Netoge no Yome wa Onnanoko ja Nai to Omotta? – 05

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Turns out Sette-san isn’t Nishimura’s sister, but his pink-haired classmate (and friend of Segawa’s), Akiyama. She teases both him and Ako by glomming on him in class, but she causes a lot more trouble than she expected, as she creates an environment Ako no longer feels comfortable in. She even suggests the club play an FPS unrelated to LA, likely to avoid Akiyama/Sette.

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Ako then recedes again from school life, vowing only to live in LA, where she knows Rusian is his wife, if nowhere else. At long last, Nishimura’s wishy-washiness and failure to clearly define his real world relationship with Ako has been laid bare, and this is the sum product: an Ako more reclusive than ever, who wishes to “reincarnate” into someone cooler.

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The club pretty easily figures out that Ako herself is caught up in a spiral of stubbornness and a desire not to lose further face, and that Nishimura is the only one who has a shot to bring her back to school. While walking home with Segawa, she relays to him how important he was to Ako, both in the game and in her life, and how she, like Ako, wouldn’t mind spending a good long time with Nishimura…gaming, of course. Just gaming. As usual, Segawa fools precisely no one but the guy she’s trying to pretend she doesn’t like.

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When he arrives at Ako’s house, Nishimura is confronted by Ako’s mom, who looks more like an equally attractive older sister and is delighted that Ako’s “future husband” has come to sort her “problem daughter” out. She then shuffles off to work, leaving him with the key to Ako’s room, of all things.

When he enters, Ako isn’t ready for him, being in her underwear and all. When she tells him she is ready and he can come in, she’s totally naked, revealing her and Nishimura’s definitions of “ready” in this instance differ greatly. She eventually gets some damn clothes on, however, and to her surprise, Nishimura isn’t there to drag her back to school; he’s just there to play LA with her.

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After a day of this, during which they were supposed to be at school, Nishimura essentially proposes mutually assured destruction: if Ako can stay home forever and never go to school or see any of their friends, so can he, and whatever fallout there is from that, so be it.

While I kinda doubt Nishimura’s parents would allow him to ruin his chances of getting into college or securing a good job, Ako is touched by Rusian’s devotion. The knowledge that he’d stay home with her forever if that’s what she eventually decided gives her the strength to tough it out at school with him.

Once she’s there, Akiyama mends fences by proclaiming to Ako’s peers that she has a dutiful boyfriend who visited her when she wasn’t feeling well. That’s a narrative Ako can get behind. Do I buy that it’s enough to mitigate all her other mental and social issues? Not really. Is Nishimura now Ako’s explicitly public boyfriend? No. Is that fundamental ambiguity a problem going forward? Certainly.

Furthermore, the last few episodes have felt like slightly-tweaked versions of the same story, beginning and ending in virtually the same space. Characters can talk about Ako “progressing”, but that doesn’t mean it’s true.

And everyone’s too…nice. This is high school, where are the “normie” antagonists? Those issues, combined with its Thursday night time slot (my movie night) and lackluster production values, are making this a hard show to stick with.

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Author: sesameacrylic

Zane Kalish is a staff writer for RABUJOI.