Re:Zero kara Hajimeru Isekai Seikatsu – 17

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While Subaru managed to avoid the infamous white whale in previous lives in which he failed to save anyone, this week his luck really runs out.

There’s no escape from the whale, but all Rem can think of is to try to draw it away, an action that will likely result in her death but has a chance of saving Subie, along with Otto.

Of course, Subaru doesn’t want Rem to go, but she overrules his objection with a chop to the neck and jumps out of the wagon. That’s when things get weird…er.

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Not moments after they were talking about Rem, Otto acts as if he’s never heard of her before; as if the whale swallowed up not just Rem but everyone’s memory of her…except Subie’s, natch. Yet another reason for people to think he’s gone off his rocker…and he has.

No one of Subaru’s background would be expected to endure the repeated suffering and death of those he loves with such frequency and still have a chance of retaining one’s mental faculties.

Once Otto suspects the whale is after Subie, he shoves him off the wagon. An injured Subaru manages to find a ground dragon that takes him to the village where his kid friends are there to greet him, alive and well.

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So this time he made it to the mansion in time, but the situation is worse than Rem being dead, because no one, even Ram, has ever heard of her. The episode is ruthless in showing a momentary glimpse of a maid with blue hair until it’s revealed to be the twin not in love with Subie.

Rem aside, there is nothing Subaru can do to stop the massacre that’s about to happen. Emilia is more than patient (and still very concerned) about Subie, but all he can manage is to rave to her about how no one will be saved, and if she justs comes with him everything will work out.

Subie even attempts to tell Emilia about Return by Death, threat of having his heart squished be damned. Only this time the demonic hands don’t close around his heart when he says the words: they close around Emi’s, killing her in his arms.

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He awakes to a blood-colored night, where Beatrice is there, preparing to defend the mansion. Unwilling to kill Subie as he demands, she teleports him to the forest, so that he can find his own death, out of her sight. Pretty grim.

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Of course, once back in that damn forest, it doesn’t take long for Betelgeuse to show up with his cultist pals. He uses the same “unseen hands” that killed Emilia to separate him from her and threaten to tear her corpse apart, but a shower of ice daggers stays his unseen hands.

It’s the signature attack of a giant Puck, who, now that I see him in silhouette, was the beast that beheaded Subaru in episode 15, calling Emilia his daughter and asking Betelgeuse what he thinks he’s doing.

If you asked me back in the first half of the show if Emilia’s adorable little animate Beany Baby of a familiar would end up playing a role like this, I’d have said you were crazy. But we live in crazy, messed-up Re:Zero times.

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Orange – 04

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I’ve mentioned how cold and bleak and dreary things look in Naho’s “bad future.” With Kakeru dating Ueda, it’s like that coldness has seeped into present-day Naho’s world. Heck, the first image in the present is of a futuristic—and somewhat frightening—looking interior of an automatic ice cream cone-serving machine.

In it, two cones are stuck in their stands, so close together and yet inexorably separate, being pushed and pulled by outside forces ever further away. One is filled with pink ice cream – which I saw as a symbol of the aggressive redhead Ueda’s new regime in Kakeru’s life.

The workings of the ice cream machine seem unchangeable, but that’s just an illusion brought on by its cold, intimidating, mechanical nature. In order to prevent the same thing happening this time, the machine has to be unplugged and reprogrammed. And Naho is the only technician who can do it.

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Kakeru is most definitely dating Ueda-senpai. He is also most definitely miserable, because of the note he got from Naho a hair too late. Now he’s trapped, and Ueda will not leave him alone. She’s hot, but she’s also clingy, monopolizing, and singleminded. She’s also not a fool, so she sees the glances between Naho and Kakeru, and doesn’t like them one bit.

There’s already tension—like Weyoun and Dukat when DS9 was occupied—that Naho could capitalize on if only she had the nerve to. Alas, she still doesn’t. Letters that tell her she can’t keep ignoring Kakeru, even when he calls you to her and Ueda is nearby (as she always is) seem all well and good to Naho, but her future self is looking back; she’s not in the moment, trying the best she can but coming up a few seconds or a few inches too short.

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What present Naho doesn’t realize is that those seconds and inches become the years and miles that end up dooming Kakeru. Ueda will be the death of him if Naho doesn’t stop running away.

When Kakeru says “bye” to Naho, and Naho calls out his name, Ueda hears it all and takes her revenge by knocking Naho over on her way to her boyfriend. But it backfires: Kakeru doesn’t take the side of his current girlfriend—who just demonstrated that one should never pick someone based on looks alone—but Naho’s side, angering Ueda, who storms off in a snit. Smell ya later, missy.

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Back to the subject of color temperature: what had been a cold and bleak episode got much warmer and more comfortable, starting with the Ueda fight and continuing throughout the remainder of the episode, as things start to turn around for Naho, her colors of green and yellow (or, ya know, orange) start to replace the blues and reds.

