoto, who himself finally puts two and two together and realizes that Shiraishi was feeding info to Hijikata. Asirpa urges him not to kill anyone unless necessary, implying Shiraishi isn’t that.

On the contrary, he’s crucial enough to their plan for Hijikata to reach out to a fellow inmate at Abashiri, Suzukawa, who is a master of disguise. They’ll have him impersonate Abashiri’s warden Inudou Shirosuke in order to infiltrate the 7th’s base. Sugimoto accompanies him, also in disguise.

There’s now a lot going on, with the Hijikata/Sugimoto alliance (more like a truce) just barely covering up the fact that there are nearly as many competing motives as there are characters. The crowded field also means Asirpa gets another short shrift, with only one line that I recall. Sidelineing my favorite part of the first season—Sugimoto and Asirpa’s blooming friendship—had better bear some compelling fruit.

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TenSura – 05 – Rimuru Gets His Team…Then Gets Exiled

One of Rimuru’s iffily-drawn Elven hosts uses a crystal ball to show him who he’s “destined to be with”: the dark-haired young woman who features prominently in both the promo art, OP, and ED, but who has yet to cross paths with the Slime.

When Kaijin’s nemesis Minister Vesta pours beer on Rimuru, Kaijin slugs him, and the whole crew gets arrested, goes to gaol, and does not pass “GO” or collect $200 gets put on trial. We learn that the well-bred Vesta used to be a subordinate of the peasant-class Kaijin.

Vesta uses his largesse to pay off the proxy meant to defend Kaijin, and after a brief trial he is sentenced to twenty years in the mines, and his friends, who did nothing, ten each. However, the Dwarven King Gazel Dwargo, who quietly resides over the proceedings, puts a quick end to the farce.

Dwargo offers Kaijin a place among his ranks once more, but Kaijin has already agreed to join Rimuru. So everyone gets exile instead, and for lying for so many years, Vesta is dishonorably discharged from the king’s service. Vesta once looked up to the king as a boy and dreamed of serving him, but somewhere along the line he lost his way.

As for Kaijin and his three mates, they find a new way: whichever way Rimuru Tempest is headed. They leave the city to meet up with Rimuru’s friends, but King Dwargo senses the power of Veldora within the slime, and orders a stealthy spy to follow him.

All in all, I felt the trip to the great dwarven city to be somewhat underwhelming, even if Rimuru ultimately got what he wanted (artisans for his village). And while there were some interesting character dynamics in play, the trial was still a bit of a snoozer.

SSSS.Gridman – 04 – Truly Vexing to Watch

Akane is pretty sure Yuuta is Girdman, but not 100% sure. She wants to investigate further, which includes questioning Rikka when the two take the bus to school on a scorcher of a day. The two also end up joining Rikka’s friends Namiko and Hass on a group date with the Youtube group of college boys called Arcadia, despite the fact neither Rikka nor Akane are really into group dating…or any dating at all.

Yuuta doesn’t really like the idea of Rikka going on any kind of date that doesn’t involve him, and Gridman can sense he’s troubled about it (though Yuuta tells him not to worry about it). Yuuta and Shou decide to basically shadow the group date, as it involves two women they’re both emotionally invested in (in Shou’s case, Akane; in Yuuta’s case Rikka).

Neither really ever had anything to worry about; the only two women remotely  interested in Arcadia are Namiko and Hass. Akane is far more interested in learning why Rikka is spending more time with the guy she suspects to be aligned with her arch-enemy Gridman.

Akane also ditches the other girls at her earliest convenience, and succeeds in killing all but one of them with a kaiju. Rikka later catches on to the fact three of the four members of the group were killed and erased from the collective memory of society (including her friends), so she meets with the last surviving member, Yamato, to warn him of his impending doom.

She’s almost too late, as the fog that serves as the precursor to the latest kaiju attack envelops Yamato. It’s Samurai Calibur who ends up saving them both from the kaiju. Yuuta and Gridman deploy, but they end up having to fight not only the insectoid kaiju that killed the other members of Arcadia, but Item as well, who is singularly interested in defeating Gridman and nothing else.

All four members of Neon Genesis decide to sortie at once, but when combined with Gridman’s deployment, the computer they’re all working through basically freezes, freezing all of them in turn. Rikka scares the shit out of Shou by unplugging the computer, then plugging it back in and rebooting it, but doing so actually solves the problem, as the whole of Neon Genesis simply isn’t able to sortie simultaneously.

