What is it: The beginnings of a story about building a great ship called The Great Passage to navigate the “sea of words”—in other words, a dictionary. Retiring editor-in-chief Araki Kouhei of Genbu Publishing’s Dictionary Department is looking for a successor. His subbordinate Nishioka Masashi inadvertently discovers one in Majime Mitsuya, an socially awkward salesman with a knack for defining words.
Why You Should Watch: First of all, this is a grown-up show, and by that I don’t mean it’s full of boobs and curse words. It’s got adult characters with subtle adult problems. The stakes are low, unless you care about one of the many dictionaries on the market one day fizzling out due to a lack of strong leadership or inspiration.
It’s also a show that revels in its ordinariness, making cuts to the proverbial “sea of words” or scenes of words jumping off the page all the more striking. Majime isn’t in the middle of some kind of life crisis, wondering where he went wrong: he’s merely in the wrong job at first. Araki sees him for the talented student of words that he is and puts him in the right one.
By presenting relatively ordinary people with only slightly offbeat jobs (editing dictionaries is specialized work, but not overly strange—someone’s gotta put them together) in an ordinary Tokyo, the world of Fune wo Amu is very easy to settle into and its people easy to empathize with.
Why You Shouldn’t Watch: If you’re looking for over-the-top drama or comedy, you’re in the wrong place. This is pretty straightforward, almost overly earnest grown-up storytelling. As I said, the only thing at stake is the continued success of a publication.
Parts of the city are nicely rendered but the animation of characters is nothing fancy. And while this episode brough Majime and Araki together pretty quickly, it did it at its own leaisurely pace, giving moments time to breathe.
The Verdict: In order to consider one more Fall show to add to my list this late in the game, Fune wo Amu had to demonstrate it was not only something worth watching, but something perhaps worth knocking another show off to watch.
It didn’t knock my socks off, but I’d say both it, Gi(a)rlish Number, and WWW.Working!! had equally enjoyable starts, but it had the most creative premise, so I’ll keep all three workplace shows for now.