Shuumatsu no Izetta – 07

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After a dull and appallingly animated opening scene where a bunch of old white guys from all over Europe (plus “Atlanta” AKA alternate-America) contemplate what to do about a new German aircraft carrier, their host Lord Redford introduces them to Fine and Izetta, with all the requisite magical theatricality.

The two don’t just come hat-in-hand, asking for troops, but with something they can do for them: Izetta will destroy the carrier, giving them one less thing to worry about (and commit precious resources to).

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In what can probably be better described than as a “quasi-yuri” scene, after Fine teases and tickles Izetta they lie in bed together in their matching lilac negligees, gazing into each other’s eyes.

Fine repeats her guilt about asking so much about Izetta, but reiterates the importance of being useful to their allies; Izetta repeats her total commitment to Fine in all things. We get it, show: they’re very close. The two girls were, at least, far better drawn than all the stodgy men at the beginning.

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Also well-animated (and staged): Izetta’s operation. With two Lancaster bombers as her escort, she takes command of four 760-kg torpedoes and heads to the fjord base where the carrier lies. We get some simply stunning views of her streaking through the air with her four ballistic buddies.

Alas, to her horror, the carrier isn’t there when she arrives: it’s started out to sea, and an ambush awaits her, led by the grizzled ace Basler in a shiny new inverse gullwing plane. Between him, the other fighters, and a cloud of flak from other surface assets, Izetta’s complement of four torps quickly dwindles to two.

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Though Groman assured her she’d need all four to sink the carrier, she uses the last two in a clever way – sending one straight down, missle-style into the weak elevator area, and the other into the fuel supply. It’s mission accomplished for Izetta, but little does she know both Berkman and Ricelt accomplished their mission too.

The carrier was nothing more than bait, set to lure Izetta into an area with highly variable ley lines. Berkman observed sudden losses in Izetta’s magic as she flew through the invisible variations (she’s apparently unable to sense them).

Now the enemy knows (or is pretty darn sure) of her weakness. With that in mind, it looks like Germania came out on top on this one, since the carrier was essentially doomed anyway.

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Keijo!!!!!!!! – 07

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The Gist: Cockroach-chan practices pulling turnips out of the ground with a rope tied to her butt. Eventually, she learns how to do it, which should make her vacuum butt cannon more effective.

Elsewhere, the rest of the class has to wear the bondage swim suits but mostly they touch each other’s boobs, wear tight bras and panties and yuck-around.

The Verdict: While the visuals were basically amusing at first, the only meaningful aspect of this ‘camp’ arc is technique building and some side-exposition by the teachers. Unfortunately, technique learning was more interesting (novel) at the beginning of the show. ho-hum

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Keijo!!!!!!!! – 06

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The Gist: This marks the beginning of the school-team-against-school-team portion of Keijo but first, it’s time to stop at the obligatory training camp for some pro-pointers. While there, Cockroach-chan learns she has a weakness but doesn’t learn what that is.

The other girls go shopping.

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The Verdict: Keijo hasn’t really suffered for its soft T&A so far but, when the goofiness of the sport isn’t front and center, and when the girls are mostly just screwing around/dry humping each other, things rapidly fall apart.

If anything, the biggest failing of this week’s episode is that it did nothing with the sports-anime convention. It doesn’t help that I just watched Days’ take on sports camp rivalries, and still remember Haikyuu’s dull exploration a few seasons back. Worse worse, at least Haikyuu!! built up some of the friendships and rivalries across its sport (and school league) while doing the technique-learning of camp.

Not here. Nope. This may as well have been fill.

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Yuri!!! on Ice – 07

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The Gist: Yuri earns a silver… but there’s a silver lining.

After his flawless skating in the first half, Yuri completely freaks out and looks like he’s going to death spiral in the second half. In an attempt to get Yuri back on track, Victor says he will take responsibility if Yuri fails and resign as his coach.

This sends Yuri over the edge, but in an unexpected way: he’s used to living with his mistakes and has been worried that people would tie his failings to Victor. The cry does him good and he has a ver relaxed, thoughtful, and above all else surprising match.

