The time for messing around at home or school is over, as the Yellow Crab and two red Headless (which Yukina calls Dullahans) land near the airport, which, if you’ve watched Captain America: Civil War, you know is a great open place to stage a big fight while minimizing civilian casualties.
Ken and Yukina arrive to find themselves outnumbered 3:1, and the conventional military backup is completely toothless against their foes. That’s made plain when the Yellow Crab plucks an attacking gunship out of the sky as if it were a buzzing fly.
The mission for our main couple is to stay alive and hang in there until help can arrive in the form of the two GAUS units, which are launched from a railgun-like catapult thingy that emerges from an innocent-looking telescope dome. This sequence comes with all the requisite technobabble checklists and “all clears” one would expect of a sci-fi mecha show.
The show takes its time with this sequence, making it feel like the big deal that it is that they’re launching these things. Heft is also added to the proceedings by the foreboding rust-colored sky, and the hasty evacuation of the city.
The cockpit of Ken’s and Yukina’s artifact is pierced, but Ken only gets a glancing wound to the head and is okay. Things are kept relatively light with Yukina’s comment about there being a “bunch of things” (meaning HUD warnings), and her elation at the cavalry arriving being shot down when Sophie tells her not to chat during combat.
Once the two GAUS’s arrive, the playing field is evened a bit, as at least the two Headless are too busy fighting off Sophie and Tom to gang up on Ken and Yukina.
With some slick moves and samurai training, Ken manages to strike a blow to the Crab’s vital area that brings it down, turning black in the process. Then, to everyone’s surprise (including Kaya and Akagi, who are filming the action from not too far away and streaming it to the world), a pilot emerges and removes his helmet.
He’s…human. Or some kind of space-faring human, or an alien who looks just like a human. He calls himself Hedo, “Frontier Reform Officer” for “Efidolg.” He also calls Ken’s artifact “Glongur” and asks why he betrayed his people. Neither Ken nor Yukina nor anyone else know what the heck this guy is talking about, but they don’t get any time to ask questions.
Rather than be killed like a dog or taken captive, Hedo activates the Crab’s self-destruct. The blast that ensues is pretty intense—intense enough to roast Akagi and Kaya, if the show had chosen to go that dark here—but not town-encompassing. All that remains of Hedo and the Crab is a crater and a heap of questions, chief among them, in the words of Tom, exactly are those asshole fucks up in orbit, and why are they attacking?