Golden Kamuy – 01 – The Weak Get Eaten, But These Peeps Ain’t Weak (First Impressions)

It’s 1904: The Russo-Japanese War, three years before my older grandfather was even born. Sugimoto Saichi is in the trenches, and earns the nickname “The Immortal Sugimoto” for…well, refusing to die. Bullets always miss or glance off him. He’s never in the path of a cannon or mortar.

His vitals always manage to avoid enemy blades. Even when he rushes the Russians head-on yelling “JUST TRY AND KILL ME!”, they fail to kill him. One might say this particular quality of his is a blessing, but all it means is he gets to live on as everyone around him dies.

Among the dead who leave him behind is his old friend and war buddy, who is survived by a wife with failing vision and a child. Sugimoto nearly killed a superior, so he’s cashiered out of the service, and must try to scrape together a living in a place where the gold rush has long since run dry.

While panning in a river for the dregs of that rush, an old drunk keeps Sugimoto company, telling him what initially sounds like a tall tale about a man who stole a mass treasure of gold from the native Ainu and killed a bunch of them. He was imprisoned, but tattooed pieces of a map to the treasure on other prisoners who then escaped, promising them a half share.

When the drunk realizes he’s said too much and tries to kill Sugimoto, Sugimoto clobbers him and forces him to flee…but now Sugimoto is more certain the man wasn’t just telling tall tales. That’s confirmed when he later finds the man’s corpse. He was killed and buried by a bear, but his body bears the map tattoos.

Of course, it’s not that simple: a bear returns, apparently to reclaim its meal, and Sugimoto isn’t ready…but thankfully someone is. Up until now things like timing, physics, and coincidence had served The Immortal Sugimoto, but here and now he finds himself face-to-face with the personification of his luck and salvation: a petite Ainu woman who introduces herself as Asirpa.

Out there in the wilderness, I’d much rather have Asirpa by my side than Sugimoto, especially considering its him, not me, who’d more likely escape death once again. She not only determines that the bear they just killed wasn’t the one who killed the prisoner, but that the man who tattooed him never intended to share the treasure. That man also killed Asirpa’s father to get the gold in the first place.

Because this is just barely the 20th century, and Sugimoto isn’t wealthy enough to own a camera (and the cameraphone is a century away), the only way to preserve the parts of the map they now have is to skin the man. (I suppose he could make a drawing, but lacks the materials) But that will take time, and night waits for no one, not even the Immortal Sugimoto.

Instead, he and Asirpa keep a fire going and use the corspe to lure the megabear to them. He gets the jump on Sugimoto and extinguishes the flame, accelerating their plans somewhat. Then Asirpa’s guardian angel, a white wolf that may well contain the soul of her late father, joins the fray, protecting her and giving Sugimoto an opportunity to shoot the bear.

The bear doesn’t go down that easily, and requires a well-placed blade to its heart to kill, but Sugimoto survives, and impresses Asirpa with his warrior instincts. That being said, she can have no part of the bear she helped kill, as it ate human flesh and was sent to a special form of hell. She, by the way, doesn’t want to shed human blood either.

After Sugimoto skins the map from the map (gross), he vows to be the one to do the “dirty work” while she’ll continue to provide the wisdom and support she has so far, and without which he’d have already been killed by now. Together they’ll find the other pieces of the map (even the skin he has is a patchwork of disconnected map fragments), she can get revenge for her father, and he can get gold for his friends’ family.

Sounds like a good win-win deal, and a strong finish to a hell of a strong and intriguing story set deep in a place utterly inhospitable to humans who have lost touch with nature, and starring two people who are immensely badass in very different yet equally fascinating ways. Hat tip to tombeet for the recommendation!

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Author: magicalchurlsukui

Preston Yamazuka is a staff writer for RABUJOI.

2 thoughts on “Golden Kamuy – 01 – The Weak Get Eaten, But These Peeps Ain’t Weak (First Impressions)”

  1. Golden Kamuy I watched last week with little information about it at all and was immediately hooked. This is a great adventure yarn which also weaves Ainu lore through its story – something I’ve never seen in an anime before. Sugimoto may be a badass but he is not overpoweringly so and he has a heart so which is good. That keeps things interesting. Asirpa is a strong and engaging character too. I’m looking forward to the interplay between these characters that come from very different worlds as the series develops further. In a season with few standouts among the new shows so far (Hinamatsuri and Hisone to Maso-tan excepted), Golden Kamuy’s originality will keep me watching for sure.

  2. You’re welcome. Agree with you that Golden Kamuy has one hell of a strong and promising premise. The only thing I worry about it so far is whether or not the new studio Geno can do this source justice. The CGI bears look out of place no matter how you put it (it gives me a KUMA SHOCK for all the wrong seasons). The production doesn’t look impressive either..

    Agree with kumashock that Hisone to Maso-tan is standout too, in fact one of my favorite new show this season. Hopefully either you or the rabujoi staffs can pick it up.

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