Demi-chan wa Kataritai – 06

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The Gist: Sensei visits Hikari’s house to meet her parents and eat dinner. Then he inadvertently worries Hikari’s sister when he ponders that Hikari may ask for hair-dressing-help because vampires can not see their shadows.

Then he falls asleep in his office (sorta) and headless-chan pets him on the head while Hikari’s stay-at-home-dad watches. Whee!

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When all is said and done, this episode’s main themes are family accepting diversity and how adversity can effect a person and the community around them.

In one example, Hikari’s dad gave up his career to make sure a parent could always be there to help her and he and Hikari’s sister both lighten their hair to make her naturally blond vampire hair less out of place amongst the family.

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That may sound like deep stuff, and Demi-chan actually manages to tackle those topics with a pleasant sincerity, but it does so primarily by showing us two sisters bicker playfully about keeping blood in the refrigerator, eating ice cream, and being lazy.

Also, Horny-chan continues her running gag of thinking Sensei isn’t turned of by her magic horny-maker. Whee!

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The Verdict: If not for Hikari and Sensei’s endearing banter, this week would’ve been hard to watch. Not only was it narratively slow, but there was little action. And by little, I mean the characters spent the majority of the episode sitting in place, tightly framed, with not but drab colors around them. That banter though:

“Sensei! Say something to this cold hearted woman!”

“It’s important to question the rules but you should really stick to the rules you set for yourself.”

“The gentle way he worded that stabbed me right through the heart!”

“…why do all your idioms involve blood??”

So good! (editor’s note: your milage may vary)

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Youjo Senki – 06

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The Gist: Tanya’s Battalion is deployed to break the Alliance (alt-Finnland) and they arrive just in time to route a large multi-national mage force backed by Bombers. While it is more challenging than their first battle, Team Tanya cleans house without a single casualty.

Meanwhile, while searching for POWs to interrogate, Tanya gets another taste of God. This time she gets a shot in — a brutally quick one into the corpse of a pilot — but it’s barely enough to pause God’s presentation. God’s message is pretty simple: Tanya has a target painted on her back and the whole world is out for her heretical blood.

tanya6_4Soldier Dad is totally screwed… but not till next week

Elsewhere, the Alliance senior council tells each other they are on the brink of collapse, a Republic General hears a report, a Kingdom Colonel tries to get intel on Tanya but gets his observation post blown up in the process, and Anson (the guy with the scar who lead the failed attack on Tanya in episode 2) gets promoted and sent to defend the rear lines… which is where Tanya is being sent next.

Serebryakov and the rest of Team Tanya get screen time, and they all feel a little more believable as soldiers, leaders, and individual people for it. However, God’s visit is the most interesting aspect of the episode. My take on it is that God is not only trying to force Tanya to repent and/or spread God’s word but also share God’s own feeling of being ‘against the whole world.’

I could be reading too much into it, but I get the feeling God’s goal is less to do with Tanya’s humanity and humility, and more to do with shaping a counterpart. Perhaps making a literal devil to co-administer the world with…

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The Verdict: As with last week, your enjoyment of this week’s episode hinges on how much you care about Tanya kicking ass on the battle field verses how much unnecessary, content repeating, conversations amongst the various central and high commands of 5 nations you are willing to sit through.

Also like last week, we get one good visit from God that really highlights how much more interesting that concept is than loli-murder-machine and logistical conversations amongst military commanders…

While I’m looking forward to Tanya’s reunion with Alliance Colonel Sue Anson next week, and I’m digging the weirdly vindictive plot God is throwing at her, this episode can not escape the fact that those two points were it’s only two interesting points, and Anson’s 60 second scene only sets up potential for the next episode.

tanya6_2The scale, depth of field, and bomb dropping action was the best of any war machine we’ve seen rendered so far…

We’ve seen Tanya blow stuff up before. (though seeing Tanya take a bomber down with a hand grenade was pretty bad ass) We’ve seen that the Empire would already have crumbled without her participation.

We didn’t really need to see the Alliance senior council to confirm that they are also holding on by a thread — that they are relying on the Kingdom and Republic for support — because we see that on the battlefield, as evident by the uniforms and tech of those other nations.

We certainly don’t need to a Republican General all the way back in alt-Paris getting a report about the battle and the Alliance’s senior council’s status right after seeing those things. Unfortunately, that’s what we got.

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3-gatsu no Lion – 17

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Note: I have taken over reviews of 3-gatsu no Lion from Zane in exchange for ceding Little Witch Academia to Franklin. Call it a three-way trade. What does Zane get? RESPECT.