Instead, only one of them, the tank from last week, sorties, combining with Gridman into Gridman Max, defeating the insectoid kaiju. Item then reaches his time limit and reverts to his human state. It’s another victory, albeit a close one.

Later, at the shop, Yuuta works up the courage to ask Rikka out to grab something to eat, but she misinterprets it as a suggestion for the whole group to have a meal together. Mind you, Yuuta could mend the misunderstanding with two words: “just us,” but of course he doesn’t, mimicking Wile E. Coyote in the “trying something only once” strategy.

This was an episode in which the large-scale battles between Gridman and kaiju took a backseat to the high school romantic drama unfolding between Yuuta, Rikka, and Akane. Yuuta has proved pretty inept at getting Rikka to notice him in the way he’d prefer, but he should have plenty more opportunities, especially since she doesn’t have the slightest interest in Arcadia’s Yamato.

Koyomimonogatari – 01

Koyomi Stone is the first in a 12-episode miniseries of short stories involving Araragi Koyomi and all the other various characters in his orbit. First up is Hanekawa Tsubasa, whose dealings with Koyomi pre-date his girlfriend Senjougahara’s. Tsubasa presents him with a mystery of a stone in a shrine and asks him to report it to Oshino to see if it’s an oddity.

Oshino’s reply is for Koyomi and Tsubasa to study the high school’s curriculum. Tsubasa picks up on the clue and deduces the stone was once on its own until someone was about to toss their failed woodworking project into the nearby garbage, but placed the stone in it instead.

As a result, both objects changed: the stone became something that resembled an object of worship, and the failed house became a successful shrine. With the case closed, Koyomi remembers it was he who built the crappy house and put the stone in it; he later tosses the house and discovers the stone is really just a hunk of concrete.

The usual Monogatari style is all there to be seen and heard, adding weight to an otherwise slight and superfluous mystery, while the shorter runtime makes for easy watching.

SSSS.Gridman – 03 – Gridman, I Hate You!

It’s a rainy day in Tokyo when the newest kaiju appears, and this one seems different, because Akane isn’t making a model, but interacting with a small silver-haired boy named Anti who can transform into a kaiju. Why does he eat like he does, and why does hate Gridman so much? We don’t know. For that matter, we don’t know why Akane hates Gridman and wants him dead so badly, aside from having lost to him twice.

In any case, the Gridman Alliance is collected by Calibur, and before Rikka can apologize for not answering Yuuta’s phone call, Yuuta heads into action—and once again has his ass handed to him. Combined with Yuuta’s worry that he may be fighting/killing a human inside his opponent, he doesn’t fight back, even with Calibur by his side, and the two LOSE to Anti, much to Akane’s elation.

Rikka and Shou are stunned. They fear Yuuta and Calibur are dead, and in lieu of knowing what to do next, they wait in the shop and snipe at each other out of frustration. Their quarrel is broken up by the arrival of the “Neo Genesis Junior High Students” a team allied with Calibur and Gridman (and whose name is an homage to Evangelion). They tell Rikka simply to call Yuuta, and to her and Shou’s great relief, he is alive, and Gridman is simply regenerating. Before long he’s back in the fight.

One of the members of Neon Genesis joins the battle in the form of a battle tank, and combines with Gridman to form a new set of extra-chunky arms and fists with which to defeat Anti, who “runs out of time” in kaiju mode and reverts to human form, after which he’s basically disowned by a furious Akane.

Back at Junk, Rikka apologizes to Yuuta, which is something I think is way overblown in the grand scheme of things (I mean, people miss calls; she was trying to help someone she thought was in need), while her mom (who is voiced by the same actor who portrayed Haruka in FLCL) wonders where so many new people suddenly showed up in her shop.

While Gridman’s defeat was a nice change of pace, the fact it was resolved so easily—with Rikka and Shou simply sitting around until the cavalry arrived—kind of gutted the suspense. Everything is in a very bad way, and then moments later everything’s fine and dandy.

As for why Akane is doing what she’s doing, where exactly Anti came from, and other mysteries, lets just say I’m not holding my breath for satisfying explanations. Perhaps it would be best to just sit back and enjoy the action…it would just be nice if it meant more.

