Ao no Exorcist: Kyoto Fujouou-hen – 06

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Who’s cuter than Mamushi? LIL’ MAMUSHI! XD

As soon as we were in flashback mode with Mamushi, I knew Ao no Exorcist had a better story to tell than her turn to the dark side and ultimate demise. It was also an early indicator I was in for a good episode, and this turned out to be the best Ao 2 to date. For once, I wasn’t feeling impatient or shortchanged during the credits. Instead, I was pumped up.

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Whether intentional or not, the backstory of Master Tatsuma meeting Fujimoto, and the resulting expanding of his world (and evolution of his beliefs) is, at least so far, the best thing to come out of this Ao 2. I’d say it’s done Rin & Co. a disservice by sidelining and outshining them, if it wasn’t such a good backstory.

Of course, when the guy you thought was a bandit ends up healing your comrades…and your pregnant wife you thought was going to die, that tends to have a profound effect on how you look at the world and how you judge people.

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Despite his bluster and stated plans to kill a kid with the Koma Sword, Fujimoto spends enough time with Fujimoto to know he won’t actually kill the kid he speaks of (the, ahem, spawn of satan, as it turns out). And Tatsuma is done praying to a sword he knows is empty, having unsheathed it as a curious youth.

By being exposed to Fujimoto, Tatsuma learns there may be a better way to protect his people other than strict, at times self-destructive orthodoxy. So ever since his father died and passed on the ultimate secret of the Myoda sect to him, he’s been looking for a way to exit the sect from its 150-year obligation.

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To Mamushi’s surprise, that obligation turns out to be holding the shriveled body of the Impure King, employing the power fire demon Karura and removing the King’s eyes to keep him in a dormant state. Karura not only demands but draws its power from the secrets of men—the more and bigger the better.

Of course, when the guy you thought was a bandit ends up healing your comrades…and your pregnant wife you thought was going to die, that tends to have a profound effect on how you look at the world and how you judge people. Those secrets have done nothing but allow the Myoda to keep, essentially, a nuke in their sub-basement.

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Mamushi, who is also determined to protect her people, is quickly betrayed by her former teacher when he takes the eye she was carrying and re-awakens the Impure King himself, Akira-like in form and expanding to ginormous size.

The twist is that the titular Fujouou isn’t even Todou’s target. He only awakened the King to force Suguro Tatsuma out and compel him to summon Todou’s true target: Karura, whom Todou devours and from whom he gains youth and vigor.

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Todou is now more powerful than ever, but to my relief, Mamushi is no longer his acolyte, now that she knows their interests don’t align at all. Before Karura is taken from him (and before he’s stabbed through the throat) Tatsuma manages to seal the Impure King with a powerful spell. But using that spell means he can no longer defeat him.

He entrusts that task, in his hastily-scrawled letter, to Rin, knowing it’s an unenviable task to be saddled with, and indeed that it could result in Rin’s death, either by failing to take down the King or by being executed by the authorities for using his blue flames. Of course, we all know Rin isn’t just going to sit back and save himself.

Tatsuma saw a good man in Fujomoto, and clearly saw a good young man in Rin. I doubt Rin will let him down.

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Fuuka – 07

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As expected, the photo of Yuu and Koyuki goes viral, creating problems for both. Yuu’s sister and mother chew him out for being so reckless with his celebrity childhood friend. He’s mobbed at school by both classmates and total strangers.

Fuuka is disappointed that when she told her she saw Koyuki, he didn’t feel the need to tell her he saw her too. But with their first concert coming up at the cultural festival, they decide not to get too bent out of shape out it.

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Meanwhile, Koyuki’s handlers coach her on the proper PR response to the photo. Yuu tweets that they’re just friends, while Koyuki’s company was ready to deny it was her and decline further comment.

Instead, Koyuki stays true to herself, and in a bit of a personal coup, blows things up even more, stating on live TV to the masses that the boy in the photo is not just some friend, but her unrequited love and muse for all her songs.

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While admirable, Koyuki’s decision is a bit selfish, and only results in more potential problems for both Yuu and his band when the day of their first show arrives. Koyuki arrives in disguise, not wanting to miss it, and sees that legions of her fans—and haters of Yuu, the guy who apparently won’t love her back—are amassed, ready to shit all over Yuu’s show…figuratively of course.

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Yuu apologizes to Fuuka and his bandmates over and over, but they understand it’s not his fault, nor is it Koyuki’s. What happened happened, and all they can do is put on the best performance they can. You can’t please or appease all the haters, and trying is a proposition of diminishing gains.

That being said, we’ve essentially jumped two months from last week to now, so all the bonding the band has done was done ‘off-camera’ (not that I particularly wanted to watch more band practice, mind you). It also seemed a bit anti-climatic to end the episode before the big performance takes place.

As for Fuuka’s dilemma about her feelings for Yuu conflicting with her pledge to Koyuki, well…at this point I still see Fuuka winning out. She’s the title, after all.

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