Next up, Russia with love…

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The Verdict: I was critical of last week’s episode for throwing an pile of characters at us, each with their own agenda and relationships. This week, I have to look back on that choice more positively, as all that info has had a chance to sink in and — only from that experience — was it possible to really enjoy all the other skating going on while Yuri and Victor wait.

Yuri’s emotional responses were top notch, with his freak out in the basement and his playful monolog coming so close to earning a 10. However, a few short cuts (reused crowd clapping a few too many times) and the overwhelming ‘mid point’ nature of the episode held it back from a perfect score.

Can’t wait for next week though!

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Watashi ga Motete Dousunda – 07

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In the most bizarre and surreal episode of WagaMoDo, the newly-restored duo of Kae and Shina suddenly declare they have to go on a pilgrimage to the resting place of Hyakki Sametora, the feudal lord upon which the Lord in their anime is based. The only truly enthusiastic guy is the history buff Mu, but the other three tag along nonetheless. Reasonably priced-but-not flashy hot spring innage ensues.

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The night they stay at the inn, Iga accidentally falls on Kae during a pillow battle, and her reactions indicate to Iga that she didn’t dislike that accident. When they end up on the same swan boat (to the possibly cursed island where the lord’s head is believed to reside), he takes her hand and tells her if she’s not used to being so close to a guy, to get used to it…and she does not protest.

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Unfortunately for Iga (but fortunately for us), when a sudden storm maroons the group on the island, Kae ends up rescued by Mu (while Iga has to give Nana mouth-to-mouth; an event Shina captures from many angles with her waterproof phone). When Kae collapses from fever, Mu has no choice but to get her to shelter, disrobe her, and use his body heat to get hers up. He does so with the utmost gentlemanliness, while Kae is too out of it to be embarrased.

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After that…things kinda go off the rails, as the show suddenly picks up a lot of supernatural elements. The ghost of the lord makes the others walk around in circles, then attacks Kae and Mu, who use the charms they bought at the gift shop to neutralize him. Eventually Kae “exorcises” Sametora when he realizes his legend is not a negative one (thanks in part to the anime that pretties him up and makes him either a top or bottom).

All the supernatural elements are (mostly) explained at the very end once the group gets to shore by a very unexpected and hilarious twist: the restaurant where they ate lunch accidentally used hallucinogenic mushrooms, so they were tripping balls the whole time, likely including during the storm and “lake whirlpool”. Overall a pretty fun episode.

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THE PURGE: RABUJOI Fall 2016 Edition

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Due to significantly increased time constraints in the last few weeks, three shows – Drifters, Gi(a)rlish Number, and Sousei no Onmyouji, have fallen by the wayside and will probably not be picked back up. :(

The fate of Shuumatsu no Izetta is presently TBD. All other Fall shows are on our watchlist and we will catch up on reviews when we can. We apologize for the inconvenience.

—RABUJOI STAFF

Mahou Shoujo Ikusei Keikaku – 08

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It’s sad to say, but Habutae Nana was definitively the worst thing to ever happen to Ashuu Shizuku. Sure, it’s not entirely Nana’s fault—how could she know the game she was getting her lover involved in would lead to that lover’s death?

But the bottom line is, Nana did get Shizuku involved…then kept helping her enemies by leading Winterprison into ambush after ambush. You’d think Nana would have gotten the memo by now: there will be no peace until there’s one magical girl remaining.

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Winterprison manages to slip away from Calamity Mary, but when Nana insists they meet with Swim Swim’s crew, the numbers and tactics prove too challenging to escape with her life. Swim Swim is cold, calculating, and obsessed with surpassing Ruler, whom she still admires despite having betrayed and killed her.

Winterprison does not go quietly, taking Yuna down before succumbing to Swim Swim’s blade. Forgive me for not shedding any tears for Yuna, but she and her twin sister Mina have been nothing but amoral, devious little pills for the entire run of the show, and we didn’t even get a glimpse of their human lives.