SSSS.Gridman – 02 – Keep Doing What You Can Do

When Yuuta, Rikka and Shou return to school, they learn that several of their classmates have disappeared and nobody has any memory that they ever existed, or of the kaiju battle. They decide to seek answers from Gridman on the computer in Rikka’s shop, which was going to be closed so Rikka could hang out with her two best friends. Meanwhile Akane takes an interest in what Yuuta is talking about and joins him on the roof for lunch, but doesn’t get far.

Turns out Shinjou Akane is very different from the perfect student Shou made her out to be. She lives in an apartment packed with trash and clay models of kaiju. Turns out she’s the one who’s made some kind of Faustian bargain with Gridman’s enemy, who turns all of her creations into full-size kaiju which then kill people she doesn’t like. She may be talented, but she’s not a good person, and must be stopped.

The suspicious-looking sleepy-eyed man eventually arrives at the junk shop, introducing himself as Samurai Calibur and failing to enter or exit a door without getting caught by his ridiculously long four katanas. He “optimizes” the computer so Rikka and Shou can hear Gridman and see the giant kaiju they’re not aware their cute classmate is making and deploying. Her latest creation is “brought to life” and starts wreaking havoc in much the same way as the first one.

As Akane watches the carnage unfold from the safety of her apartment, Yuuta, Rikka and Shou are nearly flattened by a stray steel beam, but Samurai Calibur demonstrates his prowess by slicing it in two, saving them. They rush to the computer, and because it’s now optimized, Gridman (who is nothing but energy in this universe and needs a human with which to collaborate) provides Yuuta with a “Primal Acceptor” bracelet that lets him customize Gridman to his specs and colors.

The new-and-improved Gridman is lighter and faster, but his Grid Beam is deflected; Akane makes improvements to each kaiju based on the failures of the former ones. Gridman gets beaten up again, but Samurai Calibur joins the battle in the form of a gleaming golden sword, with which Yuuta/Gridman uses to cleave the kaiju in two, destroying it and pissing Akane off royally.

Back at school, Akane’s intended target is unharmed and like everyone else, has forgotten all about the attack. But unlike when he bumped into Akane, sparking her ire, he apologizes after bumping into Yuuta, suggesting perhaps the experience unconsciously made him more courteous.

In any case, I’m sure Yuuta and Akane will be facing off a lot more with their respective weapons. The question is, will the Gridman Alliance ever find out she’s the kaiju-maker, will she reveal it to them when she’s ready to eliminate them once and for all, or can she be convinced to stop this evil, destructive venture? On I watch…

Sword Art Online: Alicization – 04 – Calling Fulfilled

It took three episodes and the absence of a designated Goblin Slayer, but Sword Art Online: Alicization finally got around to showing some decent Sword Arts when Kirito goes up against the head goblin holding Selka captive.

The fight is as fast and brutal as the animation is smooth, silky, and stylish. But when he’s nicked by his opponent’s blade, the pain is unlike anything he’s experienced in any VRMMO, and it slows him down.

Eugeo freezes a lot early in the fight, but when it’s clear that he and Kirito and Selka aren’t going to get out of there alive unless he joins the fray, he summons enough courage to draw his sword and cross blades with the boss.

He only buys Kirito a bit of time before he is near-mortally wounded across the midsection, but it’s enough for Kirito to recover, take over, and use another one of his latent Sword Skills to behead the goblin, threatening the others away unless they wants some.

Selka is none the worse for wear, but she and Kirito must put their lives on the line with a high level Sacred Art in order to save Eugeo, who recalls a memory of Kirito being with him and Alice six years ago. As Kirito can feel his vitality draining into Eugeo, he has a vision of Alice behind him, telling him she’s still waiting for them atop the cathedral in Central City.

The healing is a success, and the three return home. The next day, while hacking at the tree, Eugeo asks Kirito to train him in swordsmanship; Kirito tells him he is a master of the “Aincrad style”, in reference to his time in SAO, and a brief training montage ensues.

At the end, Eugeo can summon a Sword Skill in the Blue Rose Sword, and the vitality of the Gigas Cedar has dropped to the point it only needs one more good strike to fell it, a strike that Eugeo executes, bringing the massive tree down.

As someone who adores huge trees, it was a little upsetting to see it not only fall but its demise be celebrated, but considering how much of a scourge it is on the village, I suppose I can make an exception.

At the post-felling celebration, Kirito encounters Selka and assures her she need not try to catch up with, surpass, or be a replacement for Alice; there are things only she as Selka can do, and she should focus on being the best Selka she can be instead. Selka knows. Eugeo sees her off, apologizing for what she and her family went though and promising to return with both Kirito and Alice.