Naho alone may not have the strength to do what her future self asks of her, but her friends lend her some of theirs, including Suwa, who is putting Naho’s happiness ahead of his own feelings. He, Azusa and Takako have plainly seen what Ueda (whom they loathe) has done to their Naho and Kakeru. They want Naho to know it’s okay to talk to Kakeru; after all, he wants to talk to her too.

Interestingly, Suwa’s mini-intervention wasn’t in future Naho’s letter; Naho takes it as a sign that the positive change she’s affected so far has already started to change the timeline. She can’t very well stop now.

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She doesn’t, and we finally get to end an episode NOT in the depths of despair. Yay! Naho speaks up, from across the street (then crosses after looking both ways. Good Naho!), and she and Kakeru reopen a very enlightening dialogue.

Kakeru is thinking about dumping Ueda, and not just because of the little public fight they had. Naho’s “no”, which she assumed he’d forgotten or ignored, has weighed heavily on him ever since he said yes to Ueda. It’s never felt right as a result, because he only chose Ueda because, at the time, he didn’t know Naho’s position, and Naho’s position is far more important to him than arm candy.

What Kakeru won’t reveal to Naho is the person he likes more than Ueda, even though it would be clear to anyone who wasn’t Naho that he’s talking about her, and like her is too afraid to just come out and say it. But never mind; just the fact he’s considering dumping Ueda makes this a small but crucial victory for Naho.

She realized that her future self doesn’t  have it easy. She’s dealt with ten years of regret of not doing what she’s telling her to do; Naho’s only dealt with a few weeks. And while future Naho can do nothing about any of it because Kakeru is gone, Naho doesn’t have that problem. Kakeru is right there. She has to keep her chin up, and think warm thoughts.

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Tales of Zestiria the X – 03

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Three episodes in (four if you count the prologue) and we still only know three of the eight party members in the OP, so the show largely skips past Sorey and Mikleo’s journey to the point where they’re at Ladylake’s gates, meeting the fourth (future) member. She’s got rosy hair, so I’ll call her Rose for now.

Were it not for Rose, Sorey wouldn’t be able to enter the city. That being said, Mikleo doesn’t do well around so many humans, who excrete a miasma of malevalence due to the worries about a war between Hyland and neighboring Rolance.

Princess Alisha’s non-aggressive stance, refusing to launch a preemptive strike, is only intensified by her experience in Elysia, where she say her dream of mankind (well, one man) coexisting with the Seraphim. Also, the hellion is also in Ladylake, though apparently not to kill Alisha, only to observe.

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The rest of the episode takes place within the confines of a kind of great temple to the sacred blade, which is stuck in a rock smack dab in the center. No pun intended, the relatively close quarters prove a double-edged sword, compared to the more exciting hellion chase last week or earlier this week on Ladylake’s rooftops.

It’s good that things are so compressed in this one room, because it ups the tension. There’s also the sense that the assassin hired by frustrated warmonger Lord Bartlow is closing in and tightening the noose on Alisha.

Of course, there’s no mistaking Komatsu Mikako’s wonderful voice, so it was clear the moment the female assassin started talking that she was Rose, the girl Sorey met. The episode isn’t coy about this, also showing her piercing blue eyes a small glimpse of her rosy hair under the helmet.

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Sorey and Mikleo learn that the Lady of the Lake is a Seraphim who dwells right beside the sacred blade, though no one can see her but them. After Alisha delivers a speech that goes over with the crowd about as well as Ted Cruz’s at the RNC last week, the Malevalence coalesces into a giant hellion in dragon form, at about the same time Rose attacks Alisha.

Suddenly the vast interior of the temple feels like a suffocating braizer in which Alisha is fighting for her live against a very skilled opponent (who uses a very different style than a knight would) and a boss none of the people can fully see causing a right ol’ ruckus.

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Of course, we know what has to happen here: Sorey must take grasp the sacred blade, form a contract with the lady (named Lailah), and pull it out of the stone. Sorey becomes Lailah’s vessel, transforming him into a dazzling dandy of a hero to slay the dragon with the blade.

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The dragon is slain, and the assassin withdraws, but Sorey has been warned: being the Shepherd will be an exhausting, alienating, thankless, lonely job. I’m not so sure about that last bit, especially after seeing that ED featuring Sorey hanging out with Alisha, Rose, Mikleo, and the rest of the party he has yet to assemble.

So far, each episode has set out to progress Sorey’s story by a notch, and has so far succeeded. Alisha’s prologue set the stage. Then Sorey and Mikleo met Alisha. Then Alisha invited Sorey to Ladylake, where he met Lailah and became the Shepherd.

It’s a brisk, efficient pace that manages not to feel too hurried or contrived. The addition of Komatsu Mikako to an already strong voice cast is always welcome. And, as expected, ufotable’s visuals and music continue to be beyond reproach.

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