Houseki no Kuni – 11

One of the many enduring charms of HnK is how every character’s traits are derived from their namesake gem in creative ways. Take Alexandrite, AKA Alex, AKA Lexi. The two nicknames are apropos, as Alex/Lexi has a split personality; extremely timid when green-haired; but going berserk when looking upon a Lunarian.

Real-life alexandrite changes color depending on the light; green in daylight, red in artificial light. While moonlight is reflected sunlight, there’s no doubt that the moon’s reflection adds another dimension to it; if we consider the Lunarian to represent moonlight as opposed to daylight, Alex/Lexi’s color change (and personality change to boot) makes sense.

Lexi proves handy with a sword, but only manages what Dia and Bort managed: to cleave the Lunarian into smaller and smaller clones of itself, albeit less and less threatening ones, kind of like a Matryoshka doll with its nested duplicates of reducing scale.

Before long the hulking beast is reduced to dozens of fluffy half-sheep, half-puppies, but when the gems round them all up, they merge back into that single hulking beast. Phos is ready to lure it away with another new alloy membrane trick: making an all-alloy decoy of a gem.

Phos’ vigilance proves unnecessary once Master Kongou appears. Despite its size the Lunarian is as docile as its one hundred-plus mini-clones; and even does a series of tricks at Kongou’s command. Phos finds it odd that Kongou calls the beast “Shiro” and acts very familiar towards it. It leads Phos to suspect there may be some kind of connection between the master and the enemy that he hasn’t revealed.

Phos goes out to ponder this and comes afoul of Cinnabar once more. Cinnabar bears two “gifts”: Bort’s loafers, and the last piece of the fluffy Lunarian. Cinna also has news for Phos: most of the Gems already knew about Kongou in relation to the Lunarians, but as he seems so committed to their care and safety, they’ve decided to trust him. Cinna is on the fence, and actually seems to take interest in what Pho plans to do…only to turn around before Phos can answer.

Phos has a little alloy malfunction while calculating the amount of courage needed to confront the master…but Phos wants to know the truth. When Phos returns to HQ, Kongou is asleep beside the beast (with many gems curled up asleep in its fluffy tail).

Before Phos can open her mouth, she has a vision of Antarc, who shushes Phos. The last “puppy” merges with the larger beast, which disperses in a cloud of light, having become whole and, in Kongou’s words, “found peace.”

After that, Phos gives her report on her partnering with Bort, stating that all Gems should have the opportunity to work with Bort. Phos, however, wishes to pursue another matter on their own: regarding Lunarians. Believing the only way to get answers is to ask them directly, Phos stands on guard awaiting their return.

From there, the episode shifts to something completely different, hastily introducing the new character of Padparadscha, an incomplete gem Rutile has been painstakingly reconstructing in the lab. While the prospects for this character are intriguing, especially when they open their eyes to end the episode, it feels like another episode altogether.

The awkward, arbitrary nature of the transition was almost enough for me to bump this down to a 7. However, this episode managed to earn my recommendation anyway, thanks to the interesting development of the “Shiro” incident, both with its ingrained comedy and its role in giving Phos a new goal to pursue.

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Shoujo Shuumatsu Ryokou – 11

In “CULTURE”, as Yuu feeds the “cut” bullets of increasing size, the girls roll into an armory, but Chito is far less interested in the tanks than a book lying on the ground. Titled “War and Human Civilization”, it’s written in English, which means even Chito can’t read it, calling them “letters from an old, far-off place.”

Considering the state of civilization in this show, that would seem to be something of an understatement. We build taller and taller buildings; Saudi Arabia is building one that will be 1km tall when finished. But we’re a long way from stacking cities on top of other cities like so many pizza boxes.

The book and its language, like the elaborate giant whirligig, are elements of human culture that should be preserved and understood if lessons are going to be learned by future generations.

It’s all well and good to feed an animal bullets, but to possess a book about how and why that animal can eat bullets—or detect where radio waves are originating—is even better.

Lessons of being mortally injured by falling objects or stray bullets led to the development of helmets, and in “DESTRUCTION” Chito gets and object lesson on why they still wear them even though there’s no one else around: their environment can be extremely hazardous at the drop of a hat…or bolt.

That bolt is the vanguard of a hail of shards of metal and machinery, as a gargantuan robot that could be a flesh-less warrior from the Seven Days of Fire plummets into a heap. The girls explore, and the cut shapes its body into a key of sorts to activate the robot. Yuu activates the first lever she sees, and a cruise missile is launched and detonates a few thousand feet away.

She presses another button, and the robot emits a laser beam that causes even greater destruction and widespread fires just off in the distance. Yuu starts laughing uncontrollably, saying it’s “fun”, but Chito gives her a closed-fist punch, telling her that nothing about this is funny. Yuu apologizes.

If they didn’t before, a first-hand demonstration of the destructive capabilities of civilization helps the girls to understand a little better why so much of the world is abandoned and in tatters. And yet there’s stuff all over the city and its environs that is still on, long after humans disappeared.

In “THE PAST”, Using their new pet as a guide, Chito and Yuri traverse a forest of windmills in, and come across a nuclear submarine. Again the animal creates a key out of its body, granting them access. The submarine may be beached, but it’s in working order, to the girls’ amazement.

It’s nuclear reactor seems to still be generating power (though I worry about radiation), while the girls traverse another forest within the sub on foot: a forest of what look like ICBMs.