AICO – 11 – More Technobabble Leads to the Home Stretch

When Yura/Kanzaki finds Aico, she’s already willing to forgive all the lies he’s told to that point, because she exists in part because of those many lies. She’s also as ready as ever to sacrifice herself to save her mother, brother, and the “real” Aiko, even though that Aiko has already offered to do the same. For his part, Kanzaki is hesitant in the moment to let Aico go through with it, even though, as she says, that’s how the Burst will end.

In that moment of hesitation, Dr. Isazu hooks himself up to some kind of interface we’ve never seen before which allows him to connect to and manipulate the same Matter as his unconscious daughter.

Isazu uses the human-form Matter to restrain Aico and Kanzaki and a rather lengthy argument with the latter ensues, densely packed with a whole mess of technobabble about networks and cell assemblers. Suffice it to say, Isazu wants his daughter back, and is willing to sacrifice both Aikos to do so; Burst be damned.

Isazu gets increasingly frustrated with Kanzaki’s apparently boundless, “god-like” genius, but is unable to kill him, because Kazuki swoops in just in time to free Kanzaki and Aico from their bonds. A torrid chase ensues, and the real Aiko succeeds in suppressing the purple Matter with her Red long enough for the trio to get to shelter…only it’s not the shelter, but some kind of storeroom.

There, Kanzaki gathers materials for a makeshift explosion to blast their way out of their dead end and continue to Primary Point, but Kazuki doesn’t want Aico to go…because he’s fallen in love with her, plus when the matter attacked his arm he saw her memories. Aico tells him she’s flattered by his confession, but if he truly loves her as he says, he’ll let her save her family, which she can only do by reuniting Aiko’s body and brain.

Back outside the area, the JSDF is poised to start their bombardment of the entire facility, but they’re foiled at the last second when Nanbara lifts the blockade on the Area and sends in wave after wave of civilian Divers. The generals must hold their fire, and Nanbara is summarily fired by her superior, though her assistant Hori remains on the job for the time being, likely by design.

Nanbara gave up everything to save the Matter that will keep her country at the forefront of science from being annihilated by that same country’s military.

Now we’ll see if her sacrifice, and those of Shinoyama and many others, will be validated, as Kanzaki finally gets Aico to Primary Point, where the Burst and Aico’s existence began. The other Divers are holding their own, led by Sagami and Shiraishi and now convinced that what they’re doing has a crucial and noble purpose.

After many trials, lies, revealed secrets, and yes, one very lame confession, Aico has reached her destination, and it’s where she herself has chosen to come. Now let’s see if she and Kanzaki can end the Burst, save her family, wake Yuzuha up, and maybe, just maybe, save Aiko as well.

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Wotaku ni Koi wa Muzukashii – 02 – Settling into a Nice if Familiar Rhythm

If the newness of WotaKoi masked it in the first episode, Hiraike Yoshimura’s style has become apparent in the second, as this week’s episode is more of a loosely-connected sequence of joke-dense vignettes with plenty of self-deprecating commentary (and some that references Eva, including Hirotaka-as-Ikari Gendo…Oigakkosan Cameo!)

Where WotaKoi distinguishes itself from Working!! and its various sequels is the speed with which the main couple comes together. Even when Hirotaka and Narumi are a little awkward at work, their friends Koyanagi and Kabakura point out the positive aspects of the other party, and that they’ve made the right choice.

But when Narumi somewhat carelessly admits Kabakura might be more “her type” in earshot of her boyfriend, she draws his ire, and the episode takes on the structure of a multiple-choice RPG, in which her avenue of escape is blocked until Kabakura and Koyanagi—former captains of their schools’ volleyball teams—start going at it, and she exploits the opening to flee.

Hirotaka chases after her, however, which results in the two adults working things out right then and there. She was scared of his reaction, while he was worried she didn’t like him anymore and wonders if it was a bad idea to confess to her.

In response to that, Narumi hugs him tightly, telling him not to say such things. She makes sure he knows she’s happy he confessed, and likes where they’re at. Some initial awkwardness is to be expected in a romance where the two parties work together.

Those initial hiccups in the relationship are all but forgotten in the next segment, in which the quartet decides to go out for drinks after Narumi finishes up some OT work. But because all four of them are otaku, they decide to head to a bookstore first.

Once there, the women split from the men. Narumi and Hirotaka may be dating, but their forms of otakuism differ, which means on occasion they’ll give each other a berth in which to pursue their individual interests.

That’s especially the case on a night when Narumi gets to browse and shot with Koyanagi. Narumi has always hidden her otakuism from her friends, and feels liberated for finally not having to. Koyanagi, for her part, wants Narumi as a cosplay partner.

The result of the group’s extended shopping trip to the bookstore is that everyone other than Hiyotaka bought so much stuff and they’re so eager to read it, they skip going out for drinks altogether, part ways for the night, and stay up way too late. The next day they’re all groggy at work, which might actually work in Hiyotaka’s favor with regards to his attempts to learn how to wink!

While I’m sure it will expand to more people before too long, this is a fun quartet of people so far, consisting of a definitely-together-yet-casual couple and a long-standing love-hate/will-they-won’t-they. Those two kinds of dynamics on display lend balance to the proceedings, and the volume of jokes is high enough that even if some might not land huge laughs, there’s always more to come.

Tada-kun wa Koi wo Shinai – 03 – A Day in the Life of Nyanko Big

Much of this week’s story is told by the Tada family cat, Nyanko Big, who is over ten years old and hence not only knows a few things about life and the Tada family, but has a very deep voice that commands respect. But he’s also a fat-ass glutton, and so cannot leap nearly as far as he thinks he can. The cat-POV premise is a bit twee/hokey, but never offensively so; it’s mostly just charming.

Nyanko Big observes Mitsuyoshi with Teresa and Alec, two human women even he can see are pretty special, but he knows the boy who saved him ten years ago has never been that into women. The universe seems committed to changing that, both by having Teresa and Alec live right next door to his home and family cafe, but have then help out at the cafe while his gramps is out.

We encounter both newcomers in a young nervous couple and regulars like an elderly couple and someone who gives off a hitman vibe but shares Teresa’s love for the Rainbow Shogun, and also has the reflexes to catch a pitcher of water Teresa nearly drops.

The group takes a break, during which time Mitsu makes everyone coffee, while Teresa provides “hot chocolate spoons” to dip in their cups. Mitsu nonchalantly takes a taste from Teresa’s cup, making it an unspoken indirect kiss, but he doesn’t seem to realize it.

Later, the photography club gathers at Hibiya Park for some Spring-themed photos, and not only does Ijuuin remember when Mitsuyoshi saved him from a “kappa” the river years ago, but Teresa remembers when Alec saved her after Teresa jumped in to retrieve the crown of flowers Alec made for her.

Nyanko Big, who had finished his patrol and was lounging in the park, encounters and falls in love with the local salon cat, Cherry, but once again his leap is far shorter than he’d like, and he ends up in the drink, then quickly up a tree.

But when he slips and falls, Teresa is there to catch him…and Mitsuyoshi is there to catch her. So far their romance has been extremely quiet and low-key, with no words at all said about it…save those of a cat. Whatever there is between Teresa and Mitsu, it’s clearly going to take some time.