Zero kara Hajimeru Mahou no Sho – 02

Wenias is a world where inaccurate assumptions abound while forgiveness is in short supply. It’s in a state where most witches hate humans, most humans hate witches. And it’s one assumption—that Mercenary is a witch-hunter rather than a present witch-harborer—that leads to an episode of trouble for Merc, Zero, and their third member Albus.

Merc & Co. are welcomed to the village with open arms, because they appreciate his service as a beastfallen witch-hunter. But when an old woman reports a ring stolen and Albus produces that very ring (which he found in the spring outside of town), the villagers, wracked with grief and pain from witch raids, turn on a dime and demand justice.

The villagers have been through too much, and suspect outsiders so much, that it doesn’t matter if Albus is in fact innocent, and they’re immune to calm discussions, only taking it as further proof of guilt. So Merc has to scoop up Zero and Albus and skedaddle while they still can. But the villagers, desperate to blame and punish someone for their ills, pursue them deep into the forest.

Only one villager—the old woman who lost the ring—has the trio’s side, and shows them a safe escape route. She does this to thank Albus for finding her ring—which was given to her by none other than the great witch Sorena—but also because she to is a witch, albeit one in hiding.

The older generation seems more open to negotiation, cooperation, and forgiveness regarding “the other side”, while the younger people on both sides want blood and fire to satisfy their thirst for justice. And yet just like this little incident with the ring in the village, Sorena herself fell victim to a misunderstanding, having been performing magic when a plague broke out.

She was blamed and burned to death, leading to the violent witch rebellion that rages on. But the witch-in-hiding with the ring believes there’s still hope that witches and humans can—and must—coexist peacefully, someday. The developing Merc-Zero-Albus trio is small-scale but important proof that she’s right.

Little Witch Academia – 15

The Gist: Professor Croix’s villainy is finally revealed, as is Akko’s destiny. This is in large part because Akko is lured to Croix’s lab and experimented on in her sleep, in the name of learning more about Chariot (and Shiny Rod). All of this leads to a magic battle with Ursula, which results in an anticlimactic stand off, despite some impressive effects leading up to it.

Having no time to waste, Ursula lays out the history of the great tree, of which only the leylines remain, and the importance of the 7 words, and that Akko’s spirit has been reviving them. She literally walks Akko through the memories of waking these words, which fills Akko with purpose and joy.

However, for whatever reason, she does not reveal that she is Chariot, nor does she warn Akko of Croix’s motives…

The good bits stuck close to Ursula this week. While the resulting face off with Croix was anti-climactic and unnecessary, Ursula’s battle up the steps of the new moon tower was nicely animated and gave us a great look at the powers of a competent witch. It was also nicely foreshadowed, as Akko walked past the dangerous looking archer statues and creepy decorations.

Ursula’s motherly explanation to Akko about the words was full of great feels too. While I don’t think a secret mother-daughter plot will be revealed, the filial love and pride was all there, and it was delivered with respectable subtlety.

As interesting side notes, there’s division amongst the students over Croix. While some students carry their tablets openly (reading ongoing stories about the shooting star no less) others like Amanda don’t see the point. If magic and science are the same thing, what is the value of magic in the first place?

Meanwhile, Diana Is starting to figure out Ursula is more than meets the eye. I suspect she will reveal the identity to Akko, which will pose a short term betrayal twist for Akko/Croix vs Ursula, before Akko x Diana join forces to save the day… but I suspect that’s many episodes off yet. (Diana is still looking for Ursula in the old Luna Nova year books)

The Verdict: Unfortunately, Little Witch Academia remains a not especially well constructed narrative. This is most obvious in the show’s use of repetition of scenes, which feel like a mix of filler and a lack of confidence in the audience to get (or even remember) what was important in previous episodes. Given the sluggish pacing and lack of focus, that lack of faith may even be deserved, but it feels no less like a cop out.

Take Croix as an example of LWA’s clunky structure. Not only is Croix not foreshadowed or built up in the first 13 episodes, but Croix herself claims to have been secretly observing Akko all this time. This makes her appearance as an antagonist feel rushed and tacked on and that lack of build up robbed the first season of purpose.

Compare this to the bizarre choice to keep Shooting Star as a recurring element that will, no doubt, play a roll in Akko’s eventual success — or compare it to Diana being in the crowd behind Akko at Chariot’s show during their childhoods’ — and you just have to wonder why Croix didn’t receive the same treatment? For goodness sakes, Andrew has had more build up than Croix, and he remains without any relevant narrative purpose…

In the end, the heart and rendering style carry LWA just above a 7, but not by much. I may go so far as say it’s the most disappointing show I’ve reviewed in a while, and the most disappointing I would still recommend you view.