The Gist: Sucy concocts a mushroom-based energy drink just this-side of poisonous. Supposedly, it will unlock her full magic potential, which she will use to rule over the world’s mushrooms and/or get rid of anyone bothering her while she searches for mushrooms. However, before she can drink it, she faces a conundrum.
She should test the potion on Akko first, to make sure it works or is safe. However, if it the potion does work as intended, Akko’s full magic potential will be unlocked, and Akko would become ‘boring’ in Sucy’s eye.
Leaving the funnel in Akko’s mouth, Sucy glugs down the potion after all. In the morning, she is unwakeable and soon she begins to sprout mushrooms. Mushrooms that threaten to take over the school…
As with LWA’s best episodes, what follows is full of lovely details, wild and elastic animations, humor and tons of charm. Everything feels like thought was put into it. From Akko and Lotte choosing not to get the teachers because it could lead to their expulsion, to Lotte using her book knowledge to come up with a plan and Akko offering to be the sacrifice, without blinking an eye. It’s in-character and believable, at least within the rules established by LWA’s wacky universe.
Inside Sucy’s mind is a similarly vibrant and dense space. Akko meets many Sucys that make up the core Sucy personality and all of them are terrible people in a Sucy specific sort of way. (For example, both Devil and Angel Sucy want to kill Akko, just in different ways)
Eventually, Akko meets a not-outwardly-terrible Sucy and has to save her from court-ordered execution. Actually, many Sucys Akko finds more normal and relatable are being executed, and Akko saves them all.
Then Akko hitches a ride to the drive-in movies…
Sucy’s movie vision has a great retro art style to it and, while they aren’t surprising or terribly complex, it’s interesting to see her take on the people and world around her. While Sucy has hinted about liking Akko all along, capturing the two sides of how she see’s Akko (ridiculous but charming) in a short span of images, and playing them directly against Akko as visual reinforcement effectively drives the plot points home. Even enough that Akko herself gets it.
In a way, Akko learns a bit about herself too. At least, that her friends can find her annoying (or that she can look laughable) but still love her. She also learns that outward appearances and good intentions do not always play best with reality.
That nice little Sucy she saved turns out to be a monster, consumes many other Sucys, and threatens to make the core never the same Sucy again…
The Boss Fight provides an exciting climax to an already frenetic episode. Not only is it visually distinct, and visually good at setting tension, but the nature of a tangible enemy, with tangible stakes should it not be stopped, elevate Sucy-Monster above previous episode climaxes.
It also helps that she was introduced as a plot thread early in the episode, and that Sucy herself is a core part of show from the beginning (I’m looking at you wtf polar bear!).
But the strongest aspect of the Boss Fight comes at the end, where the Boss itself watches Akko prepare to French-kiss-inject the sleeping Sucy core with an antidote…which really seems to turn the Monster on! (alluding to a possible additional side to Sucy’s appreciation for Akko).
The Verdict: LWA is at its best when all of its many moving parts are composed into a complex and coherent whole. This week had character development for Akko and Sucy, world building, a self contained but complete and un-rushed narrative, wild and unique animations, and a warped sense of humor.
Friendship, weirdness and adventure. Not much more you could ask for.