Cardcaptor Sakura: Clear Card – 07

After a somewhat fruitless video conference with Yue, Sakura heads to Tomoyo’s vast estate to test out her new “Record” card, since who has more experience recording things than Tomoyo?

Tomoyo uses the opportunity to dress Sakura up, presents a new miniature camera drone, and then offers her vast gardens as a venue for Sakura’s experimentation.

Upon summoning the card a camera appears, which they learn can be used to record holographic footage on command.

Syaoran arrives and a apologizes for cutting their fun short, and they have yet another discussion in which Syaoran voices his frustration at not being able to sense the cards.

But when a mysterious unseen wind-like force starts bothering Sakura, he still shows he can take care of business by summoning a magic sword.

The intruder dodges his attacks, and Sakura stops Syaoran from taking further action, preferring to follow it herself and try to learn more.

The somewhat cheeky, almost childlike “wisp” sends Sakura on a wild game of tag across Tomoyo’s land, and Sakura can’t quite keep up even when she uses Gravitation to create a series of wormholes to teleport from spot to spot.

Action is even less effective, with the tree vines only serving to tangle themselves up. Finally, Sakura realizes that unlike previous cards, a direct attack won’t work, nor will any provocative action.

Instead, she has to stand still and simply act friendly, asking the wisp if she can be it’s friend. Only then can she secure the card, appropriately called “Flight.”

Sakura puts the card to use and spreads wings with which she can propel and maneuver herself across the sky with ease in a beautiful, joyful sequence. Sakura hopes that along with all of her other powers, her newly-acquired aerial abilities will be able to “make people happy”…but down on the ground Syaoran ain’t smiling.

Is he concerned about the nature of these cards he can’t detect? Worried about Sakura? Jealous? Hiding ulterior motives? Plotting a betrayal? We still don’t know enough. Ditto her dream about the cloaked figure and the giant clocks; it’s only briefly mentioned with no additional information provided.

CCS definitely elevates Sakura’s card capturing as far more than mere tedious drudgery, and the formula of most episodes has been reliable watchable and packed with fun character moments. I just hope we’ll eventually get movement—rather than further reiteration or repetition—of the show’s more mysterious elements.

Darling in the FranXX – 06

Dawn rises on the day of a battle that will decide whether everyone gets to see another sunrise. A massive horned cubic klaxosaur trundles over the horizon with a retinue of foot soldiers, throwing some serious Ramiel vibes—bizarre, mysterious, merciless. Ichigo tries to wash away her troubles with a refreshing bath; Gorou continues to worry about Hiro.

Gorou tries to get Ichigo to talk to Hiro, and Ichigo uses the opportunity to try to confess her feelings, but Zero Two appears, and says what she isn’t feeling instead—that she thinks of Hiro as a sibling—and is devastated when he says he feels the same. Ichinose Kana is killing it so far, even if it’s extremely hard to forget she’s not Hanazawa Kana.

With things needed to be said left unsaid, Zero Hour approaches, and the two Squads and Strelitzia take their positions. The effects of Ichigo’s unrequited love on her performance and Hiro’s ability to survive his third sortie with Two aren’t the only concerns: Squad 13 wants to prove to 26 they’re not just a bunch of in-the-way misfits.

The sheer scale of the boss before them, and the dramatic staging and lighting really lend this battle a sense of occasion and urgency; it’s all or nothing; either these ten comparatively tiny FranXX stop the enemy, or both Plantations will be destroyed.

The only mark against these stakes (which often applied to the populace in Eva as well) is that we never really see any of the people the parasites are protecting, aside from their two adult handlers and Dr. FranXX himself. That’s a small mark, and it’s easily forgiven in light of the pandemonium that ensues.

The contrast between the coordination and discipline of the five identical gray Squad 26 FranXX (also female in form) and those of Squad 13 (or lack thereof) is more stark than Arya, as Ichigo can barely keep her squad hanging in there when some lesser Klax get get through the front lines.

Zero Two observes this contrast, and the dire state of the 13th, and thinks she and Hiro should join the battle sooner rather than later before there isn’t a 13th left. Hiro asks Two why she fights the Klax; she opines it may be because “she’s a monster.”

