Yoshino I is still very much The Reluctant Queen, but Ushimatsu doesn’t care, and sets her to work immediately. He’ll let her vacate her one-year contract if she can sell
a hundred a thousand boxes of “Chupakabura manju” sweets he ordered to celebrate her coronation. And she only has a week to do it—that’s their “best enjoyed by” date.
It’s clear Shiori doesn’t want her new queen to leave so soon, but she still helps Yoshino out, connecting her first with her timid but tech-savvy childhood friend Ririko, whose mother runs Manoyama’s sweet shop. The encounter helps Yoshino decide on the proper marketing strategy to sell the manju: a website.
For that, Shiori takes Yoshino to the home of another Tokyo ex-pat, Kouzuki Sanae, who seems to be slowly losing it in her dark, litter-filled apartment. When she screams due to a bug, Shiori and Yoshino barge in, and Shiori, like a boss, takes care of the bug while the other two cower. Between Riri and Sanae, I’m loving the detailed, isolated, lived-in little worlds these women inhabit within the town.
Sanae is eager to help her new town out (as well as for human contact) so she works through the night at Yoshino and Maki’s cabin to whip up a “fancyccult” website. Alas, on the first day of sales, Yoshino manages to part with precisely zero of one thousands boxes of manju.
When they try to make the queen seem contrite about ordering too much (after far too many hilarious provisos were attached to her beauty), that results of the sale of three boxes…to Shiori’s family.
Taking things up a notch, they decide to take Maki’s advice and make a video. Maki, AKA “The Oden Detective”, who has experience in acting, superhero shows, and part-time labor, plays the chupakabura, while Riri is the cameraperson.
It’s a modest but cute little production…but it only results in netting one more sale—to the creepy (Westerner?) musician Yoshi first met on the bus. The week comes and goes, and Yoshino is pathetically short of the thousand sales needed to release her from her year-long contract. 996 sales short, to be exact. And yet…she learns that’s not such a big deal.
When she asked Sanae why she left Tokyo, Sanae said she was simply sick of it. Sick of Tokyo, thought Yoshino? The place that has everything and where you can do anything? Where countless opportunities abound? Yoshino has this idea that she can’t make it anywhere if she can’t make it there, but she has it all backwards.
The economy of Tokyo alone may surpass the entire economy of South Korea, but if you apply to thirty-two companies and get thirty-two rejections, then end up with a gig as queen of Manoyama, maybe the universe is trying to tell you something: that, as Sanae says, “you don’t need Tokyo.”
At the end of the week, Yoshino made some great friends and had a lot of fun. So when Shiori tells her the cherry blossoms won’t come for a couple more weeks, she decides, all on her own, that it wouldn’t be the end of the world to spend those couple more weeks in Manoyama. And as much as I too love and admire Tokyo, I don’t blame her. She’s got a good thing going here. And she’s not anywhere near her ‘golden years’!