Shouwa Genroku Rakugo Shinjuu 2 – 07

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It’s Autumn, and getting chilly, but Yakumo goes out to sit amongst the gingko trees on hospital grounds in thin robes. Konatsu finds him and wraps him in a scarf. He’s in a dark place. When he first collapsed, he thought he wouldn’t “have” to do rakugo anymore.

Now that he’s returned from that hall of candles and from his encounter with Sukeroku…wherever he was, he feels he’s lost both the voice and the desire to ever take the stage again. Konatsu, who still blames him for her father’s death, calls it karmic retribution.

The deep-seated bitterness remains. Yet if anything, Konatsu is even bitterer to see the ultimate antagonist in her life brought so low.

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Konatsu and Yakumo’s meeting among the Gingkos, and the tragic past that binds them, is re-investigated and all but rewritten this week, as Higuchi invites Yotaro and Matsuda to join him in the countryside where everything ended and began: the hot spring inn where Sukeroku and Miyokichi Yurie died.

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It’s where Higuchi, only a boy and accompanying his father, an inn regular, first met (and pretty much fell for) Miyokichi. A few years later he encountered her in Tokyo, and she’d only grown more beautiful and refined.

When Higuchi heard the way she spoke the name Kikuhiko, he had to see what kind of man could snatch this gorgeous woman’s heart. When he went to see the future Yakumo perform, he found himself in awe like many others, and asked if he could be a rakugo apprentice.

Obviously, Kiku refused, and now we know that young man from episode 10 of last season was Higuchi, who since then has immersed himself in rakugo, not as a performer, but a student, and may just be positioned to help steer its future with Yotaro.

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But this episode is concerned mostly with the past, specifically the last days of Sukeroku. Yotaro obviously wasn’t there, but Matsuda was, and throughout the episode Matsuda is overcome with nostalgia for the barely-changed place.

More to the point, Higuchi has brought them here to view film reels of Kiku and Shin’s performances, which despite their degraded quality put everyone right back in that state of awe. The Kiku in the film is younger than Yotaro, and yet he’s so much better, and more to the point, seems so much happier to be performing rakugo. All Yotaro needs to do is close his eyes, and he sees the young master in color, performing all the roles within the world of his story.

Then the innkeeper loads the reel of Shin performing “Shibahama”, the story of the wife’s lie that made her husband’s life better, and there isn’t a dry eye in the darkened room, including my own. It’s a story told and performed so well that it simply gets me every time. And Yotaro can tell how happy Shin was.

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After that, they go to the graves of Sukeroku and Miyokichi, whose happiness—and ultimately lives—Higuchi said were destroyed by Yakumo. But Matsuda knows the truth of what happened that night, and it isn’t the story Yakumo told Yotaro last season. Likely because it was such a good and well-told story, I never questioned whether Yakumo was a reliable narrator.

But overcome by all the memories the town, inn, and film reels surfaced in him, and the sun not only setting on the day, but on his and Yakumo’s lives, Matsuda reveals all: Miyokichi stabbed Shin. Kiku was holding him and got covered in his blood when Matsuda and Konatsu came in, and Konatsu then tried to push her mother out the window. Shin grabbed Miyokichi and the two fell to their deaths, while Kiku held Konatsu back.

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That misleading image—of Kiku holding her father, the two stained in blood, and Kiku wearing a fiercely hostile expression—is pretty much all Konatsu remembers of the ordeal; her memory is hazy from passing out from the shock of the events she witnessed. But it’s an image that still haunts her to this very day, as she smokes alone in her jammies when Yotaro returns home.

When she looks up at him, wondering why he was out late, she sees the tears in the big guy’s face (not an uncommon occurrence) and assumes Yakumo must have done that to him. He did, but not directly. Those are the tears of someone who has heard the truth and come across someone who still doesn’t, and has gone through a lot of pain because of it.

He doesn’t relay to Konatsu what he’s learned on this night. Instead he embraces her…while she keeps smoking. But I imagine the truth will come out at some point, as Matsuda begged Yotaro and Higuchi not to let the master leave the world believing rakugo will die with him.

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Author: sesameacrylic

Zane Kalish is a staff writer for RABUJOI.