Re:Zero kara Hajimeru Isekai Seikatsu – 19

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MAN, I LOVE IT WHEN A PLAN COMES TOGETHER.

It’s a tired phrase, but I can’t think of a more apt use for it than the latest Re:Zero, where Subaru gets to start over from Zero and doesn’t squander the chance. Rather than begging like a babbling loon for an obscure, partially-formed goal, he comes to Crusch Karsten—and Anastasia Hoshin, and the Merchant’s Guild—with a sensible, viable arrangement, with the White Whale at the core.

In this manner, Subaru unwittingly becomes the catalyst for a grand battle that was in the making long before he arrived in this world. EVERYONE detests the White Whale. Thanks to his past lives, he not only knows how to properly approach and negotiate with these people—from a position of strength and common cause, and pride—he knows where the White Whale will show up next, and most importantly, when, thanks to his “metia.”

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When Subaru is speaking to Crusch, and Felis, and Wilheim in a manner that makes them receptive, he seems to find the unlikely hero within himself, a hero who has united groups with various opposing interests in less important areas but a shared loathing of the White Whale.

And because of the way he composes himself and presents his plan, everyone is not only willing, but eager to hear him out. Crusch is suspicious at first, but she can see the wind of dishonesty when someone lies, and Subaru, though clearly still intimidated, is making an honest, courageous effort that she doesn’t overlook.

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Part of me hated Crusch for so cruelly refusing Subie’s assistance the first time around, but I couldn’t blame her, as he was giving her no reason to help or believe him. Here he did his homework, recalling all the various goings-on in his past lives (combined with Hoshin’s major burn) to uncover the battle Crusch was preparing for anyway, and offer something that could give them all a decisive advantage over their foe.

Everyone works through the night to get ready, and Subie meets Hoshin’s mercenary captain Ricardo, numerous veterans who came out of retirement to, like Wilheim, avenge their lost loved ones upon the Whale. Subaru sees this is bigger than him, but none of this would be possible without him. He’s making it, damnit…he’s making it!

And God, it’s so good just to see everyone smiling and laughing again, even if it is, in part, to hide how goshdarn scared they all are of the task before them.

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This week, Subaru succeeded in all the ways he failed in previous attempts to save Emilia all by himself, or with last-minute help from others. Even though Priscilla isn’t a part of the alliance (and is totally absent this week), her reaction to Subie trying to kiss her feet was a powerful lesson Subie keeps with him, and is brought up again when he chooses his ground dragon, a breed known for its intense pride. He can’t accomplish anything alone, and he can’t inspire or convince others without that pride.

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Last week was ALL Rem and Subie, elevating Rem to “best girl of the year” status for many. I don’t have many strong arguments against that, so I’ll let it stand, especially when she doubles down this week on her absolute faith in Subaru, keeping his spirits up even when he starts to doubt if his cell phone will actually help them (considering how cruel this show can be, I too was worried this to all be for nothing).

But now Rem isn’t the only one trusting of or grateful to Subaru. He’s convinced two candidates battling for the throne to join forces, for crying out loud. And the merchants! As for stern-faced Wilheim, he gets a lot more fine strokes this week as one of those older men in this world who lost something to the WW, and is grateful for the opportunity to avenge his wife (who was once Master Swordsman, underscoring how dangerous the WW is).

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Perhaps one of the best moments of a highly satisfying and morale-boosting episode, another gem in a show full of them, is the moments of silence as the hour of the Whale’s arrival approaches. There’s so much built-up tension, combined with the possibility that it might not show up, or that the Witch Cultists would ambush the army.

Then the silence is broken by a strange electronic musical noise that took be totally off-guard (even though he said he’d set it earlier): Subaru’s cell phone alarm.

The cheerful chime feels like a terribly foreboding harbinger to some foul occurrence, but then the whale makes its appearance, and Subaru charges in first with Rem loosing her magic with prejudice. That changes Crusch’s face from terror and worry to a defiant smirk, and the battle begins.

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Orange – 06

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This week, as Naho and Kakeru grow closer and Naho learns more about the future, the enormity of her “mission” begins to weigh on her once more, and she again starts to doubt her ability to make the changes that needs to be made to save Kakeru. After all, she’s already failed the letters twice: when she invited Kakeru to hang out the day his mother died, and when she let him start dating Ueda-senpai.

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Since those failures, and the extra problems they created, Naho has been careful to carefully follow the bullet points in the letters. They are saying she has to watch the fireworks with Kakeru alone by the pool, and so that’s what she aims to do.

Knowing that these two are gradually becoming a couple and eager to help them out when they can, Azu, Tako, Hagita and Suwa all work to assist the two in getting together in the ideal time and place. Kakeru brings up his past regrets when asking Suwa if it’s really okay to be in love with Naho and to pursue her.

Suwa’s answer is that it has to be, because being in love isn’t a choice (and also because he has a pretty good idea how Naho feels).

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The consequences of Naho’s second failure almost derail the entire op, but Azu and Tako thankfully find Naho on the steps lugging Ueda’s contest prizes and take over the task, while Suwa and Nagita keep Ueda away from the pool in a way that will surely mean Ueda isn’t done fighting with the group. If she can’t have Kakeru and be happy, no one can. That could prove deadly to Kakeru later on.