The reward for fulfilling the calling of felling the Cedar is that Eugeo gets to pick his next calling. Thus, he is playing by the rules in choosing to become a swordsman like Kirito. The two set out for Central City, where the plan is to locate and bring back Alice. We’ll see what trials await them on the way to the city, and when they arrive, we’ll see if she’s anything like the Alice who was taken away by that Integrity Knight six years ago.

Goblin Slayer – 04 – He’s Always Like That

The High Elf Archerhad no idea what she was getting into when she teamed up with ‘Orcbolg’. At first, it was kinda fun, sitting ’round the campfire, getting a bit drink, nibbling on melted cheese, teasing him about his helmet. It was the start of an adventure she was hoping to have.

But upon entering the once-grand ruins taken over by goblins, and finding a nearly-dead elf much like herself hanging from chains, things suddenly aren’t fun or exciting anymore. They’re sobering and dark and cruel. GS brains the goblin behind the poor woman, who is carried off to safety by one of the Lizardman’s conjured dragonbone warriors.

The experience of suddenly encountering a fellow elf in such a state lingers; the High Elf Archer looks traumatized and weighed down. The GS doesn’t have time to comfort her or anyone else; if anyone can’t continue, they should go; otherwise, they should stay.

She decides to stay, not feeling at all right about abandoning the party (especially since she’s the best ranger and marksman among them). But then GS comes up with a plan to take on the far greater goblin numbers…and it isn’t exactly sporting. They basically cast Stupor and Silence on them, and kill them in their ‘sleep.’

At first, the Archer wants revenge for what the gobs did to the other elf, but after the sixth or seventh or seventeenth goblin she’s repeatedly stabbing and letting the blood splatter on her face, she’s kinda not feeling it anymore…or feeling anything for that matter. She looks numb, and hard, and wonders how GS could have done this alone for so long.

The next stage isn’t as easy as slaughtering sleeping gobs, however, as it turns out they’re being led by a massive ogre, capable of speech (and trash talk). The parties’ efforts don’t really seem able to put a dent in his thick and quickly regenerating skin, the Priestess runs out of miracles for the day protecting them from fireballs, and the GS gets slammed hard against a column and briefly stunned.

When he has a couple potions, he gets back up and carries out another “plan”, which is to use a gate scroll to “transport” water from the bottom of the sea into the same space the ogre’s body occupies. The high pressure water cuts him in pieces as a blade would.

After finishing the ogre off with a sword to the brain, the party exits the ruins and are met by a friendly group of elves eager to join the fray…but it’s already all over. The party members wordlessly board the wagon. What is there to say? As the High Elf Archer later tells the Priestess, whatever that was, that wasn’t adventuring.

It was savage, joyless drudgery. Even if the end result was one of her people was saved and many more made safe by eradicating the goblins and the ogre, the way it was done just left a bad taste in her mouth. But more than that, she doesn’t like how easily the GS abosorbs such experiences as if they were just business as usual.

It goes a long way to explaining how he ended up so taciturn, unemotional, and obsessed with doing only what is necessary. She wants to show him another way someday, if it’s not too late for him.

SSSS.Gridman – 01 (First Impressions) – Old Computers are Terrifying…and Awesome

SSSS Gridman follows a familiar formula of “average kid awakens as mecha pilot and fights monsters” and elevates it with a movie-quality production that doesn’t skimp on naturalistic sights, sounds and pacing to immerse you into its once-but-no-longer-mundane world.

The simple beginning of Hibiki Yuuta waking up in Takarada Rikka’s house, recipient of an act of kindness. He hears a voice from an old, cobbled-together computer in Rikka’s family junk store, but only he can see and hear the robot on the screen introducing himself as Gridman.

Similarly, only he can see the immense kaiju looming in the otherwise ordinary Tokyo dusk. Heck, it looks almost like a cloud cell. At first things are kept at a normal level: perhaps Yuuta just hit his head, has temporary memory loss with some audiovisual hallucinations. It’s why Rikka makes sure he gets home safe and someone picks him up in the morning.

That someone is his friend Utsumi Shou, who recommends they carry on like everything’s normal. Yuuta gets a “special hot dog” from the class idol Shinjou Akane, but Shou thinks it’s more out of pity than kindness.