Two asks him the same, and he says its because his only purpose in life is to protect Papa and the adults. They sortie, against orders, and mop up the Klax harassing the 13th with ease…but Hiro immediately starts to have trouble staying in sync, and the blue veins on his chest start to spread to his entire body and face.

Ichigo lays down the law, ordering Strelitzia to fall back, as she’ll be providing the coup-de-grace. That’s after the 26th, even with their perfectly coordinated tactics, utterly fail to destroy the giant “Gutenberg-class” Klaxosaur. Instead, it shapeshifts from a cube to a humanoid form.

Their leader 090 is almost crushed, but is saved in the nick of time by Argentea, and Zorome and Miku instantly earn his respect. The 13th gets their shit together and Ichigo orders everyone to create an opening for Strelitzia. Hiro uses everything he has left to help Two deliver the killing blow, and with an Eva-esque cross flare, they cause an explosion within the boss.

…But everything Hiro had wasn’t enough. The Gutenberg shifts again into a massive battering ram, and in another nod to Shinji’s first mission in Eva 01, that ram begins repeatedly smashing into Strelitzia. Hiro loses consciousness and Strelitzia shuts down.

Things look bad from Delphinium’s POV; indeed, when Ichigo fears she’s lost Hiro (without telling him what she actually has to say, to boot), Delph shuts down too, and Gorou can’t console Ichigo.

Hiro enters a dream-state, where he assumes he’s dead. Naomi chastises him for giving up. He says he didn’t give up, he just gave all he had. Unlike with Naomi, he still thinks Zero Two can carry on fighting without him. He’s content to go out being as useful as he could be, without regrets.

But that’s not quite right; and he’s not quite being truthful. Zero Two gave him a place to belong and a purpose again; he can’t simply lie down and die while she’s still in the cockpit suffering, slowly reverting to her baser Klaxosaur side.

Zero Two is on the verge of completely Losing It when Hiro hugs her from behind and tells her she should never have to fight—or be—alone again. The blue growth disappears. What is that stuff? I’d like to think it represents the lingering fear and doubt he carried; the belief that he was expendable to Zero Two when the opposite was the case.

With that gone, he gets his second wind, and he and Zero Two finish off the Gutenberg in grand, madcap fashion, with a nice assist from his fellow parasites in the 13th. His doubts and fears are gone now, because he’s found another reason to pilot a FranXX: to be Two’s wings.

And it’s wings we see spreading over the airborne Gutenberg before crushing it and releasing a titanic cloud of blue blood. Mission Accomplished. Casualties: Surprisingly, Zero.

As we watch him and Zero emerge from the cockpit to come together and celebrate with the other parasites from both squads, Hiro recounts the tale of the “Jian”, a bird with one wing, necessitating a male and female pair to lean on one another to achieve flight. That’s the case with Hiro and Zero Two, so he resolves to keep leaning on her that they might fly as high and far as they want.

Halfway into its first half, FranXX delivers a rousing powerhouse resolution to the “Can Hiro Cut It” arc. Now that we know he can, and that he won’t be dying from creepy blue growths anytime soon, we can move on to other matters, like if or when Ichigo will ever tell Hiro how she feels (if she still feels that way after the battle; I’m guessing yeah) and the identity of those new parasites we got a glimpse of in the ep’s final moments.

Whatever comes next, a solid foundation has been laid.

Citrus – 07

Yuzu needs to score in the top 100 if she wants Mei and Gramps off her back, but she can’t concentrate after her last kiss with Mei, which felt different and more meaningful. Alas, Mei withdraws to the outmoded “we’re both girls” and more reasonable “we’re sisters, so we should stop this.”

Yuzu is devastated, because she takes Mei at her word; in reality there’s a lot of doubt behind Mei’s supposed certainty, as we’ll see later in the ep. Good Ol’ Harumin is there to console Yuzu with an after-school arcade session where commentary on her getting a game over matches commentary about her Mei dilemma.

