Clearly, Angelo’s anger over what happened to his family is so great and unyielding, he’s committed to enacting his revenge through an obscenely intricate long game. It’s not enough to kill everyone involved in his family’s murder; he wants to cause them the maximum amount of pain before he kills them. Such a considerate young man!
By assisting Fango’s coup over Don Orco, Avilio has kept Nero alive. Now he must turn to Nero’s next threat: his own brother Frate, being used as a puppet by Rolando Galassia. He also wrangles Fio into the negotiations, and eventually she plays a significant role in Avilio’s plan. Rather than Galassia’s puppets, the Vanettis have become Avilio’s (Vincent excluded; who knows where he is this week).
Avilio seems pretty sure there’s no chance for reconciliation between Nero and Frate, especially with Galassia breathing down Frate’s neck (and giving him all the booze and drugs he needs to become an increasingly unstable puppet). He lets Nero give it a try anyway, and lets the brothers become more frustrated by their diametrically opposed goals.
At the same time, Avilio convinces Volpe to help him attack Frate and Fernando while the former is travelling to mass, making it sound like Volpe will be doing Nero a favor. Hmm…maybe don’t have such a regular Sunday schedule if you’re planning to be the boss of a crime family?
Volpe only manages to wound Fernando and scare Frate, but Avilio kills him and makes it look like he acted alone. Galassia tries to use his wife Fio to get Nero in a room with him, but Nero stays away.
Avilio comes instead as a messenger, but the messege is for Fio, not Fernando, and she puts two bullets in her husband, apparently sick and tired of his role in tearing her family apart. She doesn’t know that both she and Fernando were only pawns of the Great Avilio.
In another bit of Venetti manipulation, Avilio leads Nero to Frate, reveals the gun Frate was hiding under a magazine, then leaves the two to hash it out—but only after he takes all the bullets out of Frate’s gun, apparently unbeknownst to either brother.
We end with two more of the biggest obstacles to keeping Nero alive dead, by Nero and Fio’s own hands. Through his machinations, Avilio saw to it the Vanetti family suffered its first blood casualty, but likely not the last. Then he tells Nero he’ll be his brother from now on. Honestly Avilio’s master plan continues to baffle, and the effortlessness with which he gets his way this week makes everyone else in the episode feel like helpless pawns.
It’s pretty ridiculous, but I still enjoyed this gritty, unrelenting episode. As characters drop left and right, 91 Days is starting to feel more and more like a Shakespearean tragedy set in the days of prohibition.