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We do get a little snippet of Top Speed AKA Murota Tsubame’s life as a pregnant housewife that makes her husband worry when she runs after him with his lunch. She’s trying to keep Ripple close to increase her chances of staying alive long enough to give birth to her kid, and Ripple seems totally okay with this for now.

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The episode ends with nine magical girls still alive: Snow White, Hardgore Alice, Calamity Mary, Cranberry, Swim Swim, Mina, Tama, Top Speed and Ripple. One more death and the group will be halved as Fav decreed…but next week’s episode title about a “rule change” probably portends another halving, then another, until there’s only one girl left.

With Hardgore Alice apparently by Snow White’s side, it’s looking more likely than ever that Koyuki will be the one to survive this ordeal. Whether her soul survives is another issue entirely.

Speaking of souls, we learn that in real life Calamity Mary’s husband left her because she’s a drunk who abused their daughter. So naturally Fav thought it would be a great idea to give her more power. But we saw how ineffective that power was against Alice, and Alice seems to be protecting Snow White. We’ll see where this goes.

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Mobile Suit Gundam: Iron-Blooded Orphans – 33

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This week the Seven Stars meet, Rustal Elion feigns ignorance of Galan Mossa, and he and McGillis cross paths, after he’s fired the first shot across his bow. Rustal has always seen something in the not-related-by-blood adopted son of Iznario Fareed, but he still thinks he has the edge over him as the conflict between their two factions continues to escalate.

If Rustal is still feeling this confident even after losing someone as capable as Mossa, there’s every reason to believe it’s because he’s still got plenty of talent on his side. McGillis will have to pull out all the stops if he’s to prevail.

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Everyone notices Takaki is a glum shell of the cheerful fellow they knew and loved on Mars. Kudelia tries to tell him not to be so down, seeing as how despite all his responsibilities and experiences, he IS still just a goddamn kid. He needs to see more things, broaden his knowledge, and learn how to judge and choose properly, as well as realize there is more than one choice, but infinite ones on the road called life.

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In a welcome scene between Mask-Gaelio and Julieta, we learn that, like McGillis, she was someone with no family who Mossa not only taught to fight but recommended to Rustal. She is who she is because of Mossa, just as McGillis is who he is thanks to Iznario, even though he eventually rebelled against him.

Those similarities aside, Julieta’s fairly narrow frame of mind and simple black-and-white way of seeing things still mirrors Mika, who has followed Orga all this way and will continue to without question.

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As for Orga, this is the week he doubles down on throwing his and Tekkadan’s lot in with McGillis. Due to his dedication to his word he would support McGillis, their fates are intertwined all but irrevocably; if McGillis falls, Tekkadan will fall too (though they still have a degree of security in Teiwaz).

McGillis decides it’s time to tell Orga what he and Tekkadan will get in return for their continued dependable service: he’ll cede Gjallarhorn’s hold over Mars to Tekkadan, essentially making them the Kings of Mars. This arrangement proves McGillis isn’t just using Tekkadan because they’re easy marks: he identifies and believes in them, to the point his own confidence in his success is dependent on being right about them.

Watching them in the early days reminded McGillis of timeless legends. We’ll see if he’s giving them too much credit, blinded by his own romanticism and desire to purify a system he was adopted into.

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When Orga tells his senior staff what McGillis told him – what essentially lies at the end of the rainbow for them when the fighting’s done – Mika, Eugene, Akihiro, and Chad are all for it without question. Kudelia and Merribit are less enthusiastic about more fighting, and Takaki flat out tells Orga he’s done.

His life is not his own to throw away for glory any longer: he won’t leave Fuka behind. He doesn’t mention Biscuit, and how he left Cookie and Cracker, but he didn’t have to for Orga to understand and accept his resignation, not with indignation, but gratitude for what Takaki has contributed to this point.

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Takaki follows Kudelia’s advice and takes a different path than the one everyone, including him, had blindly taken out of loyalty and a desire to protect his freedom. But he has that freedom now, and there’s too much blood in Tekkadan’s future for him to remain.

