Much of this week is spent in a McDonalds knockoff called “Wac”, where Tanaka’s disappointment at not getting the “Lucky Meal” toy he wanted (a mini-Roomba) is misconstrued as some kind of personal vendetta by the employee who served him.
We spend as much of the first segment with her worrying about Tanaka and Ohta “glaring” at her than we do with Tanaka and Ohta. She starts to go a little insane, though we know, of course, she’s totally mistaken and has no reason to fear our protagonists.
She finally realizes at the end of Tanaka and Ohta’s visit to Wac that they’re actually nice people who thank her and call her amazing. Of course, that only makes her more confused and suspicious.
That brings us to Saya, Ohta’s little sister, who just happens to be Tanaka’s little sister’s best friend. Unlike Rino, Saya isn’t a perfect opposite-sex doppelganger of her brother, though she is blonde and tall. She’s also voiced by Touyama Nao, who for once voices a painfully shy, not boisterous, character.
Saya is at first scared of Tanaka, but once Rino assures her there’s nothing to fear, Saya relaxes a little. She’s even able to carry on a convo with Tanaka when Rino is off ordering a drink, albeit talking about her own brother’s “Gorilla Level” on a scale of 1 to 5, which is apparently how both Tanaka and Saya gauge the effectiveness of a brother to protect his little sister.
When Ohta arrives and the cat comes out of the bag that he’s Saya’s big sister, it’s a big blow to Rino, who considers Saya her best friend but still can’t abide Saya’s big brother’s existence, at least in terms of his near-constant proximity to Tanaka.
Saya at first thinks she’s an eyesore to Tanaka, causing him to be in a bad mood by sitting with him, but Rino can tell he’s actually in an uncommonly good mood. Saya chalks that up to the unique perspective of a little sister.
Then the opposite happens when Saya walks home with Ohta, and he can tell she had a good time hanging out with Tanaka, even though she doesn’t think she shows it on her face. Basically, Ohta shows the power of a big brother, which like a big sister, can tell things non-sisters and non-brothers simply can’t, due to their extensive experience living with each other.
I enjoyed the long-expected introduction of Saya, but also the little portrait of the McDonalds part-timer, and how books shouldn’t be judged by their covers, especially in the case of Tanaka and Ohta. They’re exceedingly nice guys; just give ’em a chance!