Happy Sugar Life – 05 – Crime and Punishment

Just as she senses something’s off about Shio, Satou finds her latest challenge at work in her kohai Su-chan. After expertly disarming an unruly customer, Satou notices someone’s been through her locker, and that’s when Su-chan tells her all of the obsessive things she’s done to try to be just like her, from copying her bag to wearing the same makeup and underwear.

But it’s not enough, and Su-chan thinks it’s because there are still pieces of Satou’s life she’s missing…her home life. For Su-chan, getting into that is like stepping on a pink macaron land-mine. But Satou has become very adept at dealing with people without violence (like that customer) as much as with. You can catch more bees with honey than with vinegar, after all.

So Satou calms down from the panic of Su-chan bringing up her home life…and proceeds to make out with Su-chan, confessing that she loves her “just the way she is” and ever-so-gently warning her to stop prying. Su-chan is so overwhelmed by the object of her infatuation all over her—and spooked by the warning—that she seems to fall in line. But who can be sure it will stay that way?

Meanwhile, Shouko is one of the only halfway decent human beings in this show. She takes a day off work and pays a visit to Taiyo’s house to see how he’s doing. She inadvertently enters his room, sees the dozens of Shio flyers, and freaks. Taiyo explains how the girl in the flyers is his purifying angel. Does that convince Shouko everything’s fine? Reader, it does not.

He then pushes Shouko against the door, grabs her too hard, and demands that she help him get Shio back from the one who is hoarding her all for herself: Satou. The unwanted physical contact and accusations towards her friend comprise the final straws for Shouko, who shoves Taiyo down and leaves, disgusted that someone “so hot” is so, well, disgusting.

But as she passes another Shio flyer in the street, the seed Taiyo planted begins to sprout—Satou couldn’t kidnap somebody…or could she? Shio’s brother Asahi appears behind her, no doubt to answer that question if asked.

Back home Satou finds Shio crumpled lying on the floor in the dark, talking about “punishment.” She confesses that while she was outside she did talk to someone, and believes her headaches and vision and need to draw a creepy image of her mother, who it seems was harmfully overprotective.

But Satou starts to think this bitter, bitter-tasting situation is her punishment, for lying to Shio. No, not about the people she’s killed, maimed, seduced, or extorted. Because she lied about loving someone else! That, to her, was the one and only crime she committed that is causing the bitterness.

After confessing, Shio forgives her, and the two seem back on the Happy Sugar side. But while Satou believes hiding and omitting things from her love isn’t lying, it ultimately has the same effect…especially if and when those lies are exposed. Too many people now have their eyes fixed on Satou’s life and Shio’s whereabouts. Her true punishment hasn’t really begun.

Grand Blue – 05 – Beauty is Only Skin Deep

As punishment(?) for neglecting her at the festival, Chisa puts the word out that she’s dating Iori, immediately making all the other guys at college hate him and wish him ill will in a very over-the-top, repetitive opening act that went on a bit too long.

Chisa does nothing to stop the false rumor—on the contrary, she fans the flames—and Iori tells the guys that Kohei is dating Azusa (making him Public Enemy #2), but they both get a reprieve when they promise to arrange a mixer for them.

Oddly, their job is made easier by the fact the legions of haters are curiously whittled down to just two ornery classmates. To that end, they beg Azusa to introduce them to other women at her college. She agrees, but only if Iori continues to act like Chisa’s boyfriend until, as she puts it, Chisa “accepts it.”

With Iori’s promise secured, Azusa introduces her kohai, none other than Yoshiwara Aina, who the lads find extraordinarily adorable when she’s not wearing the thick layers of makeup that earned her the unwanted nickname “Cakey.”

Aina has wanted to join the diving club anyway since the festival, leaving the tennis club full of fakes who treated her like shit. Despite calling her cakey and drooling over her non-cakey appearance, Aina is still willing to scrounge up three of her friends for the mixer. But she also gives Chisa one hell of a sidelong glance; I believe Chii-chan just got some competition.

The quartet of lads, among them a virgin who will sleep with any girl as long as they’re a girl and he can sleep with her, are shocked to find Aina has somewhat tainted the mixer by giving her three friends as well as herself the same Cakey treatment, giving them the appearance of four clowns.

But if the girls are clowns, the guys are circus animals, constantly jockeying for attention and braying and snorting at one another whenever more than one of them focuses on one girl. Like the lecture hall scene, it gets a bit repetitive.

A look at a selfie shows them one of the girls is quite attractive behind the makeup, and they all go after her, but when Kohei asks her if she’ll come to his place later all four girls retreat to the restroom.

Iori uses the time to inspire his men, only to steal the show, thus invoking the other lads’ collective ire. Kohei breaks a mixer taboo by blurting out that Iori has a girlfriend (something he can’t deny lest he break his promise to Azusa), but the girls don’t even care; they already know that fact.

Later, the girls laugh off the mixer as an entertaining lark, likening it to going to the zoo. But Aina, ever the romantic, still ponders whether the person who saw through her cakey makeup and helped her out when she was down in the dumps could be a good match for her. No doubt she sees a decent guy beneath Iori’s own thick layers of alcohol-soaked machismo.