A handful of demons are still at large all over the globe, but there’s no imminent existential threat to humanity. But Kennosuke still has a challenging battle to fight: adjusting to the modern world, where even the eating utensils are different, to say nothing of the kind of food people eat.
Much of this episode’s first half is Ken settling into Yukina’s uncle’s house, much to Yukina’s consternation. Samurai otaku Koharu, on the other hand, is delighted to have a real life samurai around to criticize the little men in the box (TV) whose stances are all wrong.
I must say I fall more on Team Koharu in terms of Ken’s fish-out-of-water antics being immensely entertaining and amusing. The show really flexes its slice-of-life and comedy muscles, after previously showing it can do hand-to-hand combat, mecha battles, and general peril.
I especially enjoyed how Ken turns everything—from the strange food to the pet ferret on the roomba—into little mini-battles that test his mettle. As the uncle says, he really is a warrior, and warriors don’t always make the best houseguests, but they are fairly predictable in their behavior and values…especially a distinguished samurai such as Kennosuke.
Of course, there will always be hiccups, like repurposing Yukina’s favorite towel as a loincloth. But that’s just part of the fun, as Yukina’s often mortified reactions are as funny as the words or incidents by Ken that cause them.
So this isn’t the most heavyweight episode, plot-wise, but it does continue to gradually build up a bond between the two leads, Yukina and Kennosuke. She’s tasked with taking him to the mall (which he mistakes for a castle), and she takes the task seriously, even though she’s reluctant. Something about Ken rubs her the wrong way (especially now that she learns they’re about the same age) because he’s new (or rather old) and different; shaking up her old mundane life.
But as I said last week, there’s an upside to Kennosuke, beyond laughing at his archaic way of speaking and the unique ways he sees certain aspects of modern life, and its that very shaking up of Yukina’s life; giving it sudden and profound purpose.
When Ken looks around at all the happy kids at the mall, he remarks that the world has become a very peaceful place, and so his princess did not sacrifice herself in vain. It’s a very poignant, melancholy moment, which is expanded upon when Ken essentially assures Yukina that her father—who was dismissed as a whack-a-doo for his theories on alien demons—was right.
Of course, her father being right doesn’t change the fact that he left, something Yukina, who seemed close-ish to her father in the flashbacks, probably laments/resents about him. But when Ken sees and verifies his bigfoot-like photo of a demon, it’s as if a missing piece of a puzzle has fallen into place. I’m all for badass mecha action, but quiet episodes like this that develop the players are welcome too.