Aho Girl was just ‘okay’ this week, as it relied more heavily on boobs-and-dick-style comedy as the gang goes on a beach/hot spring vacation. Fuuki tries a bit too hard to get A-kun to look at her boobs, and is punished by Yoshiko by being buried in the sand and given a sand schlong.
Later, Yoshiko gets to talking about A-kun’s tiny weewee when they used to bathe together as little kids, but when Fuuki tells her he’s probably not that way anymore due to puberty, it only makes Yoshiko want to peek at A-kun even more. She gets a mace-like weapon to the face for her trouble.
The strangest skit involves A-kun on his own with Yoshiko’s dog while she’s away, and he finds that not only can the dog understand what he’s saying, he also loves his favorite movie. Yoshiko accuses A-kun of “having an affair” with a dog, but he won’t forget how much more pleasant communicating with the dog was than with Yoshiko.
Things are wrapped up with a festival in which the Neighborhood Association attempts to stop Yoshiko from ruining their Bon Dance. However, her sexy Brazilian Carnival get-up lowers their guards, and before they know it, they’re her backup dancers.
Now that just about everyone’s introduced, the show can use more of a shorthand with its established couples and expand on their personalities around one another. And while Ryouko x Akagi haven’t been my favorite, it’s only because it’s one of the innumerable different kinds of relationships—where one is always teasing the other because they love the other person—isn’t my cup of tea personally. But I am glad it’s represented here. And Ryouko is cute.
Meanwhile, Chiaki and Kana continue to have issues with intimacy, which may have been made worse by Kana’s mom walking in on them not once but twice. Chiaki tries to kiss Kana with her eyes closed through a skit, but she opens her eyes and spooks Chiaki. She later gets on board, but they still come a few millimeters short of a kiss.
But hey, at least they both know what their relationship is, even if they’re unable to easily act on it. Yamane is still convinced Kurihara is way out of his league and not actually trying to date him. When he accidentally learns he’s double-booked a movie date with her and his fellow “loser” friend, he lies, worried he’ll offend him. This is the most manic segment of the episode, and manages to pack a lot of verbal and physical humor into a couple of minutes.
Finally, perhaps the least interesting (but still common) scenario of a girl (Hosogawa) almost immediately falling for her “prince” (Kotori) but the guy turning her down, declaring himself “everyone’s prince.” So Hosogawa makes like a cat and falls out of a tree, forcing Kotori to catch her. But he’s still not going to date her…or anyone else. Do not play a drinking game in which you take a shot every time Kotori strikes a pose…you will not survive!
This first normal-length episode Fate/Zero leaves out a few faces so it can spend more time with others, starting with the first meeting between Waiver Velvet and his Servant, Iskandar (AKA Alexander).
The contrast in personalities is wonderful, as Iskander immediately pooh-poohs Waiver’s “small” goal to get people to treat him fairly and take him seriously despite not being from a grand old family.
Alexander, meanwhile, wants to re-conquer the world as soon as possible. That means winning the Holy Grail War first, so at least he’s motivated. He also enjoys reading atlases, as I do.
We return to The North, where Kiritsugu is enjoying his last hours with his young daughter Illyasviel, hunting for Chestnut buds. Saber watches from inside and can’t help but think she must’ve offended her Master in some way for his demeanor to be so different than it is with Ilya.
Iri, however, chalks it up to Kiritsugu and Arturia “never being able to see eye-to-eye”…because…she’s shorter than him? Both he and Iri expected a male King Arthur, after all; for the King of Kings to appear as young woman was a shock. But perhaps that’ll wear off and they’ll establish a rapport, in time.
Meanwhile, in an episode where Sakura’s tormentor Zoukan is mercifully absent, we meet a new contender for Worst Guy in Zero: Uryuu Ryuunosuke, a serial killer who “prefers little boys and girls”, and has been using their blood to paint magical circles.
His grisly rituals end up ‘accidentally’ summoning Caster, who calls himself “bluebeard” after pretending to free one of Uryuu’s captives, only to jump him in the genkan with eldritch tentacles, teaching his new Master a lesson about the ‘dynamism’ of terror; Uryuu blushes with glee at his new Servant. Wonderful.
The last Master featured in this episode is Kirei, who I thought would be a little more discrete in his alliance with Toosaka Tokiomi, but wastes absolutely no time sending his Servant Assassin on an extremely ill-advised mission to eliminate Tokiomi.
I loved his ‘shrug, don’t worry about it’ when Assassin asked Kirei if he’s sure he wants to do this. Assassin shows off some moves in taking out and dodging various magical security devices, but before he gets near the house, he’s run through by a number of weapons belonging to none other than Gilgamesh, Tokiomi’s Servant, for whom Assassin was never anything other than a bug, squashed and left to die face down on the ground.
I had nothing against Assassin, but his quick exit was an unexpected surprise, to the point I wonder if he’s actually gone. As for Caster, he’s a sadistic dick but I still like him better than Uryuu, who looks to be another wild card. They’re both pretty grating, though.