Golden Kamuy – 08 – Gone Whalin’

Needless to say, Uchiyama catches up to Shiraishi. However, their “little chat” is interrupted, both by soldiers of the 7th shooting at Uchiyama, and the fact that Uchiyama’s diversionary role is just one piece with the rest of Hijikata’s plan to rob a bank; specifically, to recover a katana that has a special place in his heart.

Say what you will about Tsurumi’s general sanity; the man knows how to smell out the truth of things, and manages to be in the right position to put a bullet through Hijikata’s hat before the old samurai escapes on the horse Tsurumi borrowed. Having met face to face for the first time, both men like what they see and look forward to the second.

Shiraishi has many tools for escape; here, he used confusion and Uchiyama’s duty to Hijikata. However, he makes sure to stop by the brothel to secure an article of Uchiyama’s clothing so that Retar can help him track the guy. When Asirpa says they’re not bothering the wolves anymore, Shiraishi settles for Ryuu, now a member of the party, who helps catch a plump tanuki Shiraishi let get away.

 

Ryuu leads Shiraishi to Uchiyama, but also makes enough noise to get Shiraishi caught. Hijikata orders his bodyguard not to kill the escape artist; instead, he wants his aid in retrieving the skin of a prisoner; a prolific murderer named Henmi Kazuo.

Shiraishi agrees, is freed, and confers with Sugimoto and Asirpa. He tells them about Henmi, and how he may be hiding amongst the yanshuu, contract herring fishermen who work the coasts.

Asirpa’s uncle is whaling in that same area, so out of worry for his well-being—what with a guy who literally gets off on killing on the prowl—the three head to the beach, leaping joyfully into the sand when they arrive.

The whaling sequence is another simply-yet-effectively realized scenes of Ainu culture, but when the whale takes a turn toward the herring fishing fleet, it drags the Ainu boats along, and Sugimoto, Asirpa, and her uncle must give up the chase to rescue a fisherman who falls overboard.

That fisherman turns out to be Himei Kazuo, whom we learn a lot about in a hurry through his inner monologue. While a relatively normal-looking, soft-spoken guy, his thoughts are anything but. He can smell the same “scent of a killer” wafting off his savior Sugimoto, and takes an immediate interest in him.

The more Himei learns about Sugimoto, the more his crotch starts to glow (subtle!) and the more badly he wants Sugimoto, whom he believes to be “jut like him”, to kill him. He knows that in order get Sugimoto to kill him, Himei will have to try to kill Sugimoto. But that’s a story for next week!

Until then, this was a solid introduction to yet another interesting and oddly likeable prisoner; a guy equal parts goofy and terrifying. Yet he’s not always a walking joke; his nigh unquenchable thirst for homicide stemming from a traumatic moment in his past when he heard his brother struggle in vain against a boar.

Meanwhile, this episode might’ve had the least Sugimoto and Asirpa yet (we don’t even see them until seven minutes in), but while I still like their quiet little story most of all, the show wasn’t hurt by their diminished screen time, as the dance between the 7th and Hijikata’s men commences.

3D Kanojo: Real Girl – 09 – She Loves Me as I am; I Hurt Her as I am

Hikari manages to find Iroha, but their communication impasse continues unabated. Iroha knows she shouldn’t get so mad whenever he’s kind to others, but doesn’t quite know how. Hikari doesn’t know much of anything, just that something’s wrong and he wants someone—Iroha, Ishino, Takahashi—to give him all the answers.

Itou’s doomed pursuit of Ayado has him accompanying her into town for a post-fever hospital visit, but what with her talk of needing to confess to Hikari, he never gets what he deems a decent chance to tell her of his own feelings for her.

While on the train home (alone), Hikari dreams of Julia, the only other girl who ever interacted with him on a regular basis, in elementary school. She liked how he was good at drawing, but he didn’t know how else to get approval from others, so he kept drawing, even after everyone else, Julia included, moved on.

He repeats his assertion it’s a miracle someone like Iroha likes him, but decides a grand gesture like confessing his feelings for her might get things back on track. To his dismay, Iroha doesn’t want to talk, but Hikari only makes things worse by answering a text from Ayado when his attention should be on Iroha first and foremost.

I don’t care how indiscriminately kind you are; the person standing in front of you is almost always more important than a text or phone call. Hikari blows it, then gets completely blindsided by Ayado’s confession. So much so he runs away, engendering the scorn of Itou, who tells him he’s “the worst” for responding to Ayado’s courage with such cowardice.

Hikari surely looks like he’d like to go back to not having any friends at all, but it’s too late for that. He may not be on the best terms with some of them, but they’re still his friends. He may be on rough seas with Iroha, but they’re still boyfriend and girlfriend.

Ishino and Takanashi serve as sounding boards for Hikari and Iroha, and both find themselves giving out serious advice in spite of themselves. Like it or not, these two have become good friends with this dysfunctional couple, and so they’ll lend a hand whenever they can, because beneath Ishino’s rough and Takanashi’s douchey exteriors, they’re both good people.

Takanashi tells Iroha the only way to figure things out is to keep seeing Hikari and talking with him. Hikari, meanwhile, gets punched by Ishino…but at his request, leading him to properly respond to Ayado’s confession.

Cardcaptor Sakura: Clear Card – 20 – The Lunch Mooch

Whatever the precise nature of Yuna D. Kaito’s goals, he seems pretty confident he’ll be able to pull them off. And can you blame him? Sakura still doesn’t have the slightest clue she’s being targeted, let alone how or why, and is content to continue living life as if nothing’s amiss.

She spends the morning making lunches for herself, Syaoran, Yukito and Kero for the day. I will say for the record she makes making rolled omelets look way too easy; aside from the fact those pans aren’t cheap, her method requires a lot of practice and a lot of failure.

Her date with Syaoran is replaced by a visit to the sprawling villa of Masaki, her mother’s grandfather, who apparently has something he simply must give her before departing abroad the next day. Syaoran accompanies her, and he and Sakura bicker over whose bento is better (each arguing for each other, not themselves, naturally).

When Grampa Masaki is alone with Syaoran, he comments on just how similar Sakura is to her mother; someone whose constant outward happiness and joie-de-vivre makes everyone around them happier. Meanwhile, Kero and Yue confer on the growing powers of both Sakura and Touya, while Kero receives a message from Eriol in England: a magic circle which both Kero and Yue replicate.

While wandering around the vast estate looking for someone to make more tea, Sakura comes upon her mother’s bedroom, which shines as brightly as the sun. Sakura uses Record to view a montage of moments from when her mother inhabited the room, but then the projection of her mom turns to her, puts her hand on her cheek, and warns her not to go any farther, lest she not be able to return.

Sakura and Akiho end up in the clock dream again, in which Sakura knows who the cloaked figure is (though doesn’t say it) while Akiho recognizes the cloak as the one passed down in her family. Yuna and Momo converse on how “the power of the dream is growing”, and much faster than originally thought. Kero and Yue arrive in England, where Eriol is finally ready to tell them what he’s learned, and it’s not good: “the one thing [he] feared the most is becoming reality”.

As confident as Yuna and Momo appear to be so far, and as oblivious as Sakura appears to be (it’s particularly unnerving to see her dip so far into her powers she becomes woozy and has to lie down), but she has no shortage of powerful friends, from Kero, Yue, and Eriol to Touya, who doubtless won’t hesitate to use his growing power to protect his sister. And then there’s always the slight possibility Yuna’s intentions aren’t even sinister…