Aho Girl – 01 (First Impressions)

Aho Girl or “Clueless Girl” is about all of the ways Hanabatake Yoshiko is an idiot, as seen from the perspective of her neighbor and long-suffering caretaker Akutsu Akuru. In under thirteen minutes of airtime, A-kun and others call her an idiot thirteen times and he assaults her a half-dozen more as punishment for being so idiotic.

If that sounds really one-note, it’s because it is. However this double act in which A-kun is the straight and Yoshiko is the foil sort of succeeds for two reasons: despite her idiocy Yoshiko has a great deal of performative range (thanks to her seiyu, a game Yuuki Aoi) and the bits and jokes are numerous and frequent, leaving scant time to stop and ask yourself why you’re watching.

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Tsurezure Children – 01 (First Impressions)

Tsurezure Children is a simple school rom-com that focuses on four couples in its first 12-minute episode. The relationships this week vary from:

  1. a guy being almost confessed to by the girl he has a crush on anyway;
  2. a lazy girl who became a class rep because she liked the boy class rep and likes to mess with him;
  3. a girl who is caught smoking by the class president, has a chat about prostitution that ends with a kiss and an appeal for her to quit; and
  4. an astronomy club member who joined for love, properly confessing to the outgoing president.

Character designs are clean and straightforward, and several popular seiyuu are involved. Notably, everyone we meet is fairly “normal” as far as high school archetypes are concerned; though we don’t meet everyone in this first outing, so some weirdos may yet surface.

As a 4-koma based sequence of little stories about all the different scenarios of young love, TC is the definition of “okay.” It’s not unattractive or inoffensive, but it’s hardly groundbreaking must-see anime. More of an appealing snack than a feast.

Isekai Shokudou – 01 (First Impressions)

This anime’s title—Restaurant to Another World—is also its premise. An ordinary bottom-floor western-style restaurant closes at midnight on Saturdays to welcome clientele from other worlds who come in through the magical front door.

The food is clearly good, as we glean from a group of burly warriors, some of them demi-humans, all of whom believe the dish they’re eating is the one that goes best with rice.

But when things get too rowdy and the chef asks for calm, they obey. They’ve all got a good thing going with this place; the last thing they want is for the chef to stop cooking for them.

One night, Nekoya appears to be closed but for a single important client: a red dragon who transforms into a voluptuous woman before arriving for her usual: a simple yet sumptuous beef stew.

After a bowl in human form, she returns to her gold-filled nest in her world with some take-out: a tall pot full of stew she gingerly laps up; simply unable to wait until next week to experience the sublime taste.

The third vignette, if you will, involves Aletta, a demon with prominent goat’s horns recently fired from her job working at an inn in her world, who stumbled upon the door and, believing herself to be dreaming, ate an entire pot of corn potage and fell asleep on the kitchen floor.

The chef is a decent sort of chap, so after hearing her story and ensuring Aletta’s belly is full with a delicious staff breakfast, he offers her a job as a waitress and busser at Nekoya.

Aletta gratefully accepts before discovering the wonders of a modern shower, cleaning up, and helping him. Later, the red dragon takes notice and appears to cast a protective spell on Aletta when she returns to her world, as the dragon is very protective of her “treasure.”

Cons include mediocre production values, including a few instances of distorted perspective, character designs are merely serviceable, and the story’s a little all over the place.

Pros include a neat general concept, a pleasant, genial atmosphere, and decent-looking food, while magic door provides the opportunity for many more colorful customers from far-flung lands. Execution is a bit meh though, so it’s a solid “maybe.”