What about Mika? It’s not like Mika is ever going to waver for a second, or fail to obey every order given to him by Orga. But while I said he would never question Orga, but he does comment that this thing they’re working towards is “taking longer than he thought.”

That, and his expression of relief that Takaki threw in the towel, are the closest things to complaints he’s leveled against his big bro. Orga can pick a destination – the very Throne of Mars – but he can’t promise anyone they’ll actually ever get there. And like every leader great and small, that central uncertainty, and the consequences of his decisions, will continue to weigh on him.

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Fune wo Amu – 06

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Majime barely seems to sleep through a night when he’s waiting for Kaguya to reply to his letter, but early in the morning when they finally meet in the hall, he runs away, scared of rejection. If she has bad news for him, he doesn’t want to hear it.

For Nishioka, the time to announce his impending departure from the department comes at an awkward time, but his hand is forced when the elders take stock of the group’s difficulties but looks to the first modern Japanese dictionary, the Genkai, for inspiration, knowing the five of them can do it. Nishioka makes sure they understand it’s four, not five now.

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When Majime hears of this, and of all the extra work not suited for him he may have to take on in Nishioka’s absence, he has a little bit of a freakout, as the pleasant dusk turns dark and foreboding, waves lap at his feet, then solidify into a thick mud into which he slowly descends. All of a sudden he’s become overwhelmed with doubt in both love and life.

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That night, at the boarding house, he goes into the library, a lovely cozy space positively packed with books, to both calm and steel himself. He finds the house copy of the Genkai, and finds an archaic word for chef (translated as “kitchener”).

He realizes a dictionary’s value, like the words within it, change with time. The Genkai is now a repository of Japanese linguistic history. He re-asserts his determination to complete The Great Passage, come hell or high mud.

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He also gains the confidence to ask Kaguya, who has just come home, for an answer to his love letter. Kaguya is caught off guard by his use of that term, and runs up to her room.

Majime is almost certain this means rejection, but it’s the opposite: she merely wanted to read it again, certain that it was a love letter (she wasn’t sure before). In truth, she has feelings for him too.

I loved the subtlety of her motions and the quietness and warmth of this scene. We’ll see how the happy couple proceeds from here.

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3-gatsu no Lion – 06

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We continue an in-depth journey and the running self-commentary of Rei’s life, including the recent slump that has kept him from advancing, even though as one of five players ever to become pros in middle school, he’s expected to become a master like the other four at some point.

Because Rei is still so young, his childhood was disrupted by such tragedy and trauma, the bad times always seemed to overshadow the good, and his “stepsister” Kyouko dug into him so deeply with hurtful words that sounded like the truth, Rei is left unable to process why he’s so unhappy and unable to move forward in life.

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Shogi, so far, hasn’t been the answer. Sure, he threw himself into it with all he had and has been celebrated as a prodigy, but when he’s not playing or training, he has a tendency to shut down. He doesn’t have friends (who aren’t also shogi players).

He barely goes to school, and keeps to himself when he does (I can’t recall even seeing one of his classmates). He admires master Touji Souya, who despite being as old as his teacher still has the face of a teenager; as if his distinguished, decorated career has caused time to stop.

Touji is the titular “God Child”, but I wonder if Rei looks up at him as an ideal to follow, or something he can never attain. Then again, he doesn’t know of Touji delved into shogi not out of love, but out of necessity, as he did. Maybe time stopping isn’t a good thing.

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After nearly a whole episode of navel-gazing and listing all of his problems, Rei and we get a welcome respite, as he runs into Hina in town and treats her to a McDonalds shake. It doesn’t take long for the kind and lovable Hina to notice Rei is feeling gloomy, and invites him to dinner back home.

Hina makes Rei feel ashamed and pathetic for worrying so much about his own issues when Hina is sitting there, a middle schooler worrying about a high schooler, putting his feelings before her own (then crashing and burning when her crush the baseball ace shows up).