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But we’re allowed to forget about Ueda and all her bullshit for a few wonderful, beautiful moments, as Naho and Kakeru are united before the fireworks end. In the courageous mood her future self told her she’d be in, she answers his question about which boy she’d most want to as her out (him), and he in turn answers hers (via Azu): that he’d want her to ask him out. The night ends as one neither will forget for the rest of their lives.

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Future Naho asserts that Kakeru’s regret stems from being unable to save his mother, while her regret comes from not being able to save him from the accident. Wondering why she can’t simply save Kakeru on the day of the accident, Naho reads ahead, and learns it wasn’t an accident – Kakeru rode his bike into a speeding truck on purpose, so he could go to where his mother was and apologize.

Knowing when it happens is irrelevant. Naho can’t save him from something his mind is set on anyway. Her true mission is to save his heart. That means learning more about his regret, which means asking about his mother. When Naho and Kakeru’s friends again arrange it so the two are alone for the Matsumoto Bon Bon, she gets plenty of opportunities, while also enjoying each other’s company.

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Despite their ongoing denial about not being a couple (at least not yet), the two look the part, and the camera captures them in a number of gorgeous isolated shots. Most affecting is when they pray to the shrine, which gives Naho her in.

After he evades her question of what he said to his mother at the shrine, Naho resolves to get him to answer her properly, even if he ends up hating her. Saving his heart is more important than preserving their romance, underscoring Naho’s role as a reluctant heroine.

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Turns out, Kakeru doesn’t hate her for pressing, though it’s clearly a painful subject to discuss. Indeed, he was worried she’d hate him if he told her the truth: that his mother, psychologically unstable, committed suicide the day he blew her off to hang out with Naho. That makes Naho’s first failure the reason Kakeru carries the regret that will ultimately destroy him if unchecked.

It’s an overwhelming blow for Naho, who can’t muster the words to comfort him. Suddenly, saving Kakeru’s heart seems like an impossible feat, especially all on her own. So she boldly reaches out to Suwa about her mission, and he seems to already be in the loop. You see, he also got a letter. BOOM.

That’s an explosive revelation right there, delivered with impeccable timing right at episode’s end. But it’s not so shocking, because we’ve seen Suwa and the others working so hard for Naho and Kakeru’s sakes.

I wouldn’t be surprised if everyone had letters, but it stands to reason if Naho could write a letter to her past self, she’d also write one to her future husband. It also explains why Suwa isn’t challenging Kakeru. In any case, now Naho knows his isn’t a mission she has to undertake all on her own. Everyone wants to save Kakeru’s heart.

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Tales of Zestiria the X – 05

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Last week’s TZX left us hanging, with apocalypse apparently upon Ladylake, but this episode made no attempt to arrest that suspense in any way. Indeed, this week’s story may well have been in another world than the adventures of Sorey, Alisha & Co., but I didn’t mind, because it was so goddamn awesome.

TZX has proven adept at embellishing simple scenarios with its imposingly gorgeous production values, and does not stray from that M.O. here. This is a simple prison break for the episode’s protagonist, Velvet Crowe. But it’s a prison break given great weight by how it’s presented and more importantly, why she’s breaking out.

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Trapped in the lowest dungeon for three years fighting and absorbing daemons into her left arm, Velvet receives a sudden visit from an unlikely ally: Seres, a former(?) Malak of her nemesis, Artorius. I loved how Seres would land softly on her feet no matter how hard Velvet tossed her.

Once they’ve climbed out of her vast cell, Velvet and Seres immediately face a group of exorcists, and Velvet demonstrates the results of all that daemon-eating by taking them all out herself.

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The duo reaches a storeroom where Velvet dons her sexy, elaborate armored pirate outfit and finds a gigantic Tempest Blade. Shortly thereafter, the blade’s owner shows up, also breaking out of jail. Velvet claims finders-keepers, but will give the guy his blade back if he joins the party; he agrees, and the duo becomes a trio. There’s a great satisfaction in watching Velvet clear each hurdle and build a party that will facilitate her escape.

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Rather than fight wave after wave of exorcists with no distractions, Velvet has Seres open up all the cells, and the prison becomes a chaotic battleground between the escaped daemons and exorcists, allowing Velvet to reach the top of the tower.

There’s a definite tinge of “badness” to Velvet and her party that’s not present with the innocent goody-two-shoes nature of Alisha, Sorey, and Mikleo. These guys, particularly Velvet, have been through some shit, and they’re going to do whatever it takes to survive, even if it means a big collateral body count.

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TZX also breaks out its “dramatic vista unfolding” to show us how isolated the prison tower is, upon a rocky island surrounded by ocean. Velvet isn’t going to let a steep drop stop her, and she uses her daemon claw to slow her descent. Rather than a pancake, she survives the drop with a dislocated shoulder she nonchalanetly pops back into place, and which Seres (who teleports down) quickly heals.

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So…they’re out of the prison. But how to get off the island? As fortune would have it, a ship is approaching, and it would seem that Velvet’s nemesis is aboard, meaning a huge confrontation is imminent. And thanks to the game-like previews, we learn that we won’t be switching immediately back to Sorey’s story next week. I haven’t mentioned those previews yet, but I like them, because they allow the characters to take a breather and let their hair down a bit.

And despite Velvet looking for all the world like a tortured villain, the fact she’s seeking revenge for a guy who killed a kid to become stronger (and is now considered a savior) is all we need to know her heart is in the right place: seeking to avenge the innocent and week from those whose heads have grown too big to do the same. And as a quick look at her Wiki indicates, she’s the heroine of Berseria.

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