The Gist: It’s parent visit day at Tsmugi’s kindergarten and that means we get a healthy does of cast development and relationship refinement! If it wasn’t already obvious, Mikio has a total crush on Tsmugi, who pleasantly wants nothing to do with his affections.
What was less obvious was how central Tsmugi is to the class’ social construct: when Mikio has to poop, her reassurance that she will wait for him maneuvers the entire class into happily supporting him and in his time of need.
Later, Tsmugi Kohei and Kotori cook squid. Tsmugi gets another dance session in and it is adorable.
The Verdict: AtI is at its strongest when it treats its child stars most specifically and this week, where a lot of time is spent in their class room, captured many gems. Other details, like how Kohei holds Tsmugi up on his knees while talking about recipes, and the social interactions of the parents all feel believable.
But what really elevates this week above others is how much of Kohei’s observation and thought process is expressed to us as viewers without words. He doesn’t know how to balance putting himself in Tsmugi’s life without replacing the little treasures she has kept from her dead mother and watching him think, fail, and try again is fascinating. Top notch!
The Gist: Ritsu unlocks his psychic powers and can use them with the assistance of Dimple, who has managed to crawl back from nothingness. As you can imagine, with powers drawn from delusion and betrayal, Ritsu’s mental health takes a sharp dive, culminating in the destruction of the student council president and a pile of thugs who now assume he is ‘White T Poison’ (the street name Mob was given for his previous fight)
Hanazawa makes a cameo (in a wig) and shows Ritsu he isn’t as powerful as he thinks. Meanwhile, a shadowy guy in a hoodie has his eyes on Ritsu but, before that plot can unfold, Mob encounters his brother using powers, cliffhangering into next week’s conflict.
The Verdict: all the parts are moving now — the major character conflicts are in place and the side gags are kept to a minimum. Even Reigen, who I was never a fan of, serves as a good mentor and support for Mob. So why am I still totally meh about this show?
Unfortunately, Mob Psycho 100 doesn’t have much going for it. It’s visually unappealing, much of the cast is depressed or deranged in an unsavory way, and a sense of overall purpose to it all has never materialized. For goodness sakes, Mob’s only personal objective — his only narrative stake — is a love interest we’ve barely seen in 7 episodes.
Without motivations and character driven plot goals, the show must rely on the ‘stuff is just happening’ of its plot driven narrative… and that has felt random so far. I’m dangerously close to dropping this show.