Asai Kei is introduced by class rep Souma Sumire to Haruki Misora, a stoic and seemingly emotionless girl who has no friends. Because Haruki has the ability to “reset” the world up to 3 days into the past, and Kei has a supernatural five-sense memory, Souma believes they’re perfectly suited to joining forces for good.
Sagrada (or Sakurada) Reset is a bit of an odd duck, like its two leads. On the one hand, it subtly, delicately paints the picture of a small town that is totally normal except for the fact that half of its residents possess supernatural powers. It also delves, if not too deeply, into some interesting philosophical ideas about what constitutes “goodness”—Sumire’s story of Zen and Gizen to Asai being one of the episode’s high points.
But there are a few issues. First of all, this episode felt like it took forever to run, and although it accomplished a lot, it just didn’t feel that eventful. That may be okay in a 24-episode show, but the earlier a show can impress me and draw me in, the more likely I am to commit to such a show.
I also don’t mind a matter-of-fact, stoic duo, but that comes with the caveat that sometimes scenes are going to feel slow and listless. It didn’t help that this was a very talky episode, and neither Hanazawa Hana nor Ishikawa Kaito ever raise and barely modulate their voices throughout all this talking. Yuuki Aoi breathes some energy into Souma, but I wager she’d be the quiet character on any other show.
The episode also seemed reluctant to demonstrate the characters’ special abilities (and didn’t even name one for Souma, who may well not have one); indeed, if one were to blink when Haruki whispers “Reset” in the wind, you’d miss her ability altogether. Yet on another level, it’s intriguing that such powerful abilities are presented so plainly and elegantly, rather than, for example, a CGI light and effects show, or even worse, floating TV screens.
Two things at which Reset excels is its ambient sound design, and it’s awareness of its leisurely pace, which it uses to drop a sudden twist at the end: that the little girl Haruki has been sitting with recently has actually been dead for seven years. I definitely want to learn what’s up with that and how such a predicament will be resolved (presumably by our duo), and so there’s a hook for continuing to watch.
The “cold close” apparently showing Souma (same hair and eyes) falling off a bridge to her death compounds that desire to see what happens next. Like Akashic Records, there’s potential, but I’m banking on the fact that neither show’s strongest episode was its first. Unlike Akashic Records, there’s a stiltedness to the cast that exposes the fine line between ‘subtle, deliberate’ and just plain dull and tedious. So we’ll see.