I watched this episode in a similar environment to the one Rei keeps finding himself in after recovering from his illness; a place very hard to leave once you’re there, like a kotatsu. It’s currently 20 degrees F and snowing outside, but I’m nice and toasty in my apartment with a hot mug of cocoa, and because it’s Saturday and I don’t have a possibly career-defining tournament to participate in, I’m more than content to stay right there!
Now that he’s better, Rei has some serious things to consider. Chief among them is ‘not losing anymore this year’, including the huge highly-publicized Lion King Tournament. He just barely defeats one opponent (who has a bizarre way with words), and may well have to go up against Gotou, the guy who calls Kyoko a “stalker girl” and who once beat him up. If it wasn’t for Smith, he’d have gotten beaten up again.
Instead, he heads to the Kawamotos with bags bursting with freshly-caught fish from the association president, and Akari couldn’t be happier, as it means they can save on food expenses for a while. As usual, the home is warm, fuzzy, full of love and hard to leave…but Rei has to leave. He can’t be the best shogi player he can be if he doesn’t go home and study. So he tells Momo as earnestly as he can, and she and Hina tell him to do his best.
Perhaps like no previous episode, this one really strongly marked the contrast between the Kawamoto Kotatsu and the world outside, using every visual method at its disposal. As bright and warm and colorful as it is in the sisters’ house, it’s dark and cold and bleak, even threatening outside.
But Rei is determined to become someone who can live in both worlds, and neither be trapped in one or unable to endure the other. Joy and pain are both inescapable parts of life he must learn to balance. And the beast inside relishes the potential opportunity to deliver a blow or two to Gotou, not with his fists, but on the shogi board.