If Rei’s going to move—if he wants to move—in life, hanging out more with the Kawamotos seems the way to go.

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Hibike! Euphonium 2 – 07

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As BSG’s President Roslin said, “Alright…Next Crisis!” Kumiko may be dealing with a widening rift between her and her sister, but that takes a backseat to a more pressing issue that affects the entire band. It’s also the reason we’ve gotten so many close-ups of Asuka’s sadface: her mom is making her resign.

Taki-sensei refuses, but after her mom slaps her (an incident Kumiko happens to witness), the mother and daughter go home, and Asuka returns to school bright and cheery like nothing happened, she just plain stops showing up to band practice.

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The sudden loss of Asuka, and all the swirling rumors about it, instantly, negatively affects the band’s performance in practice on the eve of a very public performance at a big train station. Taki is not pleased with this, and basically peaces out and leaves President Haruka to deal with it (which is the right move to make, rather than continue trying to focus a clearly rattled band).

Haruka steps up to the plate (well, the lectern), and performs admirably, telling the band, essentially, that all this time they’ve built up Asuka as someone “special” and irreplaceable; but that’s not really the case. And now it’s up to them to support her for once, by bearing down and putting on a show they, and she, can be proud of, in hopes she comes back. That’s all they can do.

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The day of the station gig, sure enough, Asuka is there with a bright smile, ready to see what the band can do in her absence. Haruka wrests control of a massive, unwieldy baritone sax and belts out a badass solo. Taki suggested the solo to “shake things up”, and it worked: the performance boosts the president’s and band’s confidence as the Nationals draw nearer.

Asuka’s future with the band is still unclear, but the band will survive. As for Mamiko, there’s something very foreboding about the episode ending with her putting on her shoes and walking out the door of her family’s home.

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To Be Hero – 07

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“Those wonderful memories are mine!” – Old Man

The Gist: Old Man is confronted with the fact that he isn’t the ‘Old Man’ of this Earth but, rather, a parallel Earth and the Hero Agency just sent him to the wrong place. Except this may not be the case, since we quickly learn that the Old Man doppleganger is, in fact, Prince’s older Brother, hatching a plot to destroy the world.

Too bad Old Man is busy dealing with the recently revived snake lady, who’s plugging into Perv has created a FemiPerv variant. Uh… that’s about it.

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“That’s a terrifyingly delusional plot twist, but it makes sense for some reason” – Old Man

Verdict: As always, Old Man’s dialog is the strongest aspect of To Be Hero. When it’s not poop humor, the dry absurdity of his lines, and his casual dissection of how idiotic the world of hero shows is around him, genuinely bring out the lolz.

The rest of the show, not so much…

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Fune wo Amu – 05

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Majime decides to take the next step with Kaguya the best way he knows how: with words. Lots of them. He asks Nishioka to look the thick missive over, and Nishioka is initially weary of the stiffness of its contents. Of course, Nishioka is also waiting for the other shoe to drop on the mischief he’s perpetrated on behalf of the Dictionary Editorial department and The Great Passage.

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His punishment turns out to be a transfer to the PR department (where he originally wanted to go when he started out) and the adding of a starter dictionary revision to the department’s already formidable workload. He lets the others know about the latter price, but holds off on telling them he’ll be leaving them in the Spring. Better to let them work, and get excited about their sample pages.

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After a long day of reassuring professors (and possibly some drinking as well), Nishioka returns home to his girlfriend Miyoshi, who works in the PR department he’s transferring to, and who made a rare phone call to him in the middle of the day to check up on him, reinforcing her role as Nishioka’s rock. No matter what becomes of him at the company, it feels like he’ll be okay as long as he has her. And she seems heartened by his determination to do everything he can for his colleagues before he has to go.

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As for Majime’s love letter, Nishioka actually seems to get pretty absorbed in it—that is, the parts that he can understand; there’s some Chinese poetry in there. He gives it the okay, so Majime waits by the boarding house’s genkan for Kaguya to come home from work, then delivers the document containing all his feelings to her personally. We’ll see where this goes.

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