The school scene is full of naturalistic sounds and leisurely pacing that emulates real life. The voice actors all use a casual conversational style that makes the scenes feel lived in.

He wants to see what Yuuta saw, so the boys return to Rikka’s mom’s store. Neither of Yuuta’s new friends can see or hear Gridman on the screen, but they do hear and feel the tremors in the ground when a kaiju finally shows up and starts wreaking havoc on the city.

And boy, is there a lot of havoc. Vehicles are flung about like toys, energy balls are shot from the kaiju’s mouth that level whatever buildings it doesn’t flatten with its lumbering gait—including Yuuta’s school. In the tradition of Power Rangers, the big boss is slightly unsettling looking…yet also a bit cute.

It isn’t until Yuuta is transported into the computer to have a quick confab with Gridman that Rikka and Shou can see the robot on the monitor. Outside, the full-size Gridman materializes and starts going at it with the kaiju, but just as Shinji’s first go in Unit 01 didn’t go so swimmingly, Yuuta quickly gets put on his ass by his opponent.

Wanting to help in some way, Rikka decides to try typing encouragement to Yuuta on the computer, exhibiting her skill for speed-typing. It gets through to Yuuta, who stands up, dusts himself off, and then goes at the monster with a full head of steam, culminating in ripping its head and neck off and finishing it off with a good old-fashioned Grid Beam.

Once the battle is over Yuuta materializes back in Rikka’s place, victorious, but Gridman warns him this is only the beginning; there will be far more to his mission. Shou can’t believe what he just saw but is really pumped up; Rikka is more reserved and kind of freaking out as her mind tries to process it all. So Yuuta and Shou head home.

The next morning everything is back to normal…too normal, as their school was definitely destroyed last night, but when they arrive, it’s been fully restored with neither a scratch nor a dead kaiju head rotting in the yard. There’s also another “chosen pilot” on the opposite side of the fight being encouraged by a robot different from Gridman.

Don’t get me wrong: I’m not here to tell you SSSS.Gridman is some marvel of original, compelling stroytelling. It basically steals everything it is form other sources, some of them many would rather re-watch than see in bastardized form.

But I will say simply that I was greatly entertained, fully engaged, and came to like the lead characters whose broad strokes were given texture by their seiyus. And if every episode comes close to being as much of a feast for the eyes and ears as this one, then I’m excited to watch more. It’s nothing fancy, fancily executed.

Bloom Into You – 04 – The Spectator

Yuu’s friend Koyomi is distracted from after-school study since she’s busy writing what I’m guessing is a love letter. She doesn’t reveal this fact to Yuu, preferring to keep it secret, as such things should be, at least until you have a better handle on how it will go. Yuu doesn’t have time to give her friend’s reaction too much thought, because new Student Council President Nanami Touko has arrived to pick her up to go to the council office. Touko also introduces the fifth and newest member, a first-year boy, Doujima Suguru.

Touko lays out the general areas when they’ll be busiest, no more so than the cultural festival. She wants to bring back the StuCo stage play, in which they’ll fill performing roles while the various creative clubs provide script, costumes, sets, etc., in lieu of a theater club (which the school doesn’t have). Touko is enthusiastic about the idea (obviously; it’s hers), as is Doujima. VP Sayaka can be counted on to go along with whatever Touko wants, as always.

The two holdouts are Yuu and Maki Seiji. Yuu doesn’t like big crowds (she did quite well with her speech, but that doesn’t mean she enjoyed it), while Maki prefers to work “in the background” in a support role, as he did in the past in sports clubs. Ironically, it was that speech that inspired Doujima to join; Yuu seemed so fired up about joining in that moment!

After a long day of council work, much of it organizing the mess of files of the previous administration, everyone heads out except for Touko and Yuu. Yuu was going to leave too, but gets a Look from Touko that keeps her there. The fact she stays, and for no reason other than to keep Touko company…that innate kindness of Yuu gets Touko all hot and bothered.

She wants to kiss Yuu…badly. Yuu brings up how she made it clear ‘she can’t return the same feelings so why is Touko coming on to her’. But it’s Yuu letting Touko love her that makes Touko love her that much more. That same kind Yuu doesn’t exactly hate being kissed, and if she said she “wasn’t interested”, she’d be lying. So they kiss. And as they kiss, Maki comes back to grab his pencil case…and sees them. But they don’t see him.

