Like Ikari Shinji, who was overwhelmed by duties and expectations, Yukina seeks refuge away from the places that have oppressed her, but neither strays too far. Yukina hides out in Ogino’s room (decorated with posters of other P.A. Works), unsure of what she wants to do but very sure of what she doesn’t, namely fight and kill people in Glongur.
Ogino is a good friend in that she lets her crash there, lies to her mom for her, and gives her space to sulk. But she’s also a good friend because she provides her own perspective on Yukina’s plight—i.e. it’s a blessing, not a curse—and tells her the sulking and running has to end eventually, and she has to go home.
Akagi and Kaya turn out to be fine, and were only gone as long as they were because Akagi’s bike ran out of gas. He gets a punch and a stern reaming from his father, warning his son not to “keep living for others’ approval,” but Akagi is mostly concerned with gaining Yukina’s approval, and he feels bad for ending up in a position where she might have been hurt.
Ken claims not to be worried about Yukina, and is only searching for the key to his artifact, but let’s be real here: of course he’s worried; after all, he’s still not certain Yukina isn’t the reincarnation of his princess. The princess is gone and his sense of purpose with it…except that Yukina has been filling the role of protectee he needs so dearly.
Talk about what Yukina wants comes up both in class and at UN control. Sophie suspects that if Yukina being in that artifact’s cockpit is the only thing keeping Earth safe, Yukina’s getting in that cockpit, whether she wants to or not. Unlike Shinji’s dad Gendo, Hitomi isn’t ready to commit to forcing Yukina; she’s more concerned with simply finding her.
Yukina’s would-be protectors mount a search for her; Ken on the big horse he met earlier, Akagi on his refueled bike (with Kaya tagging alone, hungry for more viral streaming).
Rather than go to school (which would feel like a quick surrender), Yukina heads into the Kurowashi Valley, where the castle of Ken’s lord once stood but has since been reclaimed by nature.
Not having any satisfying answers about how to proceed, perhaps she thinks following her father’s journal and exploring the site where the demons once attacked might shed some light on her proper path. Or heck, maybe she’ll find her missing dad.
Little does she know, the area is swarming with formerly dormant Efidolg Cactii, one of which zeros in on her location and attacks her. She’s saved neither by Ken (who gets close but never finds her by episode’s end) or Akagi (who took off later).
Instead, the magenta cactus is destroyed by a mysterious blue robot and a man with a very sharp sword and a watch Yukina instantly recognizes as—you guessed it—her father’s. The way this reunion has unfolded, it’s almost as if Yukina was always meant to ‘run away’ (even just a little bit) in search of either a reason for—or alternative to—pilot Glongur.
I’ll close by presenting two little snippets from the episode of both Ken and Yukina talking to themselves:
I just wanted to point these moments out because I laughed heartily at both, for different reasons. Ken’s surprise at the horse’s size is another unique product of a samurai from four centuries ago suddenly finding himself in the present, where horses (and Japanese people) are simply larger due to better food, medicine, and breeding. His delivery is great too.
Yukina’s observation, on the other hand, is one of the most sophisticated collections of words she’s spoken. It seems meant to show us there’s more to this unmotivated airhead than meets the eye. She’s either a secret geology buff or maybe she was just paying special attention to one particular part of class.