When we first meet Hatori Chise—who both resembles and sounds like the heroine Akagami no Shirayuki-hime, or perhaps her long-lost, much-maligned sister—she’s pretty much at rock bottom, having seemingly lost the will to live, signing away her human rights so that she can be chained and presented as an object to be purchased at an auction before some Eyes Wide Shut-ass muhfuckahs.
But holding true to the episode title “April showers bring May showers”, as well as the axiom “it’s always darkest before the dawn”, in this, her darkest hour, she is met by, and purchased with a winning bid of five million pounds, by an imposing man in a black cloak wearing a big antelope skull on his head (unless…that is his head).
Chise, fully prepared for whatever horrible fate might befall her upon being purchased (let’s face it, the kind of guys who would buy teenager girls in an auction are likely to be…not so great!), quickly finds that despite his fearsome appearance, her buyer Elias Ainsworth doesn’t want her to be his toy, but his apprentice. He’s a mage, you see; the “real deal”, and he believes Chise, who is what in his trade is called a “sleigh beggy”, can live a fulfilled life of purpose as the newest member of a dying breed of mages like him.
Teleporting her to his super comfy-looking country estate, swapping her chains for an protective adder stone, and showing her kindness she’s never known, Chise ever-so-gradually starts to learn that despite all of the hatred, abuse and suffering she’d endured her entire life up to this point, this place just might be different.
For the first time, she’s told she has a home and actually feels welcome there, and is told she’s family and someone to be protected and nurtured rather than spat upon and discarded.
Thus, when Chise is lured out for a midnight stroll by faeries who later show their true colors by trying to further lure her into their realm, Chise repays Elias’ kindness—and in doing so decides to trust someone for perhaps the first time in her life—by resisting the faeries until Elias arrives to shoo them off.
It’s then when, while princess carrying her home, Elias also confesses he doesn’t aim to merely make Chise his apprentice, but his bride as well. Her reaction to this information, as well as other instances of lighthearted humor, provide a nice ice-breaking contrast to the darker themes initially at play, giving way to a hopeful future in a real home with a real family that cares for them; things every child deserves. A very strong opening.