The next day, Maki acts naturally with Yuu, which is to say, they have a good working relationship as student council colleagues. Yuu brings him the pencil case he couldn’t grab. We don’t know Maki all that well, except that we know that “the background” is his wheelhouse; he likes to help out, not stand out. To that end, him spreading rumors isn’t something he’d do.

All I can say is, thank God it wasn’t Doujima who spotted Yuu and Touko, or it might already have spread to the whole school. Maybe that’s not being entirely fair to Doujima, whom I also barely know, but from what we gather in his interaction with a distracted-looking Maki, we can glean that he’s a more “conventional” high school boy; he has a specific type of girl he’s into and asks Maki what his type is (to which he says he has none).

The more he observes Touko and Yuu, the more he learns and realizes about them. He also observes Sayaka, who he can tell feels threatened by Yuu, and she isn’t even that good at hiding it, saying, in effect, Touko’s first-year obsession “will pass” which is clearly wishful thinking on her part. That outcome serves her, but she’s not really thinking about what Touko wants, is she now?

When Maki heads back to the school from the office, Yuu accompanies him, and on the way. They talk about her and Touko, and he informs her that he saw them kiss, asking if they’re dating. Yuu is petrified; not knowing who Maki is, she envisions her version of the worst-case scenario: word spreads, and it hurts Touko.

But again, Maki isn’t going to use what he knows for anything malicious; it’s just not who he is. Touko and Yuu didn’t do anything to him; why would he do something to hurt them? It does nothing for him. What does do something for him, on the other hand, is knowing they’re a couple, and specifically being the only one who knows.

You see, Maki is not your normal high school kid either. He’s not interested in getting into or being in a relationship; only observing them from a comfortable place. It doesn’t matter if it’s a girl and a guy, or two guys or two girls; as long as he’s a spectator and not a participant (the closest to anger we see him exhibit is when he himself was confessed to in the past, shattering his “fourth wall.”

Somehow, some way, this doesn’t come off as creepy. Perhaps it’s because the way he expresses it felt so innocent to me. I’m not saying it’s a healthy or unhealthy way to live your life, and neither does the show judge him either way.

What matters to Yuu is that Maki discretely told her, alone, in a prompt fashion. So when he says he won’t tell anyone—not even Touko—both Yuu and I trust him.

Maki’s passive way of navigating the tempestuous seas of high school affords him unique insights that more active participants will often overlook. For instance: he can tell Touko is special to Yuu, because without even thinking Yuu put Touko’s wellfare before her own vis-a-vis their secret.

Maki doesn’t hate love, he just wants to be above the fray and watch it…one more reason he won’t mess with Yuu and Touko. To do so would be as unthinkable as standing up in the middle of a play and interrupting the actors on the stage (assuming, of course, it’s a non-interactive play).

And so for the first time, Yuu is flustered by someone other than Touko on the subject of her feelings for her. What she thought to be “normal” may actually be the “special”-ness she thought she’d never achieve. This changes everything.

Iroduku: The World in Colors – 04 – Fewer Colors, More Understanding

When Kohaku arrived she looked so bright and confident I feared her light would completely envelop Hitomi. But instead of a bright sun blinding everything else in its vicinity, Kohaku proves to be a warm sun, embracing Hitomi just as her granny would…because she is her granny. She takes that role very seriously without pulling herself out of her own present.

Immediately, Kohaku attracts a lot of attention, especially when she “transports” her class to England by casting an illusion spell that puts the class into a photo. It would seem her penchant for causing mayhem at school rears its head when an illusory steam locomotive covers everyone with soot and smoke.

That night, at the ridiculously awesome Tsukishiro residence, Hitomi and Kohaku talk before bed, about how Hitomi not knowing precisely why she’s there or for how long, in other words not knowing what will come next, is exciting. She also shows Hitomi a photo of a train that was in the album she held; the magic train was her doing; she has magic power, it’s just hidden and dormant, only coming out under certain circumstances.

And for all the havoc she’s wreaked over the years, Kohaku maintains that magic should only be used to help people and to make them happy. She considers magic to be a gift from God, and its the duty of every mage given such a gift to give it back to the world through happiness.

The photography arts club is a happy bunch, with Chigusa and Kurumi slowly growing together (though Kurumi puts on a front of loathing and Chigusa pretends to be aloof). They go on the high school roof at night to take photos of the skyline.

