Happy Sugar Life – 08 – How We Got Here, Where We’re Going

Now the picture of Matsuzaka Satou is that much more complete. Room 1208, the cage in which she now keeps Shio, was once the apartment where a loner artist resided. He didn’t want anything from Satou except for her to pose, and let her talk about whatever she wanted.

In the minimalist first half, it’s just Hanazawa Kana as Satou talking. The artist responds, but we only hear static, and never get a good look at him. It doesn’t really matter who he is, but what he wanted. He wanted Satou to remain incomplete and unsatisfied, so he could keep drawing her.

That changed when, one day, for reasons unexplained, Satou brought Shio to 1208. Before long, she started to feel something around her she felt for no one else; she became complete; satisfied. In other words, everything the artist didn’t want.

So he tried to get rid of Shio in the most reckless fumbling way: trying to choke her to death when Satou was out of the room. Of course, she enters, and the atelier becomes a violent murder scene.

Since Shio was a witness to it—albeit likely dazed/disoriented by the choking—it sure looks like the creepy figure she’s drawn in the closet is Satou herself. Shio carries the trauma every day, and it occasionally surfaces. That’s a problem!

Taiyo comes to a kind of revelation: he needs to give up on Shio and try to become a normal guy again. He’s content to keep the wanted poster in his pocket as he puts the pieces of his past life back together, not letting the trauma of the abuse he endured further mire him.

Unfortunately, his resolve to reform is brittle, and Satou finds him at the perfect time to shatter it, offering Shio’s still-warm sock to prove she’s serious about letting the “knight” meet the “angel” and let her “purify” him. All he has to do is get rid of the person trying to take Shio away from her.

I first thought Satou wanted Taiyo to get rid of the teacher, but I rethought that conclusion when Asahi gets a call from someone offering him a clue as to Shio’s whereabouts. I immediately thought that this was the first step in the plan Taiyo is carrying out for Satou.

Complicating matters is that Asahi is the one who finds Shouko at her lowest point, cursing herself for rejecting Satou when Satou needed her most and wanting to “disappear.” Asahi assures her she’s a kind and good person—the type of person prone to always laming themselves.

Asahi comforts Shouko and cheers her up, and they now seem to be friends, since she’s still by his side when he gets that phone call. If Asahi is Satou’s target via Taiyo, I doubt Shouko will escape uninvolved.

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Grand Blue – 08 – Operation Blueballs

The Okinawa diving trip ends up being further off than I expected, with the tennis winnings only covering travel expenses. The rest of the trip is out of pocket, which means Iori and Kouhei need to make more money. Shinji hooks them up with a part-time moving company job, but compared to him they’re weaklings and can’t keep it up without destroying their bodies.

They assume Ryuu is selling his body in some fashion to make money, but Azusa assures them that’s far from the case, and proves it when she takes them to the very normal, classy, and surprisingly affordable bar where he works—and apparently has pretty customers falling for him almost nightly.

Iori and Kouhei want in, and the proprietor lends them some uniforms, but while they look the part, they prove absolutely inept at mixing drinks, taking their names too literally and putting actual screwdrivers in poor Aina’s drinks, then crushing all of her idealized dreams by basically being awful klutzes.

We never learn whether they make any money dicking around behind the bar, but we do know the proprietor incorrectly believes Iori and Kouhei are a couple, since the particular answers to the questions he asks Iori could apply to either Kouhei or Chisa (who unfortunately gets a real short shrift this week).

In the second segment, we’re back to the Fellowship of the Losers, who forgive Iori when he promises them he’s never touched Chisa despite presumably “dating” her. Instead, they all focus their hate on Mitarai, who hasn’t hung out or drunk with them in a while, suggesting he may be involved with a woman (and thus no longer a loser).

Iori confirms this when he calls Mitarai and hears a woman in the background Mitarai is definitely trying to have sex with. Honestly, Mitarai is an idiot, because if you want to have sex with anyone, you turn your goddamn phone off.

He doesn’t, and pays the price, as they all arrive at his house and proceed to bar his bliss with his unnamed but very pretty childhood friend. From the delivery of porn videos, to the fake LINE messages from another girl, to Kouhei using his “mixed voice” talent to sound like multiple other girls outside his door, the Losers throw everything they have at Kitarai, resulting in the girl getting dressed and leaving, telling him never to contact her again.

Despite him being thoroughly and completely cockblocked, the mere fact he was even in the position to sleep with a girl makes the lads see him as a traitor to ostracize…except for Iori, who still senses a “Loser” in him. That sense turns out to be true when Kitarai has one potential last chance to mend things with the girl, and instead asks her to introduce him to her friends.

She beats the crap out of him and sends him flying, and as his bloodied body flies across the full moon the other Losers raise their hands in the air. Iori’s trust in him is validated, while the doubts of the others is rebuked. Even if they hadn’t interfered that night, Kitarai likely would have found a way to muck up the great thing he had going on.

I may have harped on the overly amplified jealousy of Iori’s friends, but it was actually pretty fun this week since it was directed at someone who deserved it, i.e. someone who is actually with a girl, not pretending to be, like Iori is with Chisa. Mind you, that doesn’t mean I don’t want Iori to try to actually date Chisa! He just has to, for one, learn when to turn his dang phone off.