Then THE DEVIL takes the stage. Satan has many forms, but chooses a pleasing and seemingly harmless one in Mizusawa Matsuri, Yuzu’s childhood friend. Now where have I heard of an anime in which one relationship is suddenly put at risk by a meddling childhood friend? Oh yeah, pretty much all of them.

Subtlety is not Matsuri’s strong suit, with her devil-may-care headphones, bubble gum (and bubble gum pink hair), and seiyu Izawa Shiori’s trademark apathetic drone. Because Yuzu is a sweet, innocent, kind person, she’s a sitting duck for Matsuri, who is not the girl Yuzu remembers, if she ever was.

Harumin immediately senses Pinky is BAD NEWS, even before Matsuri brings up her part-time job of sexting dirty old men, despite being in seventh grade. And yet Matsuri shows how skillful she is at manipulating people like Yuzu even with Harumin ostensibly in the way.

Matsuri snatches Yuzu’s phone and steals a picture of her with Mei, then drags Yuzu and Harumi to a karaoke when Yuzu is supposed to be buying things to make dinner. But she’s too nice to say “gotta go” to her former little-sister figure.

Worse still, Harumi suddenly has to duck out to take care of a family matter (part of me thought Matsuri sent her a false message), leaving Matsuri all alone with Yuzu. Matsuri promptly confesses her love and tries to kiss Yuzu, and is interrupted by a call from Mei asking about dinner.

Later, when Mei and Yuzu nearly cross paths at an intersection, Matsuri pulls Yuzu aside and kisses her in full view of Mei, whom Yuzu never saw. Frankly the coincidence and perfect execution of Matsuri’s fuck-you to Mei are a bit much; We get it, she’s pink scum.

Back home, Mei is less angry at Yuzu than I expected, which actually makes sense since Mei realizes she is the one who told Yuzu everything was over when it clearly wasn’t. When Yuzu is just to cute for her to resist any longer, Mei comes at her from behind and licks her neck, literally marking the Yuzu she won’t share with pink-haired interlopers.

Of course, Mei is almost as ill-equipped to deal with Matsuri as Yuzu, since she’s being driven primarily by emotions. Mizusawa Matsuri may say she loves Yuzu but I don’t think she loves anyone, except maybe Mizusawa Matsuri. The show introduced her as someone who manipulates people for the hell of it. Whether she derives fun, I can’t say; maybe this is all she thinks she can do.

The show is not yet ready to portray her as anything other than a villain so far, brazenly invading Yuzu and Mei’s school and making a big fuss about going on an after-school date. Mei shoos her off, but Matsuri won’t give up easily. We’ll see if Matsuri’s story gets a little more nuance and dimension like Hime’s, because right now, if she had a pink mustache, she’d be twirling it.

Takunomi. – 06

Ah, nothing wakes you up and gets you ready for the morning than the upbeat stylings of RaFa and meg rock…even if that show is primarily about drinking booze, which in the morning usually only comes in the form of the occasional mimosa or bloody mary (for the record, Takunomi. airs at 2:43 in the morning JST).

At first, this episode seems more interested in a suddenly somewhat homesick Michiru’s futile quest for fish to eat; ironically back home there was hardly anything but fish and she always craved meat, but the protein tables have turned. It’s fortunate, then, that Nao and Makoto’s folks shipped them a care package full of fish from Hokkaido, and that fish is waiting for Michiru when she gets home.

It’s when Michiru finally gets some fish that Nao introduces the booze of the week: sake, and not just any sake, but Dassai, made from 50% polished rice for extra fragrance. Nao welcomes Michiru to the “Fish-and-Sake Pairing Crew”, and the new squab learns firsthand how blissful a bite of fish is when paired with a sip of Dassai. “Captain” Nao goes on to list the higher quality sakes, the highest of which don’t even disclose how much they polish the rice prior to brewing.

The first time Michiru tried sake, she could barely handle it, but now that she knows it’s all about the kind of sake you drink and what you pair it with, she’s expanded her drinking horizons thanks to Captain Nao, and shares her rekindled passion for the occasional fancy fish set with a co-worker at lunch.