This was the first 3G of the show’s second half that never really felt like it was dragging. Even in its “weakest” first section, there’s still the formal exchange between Rei and his father, as well as the sun shower and encounter with the ethereal Touji Souda, who could either be a god or a devil.

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Because his dad can tell by reading his face, Rei lets slip that Kyouko isn’t really staying over at his place all the time, and she derides Rei as a snitch under the bridge.

In a 3G first, the Kawamoto sisters finally see Rei with Kyouko, and their reactions are both priceless and true-to-character: Kyouko assumes Rei has found another home to ruin, Akari is polite and stays out of Rei’s business, and Momo is petrified of the Rei-bullying “witch.”

Hina is, well, pissed. So pissed, in fact, that she runs back to Rei and gives him a towering box of food to cheer him up—and all indications are she succeeds in the moment. She also makes sure to give Kyouko a withering middle-schooler stare before steaming off. Akari agrees “just a little bit” with her younger sister that it’s not fair that Rei should just take the “strong-willed woman’s” abuse.

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Kyouko is certainly cast as the Wolf to Red Riding Rei, but in the next segment, 3G turns that on its head, showing the far less outwardly confident and strong Kyouko. She basically stress-eats all of the food meant for Rei. She calls home to tell their dad where she is, but has to give the phone to Rei, because their dad doesn’t trust her.

Curling into (Rei’s) bed (again), Kyouko doesn’t know what to do with herself. She also doesn’t know why she chose Gotou, a man she can’t possibly bring home for Dad to see. In the night, Rei notices her checking her phone over and over, and the blue LCD light it creates, giving the impression the two of them are sinking into the bottom of the sea.

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Kyouko has crossed adulthood, but seems threatened by the only slightly-older Akari has achieved (in the brief, limited moment they crossed paths, that is). Rei is nearing adulthood, and at 18 will still be a second-year at school. Nikaidou has reached his rank, catching up to him, and is looking forward to proving his worthiness as a rival in an official match soon.

Rei puts it perfectly when he says he and Kyouko don’t know how to be proper siblings, nor can they be strangers, so they’re caught in between. Perhaps as they grow older and more mature they can learn and change. For now, Rei awaits the arrival of Spring, the first month of which I hear…comes in like a lion.

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Shouwa Genroku Rakugo Shinjuu 2 – 06

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When Yakumo suddenly collapses, Mangetsu is able to administer first aid before the paramedics arrive. Konatsu goes with Yakumo, and Yota is ready to follow…but instead elects to stay behind. The sound of the crowd comes back into focus: the show must go on.

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And it does, as we are presented with Yota’s rendition of “Inokori” (which was performed by Sukeroku in episode 9 of last season). This isn’t another fiasco like the time Yota cast off his robe; he basically knocks it out of the park, proving he was ready to perform it. The only problem is that as good as he was, his master wasn’t there to hear it.

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The moment the curtain falls, Yota, who had been keeping it together splendidly, starts to tear up. Matsuda can’t help but tear up too. The only one who doesn’t tear up is Shin, but he seems on the verge of doing so simply because it’s what the adults are doing. At the hospital, Yakumo remains unconscious. Matsuda takes Mangetsu home, praising his rakugo on the way. Maybe he’ll get back into it?

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A couple of weeks pass, with Yota filling in for Yakumo, all but doubling his already formidable workload and feeling the strain. He continues to proclaim master will wake up and be fine, but not even he is a sure as he sounds about that.

Meanwhile, time goes on, and the proprietor of the Uchikutei theater tells him about plans to “rebuild” it, which one would think would mean demolishing the Taisho-era venue. We get a bit of a tour of the empty place as he runs down all of the little charms and foibles that make it as unique and irreplaceable as, well, a performer like Yakumo.

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On the train to another gig, Eisuke encourages him with two bits of information: that unlike the precise technique of Yakumo and raw reality of the last Sukeroku, Yota has his own kind of rakugo: in fact, he is a vessel for it. No “ego or hunger” on display, Yota fades away, leaving only the rakugo to be absorbed by the crowd. It’s a rare gift.

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The episode ends with Yakumo opening his eyes, and though he still doesn’t look or sound too good at all, he’s still alive, which is surely enough for his family. Whatever happened in that sliver of afterlife he tasted, we see no more of it, adding to its mystique.

All I know is Yakumo looks tired, and while he doesn’t look like he enjoyed what he witnessed, he may not be particularly happy to have not died when he did, taking rakugo as he knows it with him.

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