Yuito tells Hitomi that seeing only in monochrome can have its advantages. She’s able to see or understand things color normally obscures for everyone else. The gang also learns that Hitomi is Kohaku’s granddaughter from sixty years into the future…and they’re perfectly fine with it (for the most part).

The two Tsukishiro mages cap off the night by transcribing Yuito’s tablet drawing of a train into the sky. They’re using magic to help their friends by making them happy. The next day while going over their shots, Kohaku officially joins the club and adds “magic” to its name,  making it the “Magic Photography Arts Club.”

Rather than someone who was going to shove Hitomi out of relevance, Kohaku is a net positive to the group, strong and self-assured in every way Hitomi is not, but also warm, generous, and loving. Knowing Hitomi is from the future worries Yuito, because he doesn’t know if or when she’ll return there. I imagine such worries are premature; Hitomi still has a lot left to experience in the past.

To Aru Majutsu no Index III – 04 – Items, Groups and Schools, Oh My!

Index shifts from Avignon to Academy City, and the only character from that previous mini-arc who appears here is Tsuchimikado, carrying out his duties as a member of the anti-underworld group, er…GROUP. Other members include the teleporter Musujime, the skin-changing Unabara (at least I think he’s aligned with them), and Accelerator, who still thinks everything’s a big drag but still does his job when told. For all you Index junkies out there we also get cameos from Heaven Canceller and Last Order.

 

GROUP’s latest mission is to follow a series of actions by another group that calls itself SCHOOL, led by 2nd-ranked Level 5 Kakine Teitoku. They carry out an attempted assassination on Oyafune (the woman Tsuchimikado himself shot a couple episodes back; woman can’t catch a break) but Accelerator and Musujime create a diversionary explosion that foils the hit.

However, even the attempt helps SCHOOL, as it throws citywide security preparations into disarray, which is what they really wanted (Oyafune is a little fish in a big pond). GROUP isn’t the only group after SCHOOL; Mugino Shizuri’s ITEM is following their movements as well.

When SCHOOL and ITEM come together, Mugino ends up having to leave behind half her crew, while her errand boy Hamazura barely escapes from a heavily-armed girl in a pink cocktail dress; Kakine gets away with the “nanoparticle object interference absorption manipulator”, AKA “The Tweezers.”

SCHOOL then proceed to crack a school district computer virus archive, then gain access to the satellite control center…which would enable them to use the orbital lasers. Not good! Kakine mentions his ultimate goal is to get to (Academy City administrator) Aleister Crowley. GROUP and the wounded ITEM seem always at least a step behind, but Accelerator hijacks a passing car to head to the center and…take care of business.

There’s a lot of names, groups and terms to remember, but most of them were in previous iterations of Raildex, so there’s still a thread of familiarity running through the episode. It’s also neat to see the very active Academy City underworld in action, and to see how relatively clueless an official law enforcement officer like Yomikawa Aiho is to what’s going on.

Zombieland Saga – 04 – Relax the Pain Away

Tatsumi informs the group that their budget has run dry, and they need to start earning their keep. To that end, he’s booked them a gig for a pharmaceutical company at the Ureshino Hot Springs. In the ultimate tease, he forbids them from actually going in said hot springs, or from having any fun at all; they’re to practice, then perform, then get paid.

Saki leads a quiet revolt when he leaves them alone for the day (ironically, to go sightseeing), and the girls do the same. It turns out to be a valuable bonding experience, as even Junko and Ai agree that from now on they’ll give the idol group their all—as long as they think everyone else is working just as hard.

The pharma company’s product—Saganship Z dermal pads—turn out to give the zombies an energy boost in addition to soothing their aching backs and limbs, and they put on a splendid show while sharing the pads with all the relaxing employees. Unfortunately, they perform the same interminable song as last week, and the CGI dancing, while precise, still looks weird.

Saki leads another revolt by sneaking into the hot spring with Sakura and Junko, and they almost get away with it until their patron from the pharma company jumps in, and while trying to hide Sakura’s head pops off and floats over to her. A horror sequence ensues, demonstrating just how scary the girls look to humans, even if they look relatively normal to themselves and to us.

As a result of her ordeal, the poor lady forgot everything that happened the previous day, which apparently means Tatsumi doesn’t get paid (though it’s odd; other employees could certainly attest that a service was provided). Regardless, the group is still broke, which means they just have to work harder to excite and inspire audiences, develop buzz, and yes, not terrify clients before they’re paid!