The moment his mother calls and Hina answers, Nitta has to figure out a way to explain why a 13-year-old girl is living with him, so he crafts an intricate story, the gist of which is that Hina is the orphan of a couple who were killed in a feud.
Hina’s robotic delivery may be unconvincing, but Nitta explains it away by noting that the girl was traumatized by the experience, and all she remembers of it is “the chili shrimp” (though he should have said ikura, since Hina knows what that is).
Nitta eventually comes clean to his mother and his alcoholic kid sister, though he replaces one lie with another: Hina is his daughter. But is it a lie? I mean, obviously not biologically, but in practically every other way, that’s what he is. His fam doesn’t object, and welcome her with enthusiastic open arms.
Watching Nitta knit his web of lies had lots of comedic value, as did Hina’s inept attempts to stick to their story. But the second half of this episode barely makes any effort to be funny. Instead, it goes for straight drama, as new municipal statues mean the homeless people Anzu lives with are going to be kicked out of the park where they live.
While all the old men go their separate ways, Utako (their friend and vocal advocate) has found a husband and wife willing to take Anzu in. Anzu doesn’t want to stop fighting, but this is a battle she can’t win, and the old men are not only resigned to their fate and fully prepared to move on, but are likely relieved this young kid won’t have to live on the streets collecting cans anymore.
Anzu is anything but celebratory. Upon suddenly finding herself in the relative lap of luxury, with delicious food, clean clothes, and a warm bed—none of it costing her anything—all Anzu can do is worry about how she doesn’t deserve any of it, as well as worry about her friends like Yassan who are still out there on the streets.
Anzu thinks this way because she has an enormous heart and a strong moral compass. But she’s being far too hard on herself; no one of her age (or at least the age she appears to be in the form she’s taken in this world) should have to worry about working for food; she should have adults who care for her, as Nitta cares for Hina.
Sure, Hina helps him out occasionally (though certainly not lately), and when Anzu learns he new guardians run a Chinese restaurant, she is eager to help out in any way she can (again, because she’s a super-good person). But one thing she’ll hopefully learn is that her work isn’t an requisite of food, shelter, and care.
Her new guardians just want her to be happy and safe. Still, they tell her the people she’s worried about will always be a part of her, and her a part of them, so she needn’t ever feel alone.
I tellsya, it was a goddamn tearjerker; Anzu’s tears of joy wouldn’t be out of place in 3-gatsu no Lion, while seiyu Murakawa Rie does a marvelous job voicing Anzu. I’m mostly just glad she’s no longer homeless!